Author: John D. (Page 43 of 202)

Taishi Kato Interview 2

Taishi Kato is a young Shinto priest with an interest in spreading knowledge of the religion to overseas people, and Green Shinto carried an interview with him last year before he went to study for an MA at the School of Oriental and African Studies in London (see here).

He has recently returned to Japan, so we were naturally curious to find out about his experiences during his time abroad, and how was the response to his role as a Shinto priest (he is the son of the Guji (head priest) of Hattori Tenjingu in Osaka).

*************

Taishi in student mode, prior to leaving for England

Did you find much interest in Shinto? If so, from what kind of people?

Yes. I made a lot of friends who are interested in Shinto. To be honest, I did not even expect that so many foreign people have a profound knowledge of Shinto. I could learn different perspectives of Shinto from them. For instance, those who do Martial Arts. Their understanding is based on their sensitivities so that I could share the view of Shinto not based on rational thought but intuitive perception. I would like to learn more about the view of Shinto from those who are living outside Japan.

What did you find was the most difficult part in explaining Shinto to people in Britain?

I felt the difficulty for explaining about the essence of Shinto in Europe in the framework “religion”. For example, I think that Japanese are confused about answers when asked “What is your religion?” There is a prerequisite in this question that a person “belongs to one religion as a believer”. However, in Shinto human beings cannot decide who is a Shinto believer or not. Shinto has no absolute doctrine and sacred scriptures, while Shinto has evolved through the centuries by incorporating a great number of concepts and ideas from Buddhism, Confucianism and Daoism.Instead of drawing boundaries, Shinto has coexisted with other religions. Given this characteristic of Shinto, it is very different from the concept of religion in the West. Therefore, I struggled to explain about the concepts of Shinto within the framework of “religion”. However, even if one’s religion or nationality is different, by sharing “thankfulness for being alive now”, I believe that people will change to the feeling that we are alive thanks to everything around us rather than the feeling that emphasizes the difference between “us and others”.

 How about your experiences in the rest of Europe, outside Britain?

I was invited to a Japanese cultural event at the Davos Congress Center in Switzerland. I gave a talk on Shinto in English. After that, I also offered a prayer for the success of the event. Swiss people attended the ceremony with deep respect for Japanese traditional culture,

I had a sense that I could become one with attendants spiritually through the ceremony. If given an opportunity, I would like to perform the ceremony again.

Taishi in his priestly garb, with a flag supporting the local Osaka football team

 What was the best experience (or biggest challenge) you had in your time in Britain? 

One of my best experiences was to share Japanese traditional culture with foreigners. Japanese people have potentially shared the traditional sensitivity of being alive thanks to everything around us. For instance, in Japan, there is a custom of joining one’s hands together before eating in order to express one’s gratitude. It is easy to take food and the process of eating for granted. However, Japanese appreciate the effort of the many people who harvested, transported, stored and sold the food. Moreover, natural energy, such as sun, rain, soil and microorganisms have been regarded as core elements for our eating. I was so delighted to share the idea of “being alive thanks to everything around us” by joining our hands together before eating a meal with foreigners.

 What are your plans for the future, now that you are back in Japan?

I would like to provide an opportunity for visitors of my Shinto shrine to hear about Shinto. There are few opportunities for foreigners to know what Shinto is within a shrine. When I was in Britain, I realised that I could broaden my view of Shinto through conversation with foreigners. Therefore, our Shinto shrine will start giving an opportunity for visitors to discuss about Shinto. I believe that it will be helpful to make our connection stronger through Shinto. And also if possible, I would like to perform ceremonies outside Japan.

Florida talk, Dec 9

What is Shinto?

Sponsored by the Florida Kyudo Kai | Talk by Taishi Kato

Taishi Kato (加藤大志)

DATE  Saturday, December 9, 2017
TIME   1:30pm
LOCATION   Morikami Theater
PRICE   FREE with paid museum admission

No reservations. Tickets will be given out the day of the event, at a first come, first served basis.
ABOUT THE PRESENTATION

Taishi Kato (加藤大志

Shinto is said to be the source of Japanese culture — But, why is it a mystery? Taishi Kato, known under his priest title Taishi Gon-Negi, shares his view of Shinto by shedding light on how the characteristics of Japanese culture such as “cleaning”, “harmony” and “perspectives on nature” are rooted in Shinto. Taishi Gon-Negi will perform a Shinto blessing after the lecture, followed by the Florida Kyudo Kai, a Japanese archery group, demonstrating an archery ceremony called taihai.

Taishi Kato is a licensed Shinto priest from Hattori Tenjingu in Osaka Japan. He was born as the eldest son of a multi-generational family serving their 1000-year-old Shinto shrine. He graduated with a Masters of Arts in Religions of Asia and Africa at the School of Oriental and African Studies (SOAS) from the University of London. He is committed to introducing his native Japanese religion of Shinto to people all around the world.

