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Environmental or nationalist?

Protest in Tokyo against the Taiji dolphin slaughter (Photo courtesy AFP)



 
An article in Japan Today
concerning protests against the horrendous slaughter of dolphins in Japan highlights how such issues can divide environmentalists and nationalists.  Environmentalists are motivated by universalism and a concern for the earth as a whole.  It brings people together in a common cause.  Nationalism see things from a narrow-minded viewpoint predicated on cultural values and national interests.  It’s characterised by division and conflict.

Since the Meiji ‘construction’ of Shinto as a tool of state, the religion has been considered by some as ‘a religion of Japaneseness’.  For that reason it often lines up on the wrong side of environmental issues, such as whaling, dolphins and the nuclear issue.  This is hard to understand for those who see the religion as simply nature worship.

As the environmental crisis worsens in the twenty-first century, Shinto will have to choose between a backward-looking nationalism and progressive environmentalism.  Borders have little meaning in a global age, and neither dolphins nor nuclear radiation pay any attention to them.  With the spread of Shinto to the West, it’s the green side of Shinto that will prevail, and hopefully within Japan too a new generation will shrug off the ugly associations of the past.

(Protests against the Taiji slaughter are being organised worldwide, including London, Sao Paulo, Vancouver and across the United States,)

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Activists rally in Tokyo against dolphin hunt
NATIONAL SEP. 01, 2013   AFP  TOKYO —

Environmentalists staged a rally in Tokyo Saturday to protest the start of Japan’s annual dolphin hunt, which was made infamous by an Academy Award-winning documentary.

The rally organizer, Action for Marine Mammals, said it was one a number of demonstrations taking place around the world this weekend ahead of the season’s hunt in the Japanese fishing village of Taiji.

About 50 activists gathered in central Tokyo carrying banners that read: “Stop the slaughter.”

“Japanese people are responsible for stopping our country’s barbarian dolphin hunt,” said Toshiaki Morioka, head of the group, adding that some of his members planned to travel Taiji later.

Environmentalist poster (photo AFP)

The village drew global attention after “The Cove”, a hard-hitting film about the annual dolphin hunt, won the Academy Award for best documentary in 2010.

Fishermen corral hundreds of dolphins into a secluded bay, select a few dozen for sale to aquariums and slaughter the rest for meat. The dolphin hunt takes place over a period of months.

Marching side by side with the environmentalists, a dozen Japanese nationalists shouted through loudhailers: “Get out of Japan! Hypocrites!”

The nationalists accused the environmentalists of undermining Japanese culture and traditions, labeling the demonstrators as “environmental terrorists”.

Some tried to break up the march, but police separated them from the procession to avoid a possible skirmish.

Japanese rightwing activists have recently increased their presence, stirring nationalistic sentiment amid territorial disputes with China and South Korea.

7 Lucky Gods (complete guide)

Mark Schumacher, compiler of the wonderful onmark A-Z Dictionary of Japanese religions, has produced an authoritative guide to the Seven Lucky Gods (Shichifukujin).  This labour of love includes the following:

INTRO Page. Explores their development in art and lore. 50 photos. 16 pages.
Ebisu. Only Japanese god in the group. 16 photos. 5 pages.
Bishamonten. From the Hindu pantheon. 80 photos. 24 pages.
Benzaiten. From the Hindu pantheon. Only female in group. 260 photos. 60 pages.
Daikokuten. From the Hindu pantheon. 36 photos. 12 pages.
Fukurokuju. From the Chinese pantheon. 12 photos. 5 pages.
Hotei. From the Chinese pantheon. 19 photos. 5 pages.
Jurōjin. From the Chinese pantheon. 6 photos. 5 pages.
Various side pages, including Benzaiten’s Main Sanctuaries (52 photos, 16 pages), and Kami of Rice, Food, Agriculture and Wealth (4 photos, 4 pages).

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Benzaiten, the only female amongst the Seven, playing her biwa

Mark writes…….

Japan’s Seven Lucky Gods (Shichifukujin 七福神) are an eclectic group of deities from Japan, India, and China.  Only one is native to Japan (Ebisu). Three are deva from India’s Hindu pantheon (Benzaiten, Bishamonten, Daikokuten) and three are gods from China’s Taoist-Buddhist traditions (Hotei, Jurōjin, Fukurokuju).

In my mind, it is more fruitful to explore the seven within a Deva-Buddha-Kami (Hindu-Buddhist-Shintō) matrix rather than a standard binary Buddha-Kami model. For that reason, special emphasis is given to the three Hindu deva. Although the group’s Japanese origin can be traced back to the 15th century, the set of seven did not become stadardized until the late 17th century.

By the 19th century, most major cities had developed special pilgrimage circuits for the seven. These pilgrimages remain well trodden in contemporary times, but many people now use cars, buses, and trains to move between the sites.  Today images of the seven appear with great frequency in Japanese art and media, but unlike olden times, the seven are now often portrayed as cute, lovable and childlike.

