The climax of the 20 year cycle at Ise took place last night at 8 in the evening, and the event has been featured widely on the television news. The programme I watched had views of the torchlight moving of the ‘goshintai’ (spirit-body) of Amaterasu behind protective sheets, together with assertions of how special the occasion was, how important it was to keep up traditions, and how increasingly difficult it is to find the raw materials and skills necessary for the renewal.
Amongst those in attendance was the younger son of the emperor and the present prime minister. The rites are overseen by a princess priestess, daughter of the emperor, representing the old office of Saigu (for more about the post, click here.) Much was made of how the Ise renewal (shikinen sengu) represented a different view of life from the European church tradition, where belief is set in stone once and forever. Mention was made too of how this year coincides with the Izumo renewal programme, and that therefore it signifies a time of big change.
The renewal programme is an astonishing affair, which comprises much more than simply removing the kami’s spirit-body to a new shrine. (For a previous posting on the subject, click here.)
Completed in eight years, the renewal process requires 14,000 pieces of timber, 25,000 sheaves of miscanthus reeds, and 122,000 shrine carpenters; this massive project reconstructs over sixty structures, including the Main Sanctuaries of the Inner and Outer Shrines, treasure houses, offering halls), sacred fences, torii gateways, the buildings of fourteen “auxiliary sanctuaries”. All offerings of vestments and sacred treasures presented by the imperial family are also replaced.
The first example of the replacement of imperial offerings dates back to 849 but the shrine’s current list totals 714 categories consisting of 1,576 articles (189 categories comprising 491 sacred treasures and 125 categories comprising 1,085 vestments). This diverse range of objects can be divided as follows. Vestments include room fittings, “kami seats” and rugs, furnishings, and ritual artifacts for the “transfer of the deity” (Sengyo) ceremony.
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