Florida Kyudo Kai

The Florida Kyudo Kai was established in 1998 to facilitate the practice of the Japanese martial art of archery in Florida. The Florida Kyudo Kai operates under the auspices of the South Carolina Kyudo Renmei as their main root of instruction and are members of the International Kyudo Federation (IKYF) of Japan.

 

London’s Japan Matsuri

Sunday, 24th September 2017, 10am – 8pm 

Trafalgar Square, London

JAPAN MATSURI 2016

Japan Matsuri 2017

Features
Daikagura Performers: Mimasu Monnosuke, Okinaya Wasuke
Japanese Samurai Selection
Tsumura Reijiro, Suzuki Yoshitaka and Ichikawa Hibiki with DJ TAKAKI

daikaguraweb

London’s very own and much loved festival of Japanese culture – Japan Matsuri – takes places in 2017 on Sunday 24th September. In its 9th year and a regular fixture in the London calendar, this energetic annual event brings people together to enjoy an amazing day of Japanese food, music, dance and so much more. Please bring family and friends, old and young to join us for another special event. All absolutely free!

As in previous years, everything will kick off bright and early at 10am and the action will run non-stop all the way through until 8pm in the evening. With two stages, there is plenty to see all day with an exciting main stage programme and amazing displays of martial arts on the second stage. Swing to the beat of taiko drumming or sing along to catchy songs from popular artists like Naomi Suzuki on the main stage. We even offer you the public a chance to sing to the crowds if you fancy joining in our ever popular Nodojiman karaoke singing contest! In 2017 we will be celebrating Japan in the UK and showcasing some of the best and brightest talent in this country.

Enjoy the atmosphere with delicious Japanese festival food from a host of brightly coloured stalls. Join in the fun in the family activities area with traditional Japanese games and opportunities to learn origami and Japanese calligraphy or dress up in traditional Japanese costumes. There will also be a massive nine metre long canvas upon which you can draw your own creations right in front of the National Gallery!

 

logo

Hawaii peace bell ceremony

Izumo Taisha in Hawaii was founded in 1906 and for the past 27 years has hosted a Hiroshima bell ringing ceremony. The bell was donated by the city of Hiroshima, which is twinned with Honolulu. Though it is a Buddhist-style bell, it’s housed in front of the splendid Izumo Taisha in Honolulu.

In the Youtube video of the ceremony, Ray Tsuchiyama introduces the shrine and Shinto in general. We learn that the shrine was shut down in WW2, returned to the Japanese-American community in 1961, and that it is now thriving. However, it’s worth noting that before WW2 there were ten other Izumo Taisha shrines dotted around Hawaii, and the video features the only one to have survived.

The first nine minutes consist of Shinto-related matters, then the video turns for the second part to the interfaith ceremony. Representatives of Shinto, Buddhism, Christianity, Judaism and the native Hawaiian religion are all included in the ecumenical event. (Our thanks to Ray Tsuchiyama for providing the link to this important and inclusive example of overseas Shinto.)

Death rites

Following the positive feedback to the posting about Hearn and the living dead, one or two readers have asked about funerals in Japan. One of the simplest overviews is given in William Penn’s The Expat’s Guide to Growing Old in Japan: What You Need to Know, from which the following extract is taken. It’s said that 90% of the population follow this kind of procedure, with exceptions being Christians, atheists and Shinto burials (see the series of postings on Shinto Way of Death). In recent years alternative forms, such as natural funerals, are on the increase, though still relatively rare.

*************

The basic traditional funeral
“While the somber and rigid customs of the traditional funeral are quickly being redefined by the changing times, there is still a prevailing, basic funeral format in Japan that one should be familiar with. When someone dies, there is an o-tsuya (wake), followed by a kokubetsu-shiki (funeral). It is acceptable to attend either the wake or funeral or both.

Books and magazines on funeral etiquette suggest suitable hair styles, makeup, attire, and behavior for the kokubetsu-shiki, which is considered the formal funeral service. Subdued is the operational word. Black clothes and stockings, toned-down makeup and hairstyle are recommended. Pearls are the only really acceptable jewelry. For men, etiquette dictates a dark suit, tie, socks and shoes or a black armband if a suit is not available.

A tomb in Okinawa with offerings scattered in front

A picture of the deceased is placed at the center of the Buddhist altar. (If one is something of a control freak, they might want to select and prepare their own photo ahead of time just for this occasion.) A tablet with the person’s new kaimyo Buddhist name written on it also will be displayed. In front of the altar, a table to offer incense is provided. As mourners pass by, they bow to those present before offering incense with their fingers. The number of times this is done is determined by what sect of Buddhism one belongs to, but it is likely that many attendees probably don’t know for sure themselves and just follow the lead of the person in front.