The “cutification” of religious icons in modern Japan is widespread and part of a much larger social trend toward cuteness in billboard advertising, corporate branding, sports mascots, street fashion, product design, and a host of other areas. This integrated primer explores the seven’s historical development in Japanese art and lore.

Statues of Daikoku, equated with the kami Onamuchi (aka Okuninushi) worshipped at Futarasan Jinja in Nikko. (There is a collection of cute Daikoku ema and statues in the shrine’s Daikoku-do.)

 

The rat, familiar of Daikoku aka Okuninushi, here seen in the Daikoku Hall of Futarasan Jinja in Nikko. (Okuni is equated with Daikoku because their names have the same Chinese characters but with different readings.)

Life-giving swords

This is the 500th posting for Green Shinto, and I’m happy to say that it’s by one of my favourite writers on Japan, Michael Hoffman.  In a piece for the Japan Times, he writes of the role of swords in Japanese culture.  Swords of course played a significant role in early Western myths and beliefs – one only has to think of Excalibur to realise that – and in Shinto mythology too the sword holds a symbolic role.  It’s one of the three sacred regalia, along with the mirror and the magatama bead, that was supposedly handed down through Ninigi to Jimmu and the imperial line.  While the mirror is said to be housed in Ise and the magatama in the imperial palace, the sword ended up at Atsuta Shrine in Nagoya.

In the piece below, Hoffman reflects on the cultural significance of the Japanese sword.  (The full article can be accessed here.)

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Only in Japan could a sword be ‘life-giving’
Michael Hoffman  Japan Times

“The sword is the soul of the samurai” — such was the proud declaration down the centuries. It is a weapon common to most early civilizations, but “there is no country in the world where the sword has received so much honor and renown as in Japan,” wrote Yokohama-based English diplomat Thomas McClatchie (1852-86), one of the first foreign students of Japanese martial arts.

The sword figures in the earliest myths. Susano’o, the storm god, slays a people-devouring monster, extracting from its forked tail the sacred sword that became, together with a sacred mirror and a sacred jewel, one of the regalia of Imperial authority bestowed by the gods upon the nation’s first human ruler.

Down to modern times, “The swordsmith was not a mere artisan,” wrote the Christian scholar Inazo Nitobe in “Bushido” (1900), “but an inspired artist, and his workshop a sanctuary. Daily he commenced his craft with prayer and purification.”

The Japanese knew of firearms as early as the 1540s, when Portuguese traders brought them and did a very brisk business selling them. In Japan, though, the gun never displaced the sword, as it did in the West. Why? Numerous material factors can be cited — the shortage of firearms relative to the number of fighters; the unrelenting warfare of the time that favored tried and true techniques over uncertain experimental ones; the inconvenient length of time it took to reload a gun between firings.

But the sense of the sword as more than a weapon — as a “soul” — was surely decisive.

(courtesy www.etsy.com)

Old Japanese literature — philosophical, religious and military — refers frequently to “the life-giving sword.” Why “life-giving”? The sword is a lethal weapon, none more so than the Japanese sword, whose technical excellence is the marvel of connoisseurs worldwide. No one talks of the life-giving pistol, the life-giving atomic bomb, the life-giving drone. Where is the life in a death-dealing sword blade? The modern mind struggles to understand.

Religion and martial ardor meet in the person of a Zen priest named Takuan Soho (1573-1645). An accomplished swordsman himself, he served as spiritual guide to the outstanding martial artists of his day, whom he taught along such lines as these: “The enemy does not see me. I do not see the enemy. Penetrating to a place where heaven and earth have not yet divided … I quickly and necessarily gain the desired effect.”

That “desired effect” can only be the death of his opponent, but the death of a master swordsman at the hands of a master swordsman, tradition has it, is not death — certainly it is not murder — because the religious enlightenment that is prerequisite for true mastery places one beyond the illusory distinction between birth and death.

“As long as a student of Zen entertains any kind of thought in regard to birth-and-death, he falls into the path of the devil,” explains a Zen master quoted anonymously by Zen priest Daisetz T. Suzuki (1879-1966) in “Zen and Swordsmanship.”

Foremost among Japan’s master swordsmen is Miyamoto Musashi (1584-1645), who lives on long after death in kabuki, bunraku (puppet theater), novels, manga, movies and television dramas.

Musashi fought his first duel at age 13 and spent much of his life roaming the country matching skills with other masters. Japan’s centuries of civil wars were over by 1615. Peace held until 1894. But the “life-giving sword” was not to be suppressed by peace. Musashi fought 60 bouts in all, most of them fatal to his opponents. Does that make him a killer? Emphatically yes, in the eyes of some. He “elevated killing to a fine art,” writes historian Beatrice Bodart-Bailey in “The Dog Shogun” (2006). “His famous ‘Book of Five Rings’ consists of detailed instructions on how to kill quickly and effectively.”

Bodart-Bailey will have none of the “life-giving sword” mysticism — but Musashi himself wrote, “I was unbeaten because I gave no thought to my life.” He was a dedicated student of Zen; also a poet, tea master, landscape gardener, town planner, writer and painter. To him, the artist was in a state of religious transcendence and all arts were one. Swordsmanship, to Musashi, and indeed to all swordsmen, was an art. In the Japanese tradition there is no “Thou shalt not kill.”

If the 1876 anti-sword law stripped the samurai of their soul, it did not — nor did it intend to — pacify the national spirit. The notion of the “life-giving sword,” extended to embrace modern weaponry, survived into the 20th century. “There is no choice,” wrote Zen scholar Tomojiro Hayashiya (1886-1953) in 1937, “but to wage compassionate wars which give life to both oneself and one’s enemy.”

Power rocks (Kara Yamaguchi)

Sacred rocks are one of Shinto’s most potent features, yet books about Shinto rarely focus on them or even mention them at all.  To me they are a fundamental part of the religion, closely associated with its shamanistic roots.  Here in the sacred rocks was the original abode of the kami.  Wood, bamboo and vegetation will sooner or later perish; rocks, like spirits, live on forever.

Photo journalist, Kara Yamaguchi, recently interviewed for Green Shinto, has produced some wonderful pictures of  rocks which have a mesmerising quality.  Some resonate with a palpable sense of presence.  Some are notable for their distinctive shape.  Some stand out for their size, and some have a symbolic force as if representative of the mountain on which they stand.

It’s often said Japan is a land of mountains.  It’s even more a land of rocks.  Sacred, special and solid, they haunt the imagination as much as they dominate the landscape.  Look below at Kara Yamaguchi’s photos, and enjoy the very remarkable power of Japanese rock….

 

 

 

 

 

 

 

 

 

 

Power spotter (Kara Yamaguchi)

Interest in ley lines, earth mysteries and energy spots has been evident in the West ever since the 1960s, and hundreds of thousands of people are drawn each year to ancient megaliths like Stonehenge and Avebury.  Japan too is rich in such sites but relatively little attention has been paid to them.  Now, according to Kara Yamaguchi, an Australian of Japanese descent, that might be changing.  She’s organising the first ‘power spot’ tours of Japan for foreigners and hoping to raise awareness of the remarkable ancient heritage of the country.  Recently I was lucky to meet up with her in the Falafel cafe in north Kyoto (noted for its ‘good energy’) and had a chance to talk to her about this fascinating subject.

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Kara Yamaguchi, talking to the Japan Foundation, Sydney

Can you explain to readers what you are doing at present?
For the last 15 years I have travelled across Japan researching and documenting what is believed to be a lost civilization [called Mu] which once existed across Japan during the Jomon Period (14,000BC-300BC). The possibility of such a civilization came into question with the discovery of a massive stone monument in 1986 off the shores of Yonaguni, one of Okinawa’s southernmost islands.

The monument still has researchers baffled as the last time it would have been on land was during the last Ice Age, but our history books show no records of any advanced civilization existing as far back as 10,000 BC.  What I was astounded to discover from my own personal research is that the Yonaguni monument is not an isolated ruin, but in fact is part of a trail of similar ruins on land which extend from the islands of Okinawa to Hokkaido.

Anyone coming into contact with these ruins is left awestruck and baffled at the same time, as it is impossible to comprehend how ancient stone temples and megaliths weighing hundreds of tons could have somehow landed across the islands of Japan.  What is more exciting is to realize is that these megaliths and ruins form part of an ancient network which may indeed connect around the globe, and their sheer scale testifies to the existence of civilizations that may have been more advanced than our own today.

Jinbugan rock in Hiroshima Prefecture (courtesy Yamaguchi)

I am not trained as an archeologist, but as a photographer and seeker of the true records of our history on earth, I have dedicated the last 15 years of my life to collecting a photographic record of these ruins so that the world may know of one of Japan’s most captivating mysteries.  While a small part of the population in Japan is aware of the existence of these ruins, there is a lack of information in English, so that’s what inspired me to start this project.  While authorities continue to deny that our history books need revision, the true records have made an impressive impact in recent years and a newly informed public may be able to make up their own minds now!

How did you come to be interested in that?
I  first saw the Yonaguni underwater monument 20 years ago, and the instant I saw it from a glass bottom boat I knew our history books are not correct.  The impact of seeing the structure is like a jolt to some ancient memory you have within but which is forgotten.

After that initial discovery I started work on a project to photograph ancient Shinto sacred sites across Japan, but every time I went to these places I would stumble across ruins that reminded me of the Yonaguni structure.  It certainly did not fit in with the chronology of history as I had been taught it.  So my focus shifted to documenting these lost ancient ruins, not only as a record for the Japanese but as part of the legacy of world history.

Kasagiyama rock in Kyoto Prefecture (coutesy Yamaguchi)

What are some of the most interesting discoveries you have made?
What has interested me most about these megalithic ruins is that people often experience dramatic transformations after visiting them.  I know personally that my own consciousness has changed after spending so much time at these ancient sacred sites, and I believe they are portals which connect with higher dimensions of energy which the ancients somehow knew how to access. That is why we lovingly call these places ” power spots”!