The body is displayed in a wooden casket (hitsugi). As the visitation comes to an end, funeral attendees may gaze at the deceased and place flowers or mementos into the coffin before it is ceremonially nailed shut. This is perhaps the most powerful and emotional moment of the kokubetsu-shiki.

Next, the body is taken to the crematorium. This is the part of the funeral that is usually attended by only family and close friends who are transported by rented bus or car to the crematorium. Those who are not going to the crematorium stand and bow until the hearse has pulled away. At the crematorium, the family witnesses the placement of the casket into the crematory.

Shinto burials are relatively rare

After this, they are guided to a private room where they are served tea and snacks of cookies and rice crackers. They sit and chat as they wait for the body to be cremated. This interval serves to give the family a few minutes of respite from the somber proceedings. Then, they are led to the door where the remains will be brought out and attendees use chopsticks to pick up the bones. This will be overseen by a funeral attendant who makes sure the bones are placed into the urn in the proper order.

The bones are not pulverized to ashes as they often are overseas. The ashes are taken home by the chief mourner and placed on the family’s Buddhist altar for 49 days until they are interred at a temple or other location.

The crematorium ceremony, a combination of utter realism and the bizarrely surreal, is often portrayed as almost ghoulish. On the contrary, at many of the funerals I have attended, there was a somber beauty in the fact that the loved one is not left behind but brought home to be with the family so they have a little longer to allow the gradual shock of separation to fade. Perhaps, one day even this moment of somber beauty may be seen as a fleeting tradition of the past. As society continues to alter the way it deals with death, even the concept of a funeral and ashes is changing.”

Ponsonby-Fane exhibition 2

In the prewar years Shinto scholar Richard Ponsonby-Fane was much taken with the area and lived in an old Japanese house

The great scholar and eccentric, Richard Ponsonby Fane, was an interwar resident of Kyoto who turned himself into the foremost Shinto expert of his day – and that includes Japanese! It’s a remarkable achievement, all the more so when you consider he was an aristocrat who had forsaken a stately pile to come and live in Japan. He must have devoted all his leisure time to the mastery of contemporary and ancient Japanese while pursuing local and shrine history. (He had no need to work for a living.) He died shortly before WW2, though his private secretary Sato Yoshijiro continued to live in the city for long afterwards and to cherish his legacy.  One person who knew Sato-san is woodblock artist Richard Steiner, and he has kindly written a report below for Green Shinto of the Ponsonby-Fane exhibition now showing at Shimogamo Shrine.  (Part One of this two-part series featured family reminiscences of Ponsonby Fane by a descendant of Sato Yoshijiro’s brother.)

Ponsonby-Fane’s country seat in Somerset, England

Richard Steiner writes…

The exhibition house, a large, wooden, very well made, two-story traditional home originally belonged to one of the shrine families, the Itcho clan. It then became the home of one of Kyoto’s mayors, and lastly the home/studio of a well-known Nihonga painter. The shrine got the property, had it preserved and modernized inside while keeping the wood and doors and windows and garden all in working condition. The building is located on the south bank of the Izumi-gawa river (where river means trickle). A magnificent job.
The house has many small rooms; Ponsonby’s exhibition occupies two and a half of them, in different parts of the first floor (second floor is closed). On display are lots of documents in English and Japanese, letters, books in Western and Japanese bindings, personal items of Ponsonby’s, one great photograph of him surrounded by the Sato-clan, a stone rubbing and a color photograph of his memorial stone at Kamigamo Shrine, and more. There are also the six published books of Ponsonby’s, the second, red binding edition, sitting on a window sill: (I have the first edition, a blue bound set, which I bought directly from Sato Yoshijiro).
All of this life-work is really smartly displayed, thanks to exhibition organiser, Araki san (the young son of Shimogamo Shrine’s present chief priest). We also met Mr Hiyama, a cousin of the Sato’s, who lived in the Sato house until they all passed away, and, ergo, became the keeper of Everything Ponsonby. .He understands this position and honors it completely.
This exhibition is the first instalment, with plans for another to be set up after September with interesting material, which is being attended to at present.

The house near Kamigamo Shrine where Ponsonby Fane lived, now taken over by a company

******************
For more about Ponsonby-Fane, see here.
******************

Hearn 21): The living dead

At Obon people burn bunches of incense to call back the dead

Today is Obon, ‘the Japanese day of the dead’, and an occasion about which Green Shinto has posted in several previous years. (Click here for reflections on Japanese and the dead, here for Kyoto’s Daimonji festival, and here for a comparison with Halloween.)