People sense some invisible power or energy at these places, and judging from Japan’s recent ‘power boom’ I sense that something in the Japanese psyche has been awakened in recent years. Often when I have taken photos at ancient sites beautiful rainbow light or other energy has appeared in the photo, alerting me to other hidden worlds that we don’t necessarily see with the naked eye.

How do you see the role of Shinto with regard to earth energies?
No one seems to know where Shinto first came from, but I have felt many times that the the true roots of Shinto are connected to an advanced civilization which existed across Japan during the Jomon Period.  People who have researched into the network of megaliths and ruins have determined that many of them are built on ley lines and are aligned with constellations in the sky, just like other megalithic structures across the planet.

Jizoiwa in Mie Prefecture (courtesy Yamaguchi)

How did supposedly primitive people have such an accurate knowledge of the night skies, and how on earth did they lift stone structures which would prove difficult even for our technology today? The same question surfaces when you look at other famous structures such as those at Stonehenge or Easter Island. If we can find the answers to these puzzles, I believe we will be able to tap into an ancient wisdom which holds the key to protecting our earth and ensuring that it has a safe passage into the next millennium.

How do you see Shinto in terms of neo-paganism in the West or the aboriginal culture of Australia?
Coming from Australia I have long held an interest in and love of Aboriginal culture, and while there are certainly differences in ritual and ancestral worship from Shinto spiritual practice, for me personally it is the same universal message that is being handed down to us from our ancestors.

I have always loved the mythology of ancient people, so it is interesting to see the same ideas arise about a lost Motherland and of ancestors who visited the earth from the stars.  While we easily dismiss these stories as fanciful or primitive, with careful research and examination of ancient ruins across the planet, you begin to realize that our present world lies asleep to the truth, but that we could be on the verge of a truly remarkable awakening.  In this sense I see that all the ancient messages left to us by our ancestors, whether they be Shinto, Aboriginal or from any other pagan tradition, carry the same roots.  In returning to them, we may stand at the dawn of an exciting new age.

What are your plans or hopes for the future?
I remember looking at my dad’s old National Geographic magazines as a kid and thinking just how amazing this planet is. Not bad for a four-year old!

So it is very distressing to look at where we are now some 40 years on.  I am not a pessimist, far from it!  But I sense the clock is ticking madly past the 11th hour, so it is my hope to continue connecting people to the sacred world of ancient Japan which I believe holds vital keys to our survival.  Again and again, I have seen groups of people transformed as they stand in awe before stunning megalithic structures across Japan that seem to be the keepers of some ancient truth we are now ready to rediscover.

I have yet to meet anyone who is not changed or moved at a very deep level when they visit Japan. It is hard to put into words what it is that they experience, but I see it is an invisible world which still exists through the Shinto spirit and is destined to bring great change across the planet!

Ishibutai in Nara Prefecture (courtesy Yamaguchi)

 

Oyuu stone circle in Akita Prefecture (courtesy Yamaguchi)

 

Arrangement of rocks in Kochi Prefedture (courtesy Yamaguchi)

 

Yakushima Island (courtesy Yamaguchi)

Dolls, vessels and substitutes

One of the joys of writing this blog is the chance to interact with readers, some of whom are able to make personal contact when visiting Kyoto.  One such person is Agnes Giard, whose research topic opens up new ways of looking at the use of dolls and containers in Shinto.

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1) What is your area of research and your interest in Shinto?
I am a Phd student at the University of Paris 8 Nanterre-La Défense, conducting anthropology research focusing on ‘simulated humanity and the effect of presence in the anthropomorphic objects in Japan’. My research targets the market of life-size dolls equipped with articulated skeleton and flesh more real than nature. But in order to understand how Japanese artists and engineers elaborate replicas of human beings, I also have to to study the meaning of Japanese anthropomorphic objects… which led me directly to the use of katashiro, nademono, hitogata and other human-shaped objects involved in the worship of kami.

My project relates to these “artificial life” systems that some Japanese companies and laboratories are currently producing, establishing themselves as world leaders in this pioneer research field. Most of the  androids produced in Japan  are designed to create a humanlike presence.

To understand how Japanese succeed in creating life and consciousness out of inanimate objects, I conduct interviews with Japanese historians, architects, ethnologists, philosophers, artists or priests about the concepts of «box», «mirror», «soul», «empty space», «things that can not be seen», «secret», etc. My goal is to understand the way interaction with inanimate objects can be made possible in Japan, through dolls developed as “vacant vehicles”.

2) Please tell us something about the books you have published and the media you have written for.
As a journalist, I work for the daily newspaper Liberation: I am in charge of a bi-weekly chronicle (Les 400 culs) dedicated to anthropology of sexuality. I also used to collaborate with Le Monde, Marie-Claire, Cosmopolitan, and 30 other French magazines or newspapers.  As an author, I have published 4 books about Japanese culture, with illustrations and participation of many contemporary Japanese artists such as Tadanori Yokoo, Makoto Aida, etc.

The books I have written are Love stories in Japan: From original myths to contemporary fables;  Objects of Desire in JapanDictionary of love and pleasure in Japan;   Erotic fantasy in Japan.  My first book was also published in Japan as Fetish Mode, Wailea publishing (Tôkyô, 2003).

One of Agnes's books, with stories from foundation myths to contemporary

Also, I take part in conferences, I write introduction for books related to Japanese culture, I participate in workshops related to Japanese aesthetics, I organized an art exhibition about Japanese eroticism. In brief, I do my best to enhance cultural exchanges between France and Japan.

3) How did you first become interested in these subjects?
I was 9 years old when I saw Captain Harlock, Leiji Matsumoto’s anime, on TV. I had been raised in dualism. With Captain Harlock and his punk attitude, I started understanding that you have to achieve yourself through constant criticism of what is right or beautiful. Criticism is much like purifying yourself.

Then, I started reading authors such as Kenji Miyazawa, Chikamatsu Monzaemon, Yukio Mishima, Yasunari Kawabata, Jun’Ichiro Tanizaki, Kenzaburo Oe, Ono no Komachi, Murasaki Shikibu, Kobo Abe, Edogawa Ranpo and Akiyuki Nosaka (to mention just a few of my favorite writers).

4) How good is your Japanese, and how do you manage to do your research given the language difficulties?
I just achieved my 3rd year as student, but it’s still difficult for me to conduct interviews in Japanese, so I ask for the help of translators, in order not to miss nuances of the beautiful Japanese language.

5) What are some of the biggest surprises you’ve come across in your research?
I noticed that the Japanese engineers who improve, year after year, the realistic doll replicas seem to be very cautious not to “imitate” but to “represent” human beings, as if the best way to create a doll upgraded with consciousness was to make her look obviously empty and somehow fake.  This topic is precisely the one I would like to develop with the help of researchers on religion; it seems that absence is the closest thing to human presence.

In robotic laboratories, the humanoid machines are programmed to perform a pattern of movements such as eye blinking, in order to mimicry nonverbal communication.  But these mechanical conventions induce us to look at the machine as if it was a mere puppet, gesticulating in a nonsensical way.

In love dolls, engineers and artists create them still, silent and non-expressive. The face of these dolls are introspective, their emotions hidden behind an enigmatic mask, and they ignore you. This is precisely what allows humans to have a strong emotional bond with the artifacts.

In other words, evidence appears that there is a troubling correlation between the growing humanoid industry and these dolls that are made to fulfill the need for a relationship. These “awaiting creatures” are now getting public attention through increased media exposure,  but, to my mind, they correspond to something that already exists in Japan: substitute forms.

My goal is to understand how, in Japan, inanimate objects can get a soul and identity. Through their attempts to create humanoid products, Japanese engineers and artists refine our definition of what a human being is.  “In copying ourselves, we come to know ourselves.”  By studying how dolls are imbued with the ability to interact, I hope to open a new field of reflection about the borderline between human beings and “things”.

6) What are your plans for the future?
To go on writing books and deepening my understanding of Japanese culture.

The plump, cheerful and good-hearted Otafuku, sometimes a fertility symbol at Shinto shrines, is often associated with ribaldry. Photo credits : Museum of dolls, Fukuyama (photo : Giard). (for more about her, see https://www.greenshinto.com/2012/03/25/otafuku-and-uzume/)

 

Compared with Otafuku, modern dolls produced in Japan have a vacant, blank expression as if awaiting the breath of life (Photo credits : Museum of dolls, Fukuyama (photo : Giard)

Shinto and the right-wing

Today is August 15, and once again rightist politicians in Japan are utilising the commemoration of the ending of WW2 to assert a revisionist agenda.  Japan Today reports as its lead story: “Prime Minister Shinzo Abe broke with two decades of tradition Thursday by omitting any expression of remorse over Japan’s past aggression in Asia”.     Also making headline news was the visit of Cabinet ministers to Yasukuni Shrine and the sending of an offering by prime minister Abe.

Cabinet ministers visiting Yasukuni (courtesy BBC)

Since the Abe-led government took power, the intrusion of politics into Shinto matters has taken a high profile  because of the ties with the right-wing.  While it’s generally said that Shintoists tend to be conservative, it’s unfortunate that those on the right see Shinto as an ideological crutch for their nationalistic agenda.

There’s little doubting that the current Abe administration is hawkish, nationalistic and reactionary.  It supports nuclear power, a bigger military and a stronger Japan.  Part of its agenda is a return to ‘traditional values’, with an emperor figurehead supported by a Shinto ideology as in pre-war times.  This politicisation of Shinto is what lies behind the determination of cabinet ministers to visit Yasukuni Shrine.