Obon is of course the supreme example of Japan’s cult of the dead, commonly referred to as ‘ancestor worship’, though ‘ancestor reverence’ would be nearer the mark. No one has written better on the subject than Lafcadio Hearn, whose Japan: An Attempt at Interpretation (1904) was devoted to the practice. Ironically, it was the last book he wrote before dying, and the book was published shortly after his death. (Click here to learn more about Hearn and ancestor worship).

Kyoto’s Daimonji festival on Aug 16 to send back the spirits of the dead after their visit back to their family homes (courtesy of Aaron Williamson)

In his book Hearn shows how the dead continue to live on in Japan, and how indeed they control the present. Time and again in his writing Hearn asserts that the living are ruled by the dead. Humans are not autonomous individuals able to think and act for themselves, but are guided by everyone who came before. ‘We are, each and all, infinite compounds of fragments or anterior lives,’ Hearn wrote in Gleanings in Buddha-Fields (1897), p.92.

It is a recurring theme in Hearn’s writings, and one that proved a rich vein, for it infuses his view of life with the power of the unseen past. The poet Edward Thomas, who surprisingly wrote a book about him, noted that he was ‘most individual when he submits to his favourite obsession, that of the infinite ancestry of every soul and every act.’ (Lafcadio Hearn, p.70)

The scale on which Hearn conceives things is vast. He writes of ‘unimaginably countless experiences in an immeasurable past’, of ‘trillions of trillions of ghostly memories’, of the ‘myriad million voices of all humanity’, of the ‘dim loving impulses of generations unremembered’, of ‘countless anterior existences’. ‘The mind is as much a composite of souls as the body is of cells,’ he writes in Chapter IV of Kokoro (1896).

IN Hearn’s view, then, every human is prone to the numberless experiences of an immeasurable past. A child’s natural love for its mother for example is born of ‘a million caresses in countless previous existences.’ It explains for him many of the mysteries of life, such as deja vu, why we thrill to certain kinds of music or to certain sights such as sunset. Although we like to think of ourselves as autonomous individuals, he notes in an inspired deconstruction of the self in an essay on ‘Dust’ that humans are so much more than that. On this day of all days, it’s a curiously comforting thought for those concerned about the prospect of death.

I, am individual; an individual soul! Nay, I am a population – a population unthinkable for multitude, even by groups of a thousand millions! Generations of generations I am, aeons of aeons! Countless times the concourse now making me has scattered, and mixed with other scatterings. Of what concern, then, the next disintegration?

Cemeteries at Obon time are full of lanterns to welcome back the spirits of the dead. For Lafcadio Hearn nothing was more central to Japanese culture than belief in the living dead.

******************

In the Shinto-Buddhist framework, death is usually given over to Buddhist priests to take care of, for they have a greater concern with the afterlife and reincarnation. For Westerners used to a single funeral ceremony, the number of events held by Japanese families can be startiing. Depending on the sect the times of commemoration ceremonies vary, but in general they take place after 7 days, 14 days, 21 days, 28 days, 35 days, 42 days, and 49 days. These are considered the first 7 steps to a deceased person becoming a “hotoke-sama” (buddha). Seven being a magic number, you could say that the deceased are helped thereby to enter ‘seventh heaven’!

Yet the process does not stop after 49 days, for there are the 1 year, 3 year, 7 year, 13 year, 21 year and 33 year memorial ceremonies as well. Some sects have a 49 year ceremony too if relatives still survive. In addition, there is the annual Obon remembrance in mid-August, as well as grave-cleaning visits at equinox (Shubun and Shunbun) or year-end.  One can understand why Hearn saw the dead as occupying such an important place in Japanese culture!

The ceremonies are not only an important part of the mourning process, but serve to keep the deceased “alive” in the hearts of those left behind. The prayers are said to guide the dead in the afterworld, in that the chanting encourages them on their way. Similarly the constant incense burning for the first 49 days lights their path for them. There is a ghostly and poetic touch to some of the prayers, as illustrated below:

Fudaraku ya / Kishi utsu nami wa / Mikumano no / Nachi no oyama ni/ Hibiku taki tsuse

On Kannon’s island paradise, / Waves crash upon the shores; / In the sacred land of Kumano, /
Down Nachi Mountain, / The thundering waterfall cascades.

Commenting on the whole process, one Japanese remarks, ‘It’s a lot of work at times, but in the beginning it keeps you focused on the ceremonies and gets you through the first few weeks, and after that, the houji [memorial ceremonies] are a time for getting together and remembering people.’

RIP

 

« Older posts Newer posts »

© 2025 Green Shinto

Theme by Anders NorénUp ↑