Of the current cabinet, no fewer than 14 members belong to the Shinto Political Alliance Diet Members’ Association (Shintou seiji renmei kokkai giin kondankai).  Matthew Penney, Assistant Professor in the Department of History, Concordia University, Montreal, summarises their views in this way:

This group is dedicated to “restoring Japanese-ness” by promoting Shinto values. They oppose female imperial succession, promote official visits by prime ministers to Yasukuni Shrine, and oppose the construction of a non-religious site of war commemoration and the ‘removal’ of the spirits of  war criminals from Yasukuni, push for constitutional revision and patriotic and moral education, oppose free trade of agricultural products because of what they describe as traditional ties between rice cultivation and Shinto, oppose giving permanent residents the right to vote in local elections and the sale of forest land, water resources, or ‘important property’ to foreigners, and oppose separate family names for married couples and “gender free education” which they see as examples of support for equality between the sexes gone too far.

If that isn’t worrying enough, then a look at some of the other groups to which cabinet members belong shows how strong is the determination to return to prewar values.  It bodes ill for the future direction of Shinto in this country.  Far from moving towards an open, environmental and international form of Shinto, these revisionists seek a narrowly Japanese and chauvinistic religion at the will of the state.  The battle for the soul of the nation grows increasingly intense.

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Political groupings to which at least one Cabinet Member belongs, and in some cases several ministers…. (courtesy Japan Focus)

Yasukuni:  (Minna de Yasukuni Jinjya ni sanpai suru giin no kai – Association of Diet Members for Worshiping at Yasukuni Shrine Together)
As the name suggests, this is a group of Diet members who vow to visit Yasukuni Shrine each year on August 15. The group was founded in 1981 although it has fractured and been reformed several times since. In the last five years, between 40 and 50 Diet members have visited Yasukuni as a group to mark the anniversary of the end of the war.  Discussion of Yasukuni’s meaning and the controversies which surround it take place in other forums such as the Shintou seiji renmei kokkai giin kondankai.

History: (Jimintou rekishi kentou iinkai – Liberal Democratic Party Committee for Historical Investigation)
This group was formed in 1993 with Abe Shinzou, then a rookie politician, as a key member. Its formation came after controversies over Japanese apologies and statements of contrition such as the Kono Statement on the comfort women system and Prime Minister Hosokawa Morihiro’s general apology to victims of Japanese aggression (both in 1993) and a shift in textbook content toward the inclusion of more material critical of Japan’s war record. The group became a key part of the conservative backlash against what they call “masochistic” history. The central assertion of the group is that the “Greater East Asia War” was not a war of aggression but rather a war to free Asia from Euro-American imperialism.

In 1995, to mark the 50th anniversary of the end of the war, the group edited a book entitled Daitoua sensou no soukatsu (A Summary Account of the Greater East Asia War, Tendensha, 1995), for which conservative scholars and pundits, including individuals like Nanking Massacre denier Tanaka Masaaki, contributed essays. Members of the group have consistently suggested that the history of Japanese war crimes (especially the comfort women system and the Nanking Massacre) has been heavily or completely falsified and that a “true” historical record is needed.  Abe and others have frequently asserted that politicians should stay out of historiographical debates, which should be left to historians.  They then hand pick historians such as Tanaka or journalists and pundits outside of academia who do not submit their work to peer review, such as Sono Ayako and Sakurai Yoshiko, as “representative” historians.

Japan: (Nippon kaigi kokkai giin kondankai – Diet Representative ‘Japan Conference’ Round-Table)
This group is the political wing of the Nippon Kaigi (The Japan Conference). Formed in 1997, the Nippon Kaigi organization has a broad membership outside the political center and claims over 30,000 members. When critics talk of Abe’s “conservative base”, this is what they mean.

Overall, the group is dedicated to popularizing conservative ideas – constitutional revision, moral education, the centrality of the imperial family in Japanese history and culture, and respect for the flag and anthem. They have published a range of books and pamphlets which show the organization’s basic ideological commitments including Jugun ianfu kyousei renkou ha nakatta (The Military Comfort Women Were Not Forced, 2011).

The group is particularly concerned with promoting “respect” for the imperial family and “2000 years of imperial history” and is one of the primary agents for promoting attendance at marches and events on National Foundation Day – the February 11 commemoration of the ascension of the mythical Emperor Jimmu to the throne. They are also active on a number of related issues including strong opposition to female imperial succession and parts of the broader conservative agenda such as constitutional revision.

Textbooks: (Nippon no zento to rekishi kyokasho wo kangaeru giin no kai – Diet Member Group for Considering Japan’s Future and History Textbooks)
A group of revisionist Diet members who press for the elimination of “masochistic history” (critical engagement with Japanese war crimes) from textbooks and the cultivation of “patriotic values” in schools. They wish to see the Nanking Massacre and comfort women dropped from textbooks and argue that there is no evidence that Japanese troops forced Okinawan civilians to commit mass suicide. The group oversaw the publication of the book Nankin no jissou (The Truth of Nanking, Nisshin Houdou, 2008) which asserts that mass killings and rapes did not take place at Nanking in 1937.

The group’s 2008 “investigation” of the Nanking Massacre is available in Japanese. In it, the editors describe films and documentaries about the tragedy shown in the United States as “propaganda” that “… is not only an insult to the honor and dignity of past Japanese but at present and into the future puts forward the idea that the Japanese are the cruelest race in the world….”

For members of the group and revisionists more broadly, the Nanking Massacre and similar war crimes are examples of violence that if “true” would be a stain on the Japanese race and culture. Individual or organizational responsibility is negated by the fundamental assumption that history unfolds from an ethno-cultural essence that must be defended by right thinking conservatives. With this assumption in the background, it appears that revisionists would have no choice but to deny war crimes even if they believed the historical accounts to be true so as to spare all Japanese past and present from shouldering collective responsibility.  Along these lines, struggles over textbook content are seen as a form of struggle for Japan’s soul.

Constitutional Revision: (Kenpou chousa suishin giin renmei – Diet Member Alliance for Promoting the Assessment of a New Constitution)
A Diet group formed on the fiftieth anniversary of the postwar constitution in 1997 to press for constitutional revision. It includes members from multiple parties. Key goals include the overturn of Article 9 (the “peace clause”) to allow for “collective self-defense” which critics hold could open a path to unrestricted brinksmanship and Japanese participation in America’s wars.

The push for constitutional revision, long a cornerstone of the Japanese conservative platform, has been detailed in English-language scholarship and in the Asia-Pacific Journal many times. For background on the revision movement, see  John Junkerman, Gavan McCormack, and David McNeill’s Japan’s Political and Constitutional Crossroads.

Japan Rebirth: (Sousei Nippon – Japan Rebirth)
A Diet group formed in 2007. Members pledge to “protect Japanese traditions and culture”, “rethink the postwar order”, and “protect Japan’s national interests and make Japan a country respected by international society”. They have hosted lectures by rightist pundits and authors such as Sakurai Yoshiko and Fujiwara Masahiko.

After the ouster of the LDP from power, the group publically accused the Democratic Party of manifesting “socialistic and totalitarian tendencies”. They pledged to stand against DPJ proposals to allow husbands and wives to have different surnames – something that the group argued would undermine “family togetherness” – and moves to allow permanent residents to vote in local elections, part of a larger pattern of assertions by conservative lawmakers that foreigners in Japan are neither loyal nor committed to the Japanese state and undermine the social order.

Fundamental Education Law Reform:  (Kyouiku kihonhou kaisei sokushin iinkai – Committee for Promoting Reform of the Fundamental Education Law)
The Fundamental Law of Education is the core legal foundation for Japan’s education system. Conservatives are seeking to alter the law and Japan’s educational foundation to introduce “moral” education, bring more “patriotism” into schools, eliminate “masochistic” history, and create a more “competitive” educational environment.

The problems with Abe’s very rigid understanding of nation and patriotism are evident in assertions that education should aim to “… give students pride in being born Japanese.” He ignores the fact that there are hundreds of thousands (or more) of children of different nationalities or mixed national and ethnic heritage in Japanese schools. Abe claims that a fundamental principle of education should be, “You need to have pride if you are going to be respected by the world.” Statements such as these, seemingly innocent clichés on their own, are tied to the historical revisionist project. “Proper” history “full of pride”, not rigorous and critical engagement with the darker side of Japan’s history, is what he believes will win Japan respect from “the world” and education should be reformed to support this.

Proper Japan: 正しい日本を創る会 (Tadashii Nippon wo tsukurukai – Association for Building a Proper Japan)
Much of contemporary conservative discourse in Japan is based around the idea that the country has “gone wrong”. This is blamed on America and the “foreign-authored” constitution, consumerism, supposedly shiftless young people, “anti-Japanese” conspiracies to undermine national pride, women out of place (as in any place but the home), and other supposed betrayals of the traditional Japanese ethos.

The “Proper Japan” group was formed in 2006.  According to Fukuya Keiji, a key founding member and currently Abe’s National Public Safety Commissioner, the group was created to bring together in a single forum discussions that were happening separately on constitutional revision, the Fundamental Law on Education, Yasukuni, North Korea kidnap victims, and other themes.  It is essentially a space for discussion of key conservative ideas under a rhetoric umbrella of national crisis.

Rightwing publishing house PHP has produced a book entitled Nippon no seidou (Japan’s True Path, 2007) that credits the group as a collective co-author and includes contributions by members. The cover condemns “mistaken views of history”. They wish to alleviate the fears of the people by “… sharing in Japan and abroad the true facts of history and correct historical awareness different from the mistaken ‘Tokyo Trial Historical View’ in order to give Japan a clear vision of its future.” (p. 3) This is a typical turn in conservative rhetoric with everything from rising youth crime rates (a conservative myth – youth crime was far more prevalent in the 1950s) to Japan’s economic malaise (which apparently has nothing to do with ruling conservatives) blamed on “views of history”.

A “correct” understanding of the past would consist of knowledge that Japan has been a victim, first of Euro-American aggression, then of false history which was invented as part of the Tokyo Trial to rob Japan of national pride and martial spirit and force subservience to America, and then by an international conspiracy by Chinese and Koreans to invent war crimes in order to undermine Japan’s position in East Asia.  If Japanese young people only knew this, it is held, social order and the economy would be restored.  For the far right, historical revisionism, at least in their favored rhetorical construction, is fundamental to national survival.

In terms of specific policies, the group is in favor of official visits to Yasukuni Shrine by prime ministers and opposes the building of any non-religious commemorative site.  They describe the unbroken line of emperors as “unique in world history” and wish to make awareness of the imperial institution’s “historical and cultural importance” a central part of public life.

China Memorial Photographs Protest: (Chuugoku no kounichi kinenkan kara futou na shashin no tekkyo wo motomeru kokkai giin no kai – Association of Diet Members for Demanding that China Remove Defamatory Photographs from the War of Resistance Against Japan Memorial Hall)
A group that intends to pressure China to remove photographs from its war museums that members hold to have been faked or altered. Japanese authors seeking to minimize or deny the Nanking atrocities have made a strong case that several photographs are indeed fakes (see, Higashikuni, et al., Nankin jiken ‘shouko shashin’ wo kenshou suru, 2005) but they and the Diet member group go much further in suggesting that all photographs which represent Japanese war crimes are nothing more than propaganda and should be banned.

Nanking:
Supporters of the 2008 documentary film Nankin no shinjitsu (The Truth of Nanking) directed by rightwing media producer and Channel Sakura chief Mizushima Satoru.  The film and associated publications deny that widespread violence against civilians took place at Nanking in 1937, assert that war crimes were fabricated to defame Japan, and paint an affirmative portrait of Japan’s wars of the 1930s and 1940s as a selfless crusade against Euro-American imperialism. The film was screened in the Diet Building for sixteen elected members in April of 2008. Despite support from some politicians, Mizushima was not able to raise enough money to complete the film, and production is currently on hiatus.

Comfort Women Ad:
Indicates supporters of an advertisement placed in the New Jersey Star Ledger entitled “Yes, We Remember the Facts” which rejects Japanese military and government responsibility for the comfort women system. New Jersey became a site of struggle over comfort women memories after a local Korean group erected a monument to the comfort women in a public park in 2010.

The ad rehashes standard denial arguments but goes further in linking to this Youtube video described as “indispensable to the basic understanding of this issue” – Sex, Lies, and Comfort Women:

The video starts by describing how the South Korean government has supported K-pop music, suggesting that the government wields an unhealthy amount of control over Korean society and has also fabricated the comfort women issue to manipulate the public. Abe and others appear to support this insinuation. The video also argues that many Korean actresses and singers have been forced to have sex with directors, managers, and wealthy backers in order to advance their careers. This infers that Korea has a cultural predisposition toward the sexual exploitation of women, and the suffering of comfort women during the war is blamed entirely on “Korean brokers”.

This sort of commentary is apparently “indispensable to the basic understanding of this issue”. Abe and other far right politicians are careful to avoid making these types of culturalist statements in public, but here a Youtube video by rightwing netizens is employed to dig at Korea’s perceived essential “backwardness” and use it as an explanation for the suffering of women in the military brothel system while excusing the Japanese military and government from blame.

Nikkyouso:  (Nikkyouso mondai wo kyuumei shi, kyouiku seijouka jitsugen ni muke kyouiku genba no jittai wo haaku suru giin no kai – Association of Diet Members for Bringing to Light the Nikkyouso Problem and Ascertaining the True State of Our Classrooms to Normalize Education)
This group, formed in 2008, posits that the teacher’s union Nikkyouso (the Nihon kyoushokuin kumiai – Japan Teacher’s Union), which has long had complex ties to the Socialist and Communist Parties and has pressed for critical teaching on Japan’s war record, is a source of “abnormal” practices. It promises to bring these practices to light and eliminate the influence of the group on Japanese education.

Rightist politicians like Nakayama Nariaki, a minister in Aso Taro’s cabinet who was forced to resign just four days after his appointment in 2008 for describing Japanese as “a homogenous people” and Nikkyouso as “a cancer”, played a key role in the group’s founding. It is because Nikkyouso has promoted alternatives to the “homogenous people” idea by promoting education on Ainu, Okinawan history, Burakumin, and other minorities, as well as leprosy sufferers, the victims of Minamata disease, and others, that conservatives like Nakayama consider the group “a cancer”.  Japan’s new Minister of Education Shimomura Hakubun has allied himself with this position.

Parents and Education: (Oya gaku suishin giin renmei – Diet Member Alliance for Promoting ‘Oya Gaku’)
“Oya Gaku”(Parenting Studies) is a concept promoted by Meisei University Professor Takahashi Shirou. It is based on the premise that parents need to be educated about correct childrearing. “Correct” in this context means emulating pre-war education. Takahashi and his supporters believe that today’s parents have been infected by Nikkyouso-sponsored leftist ideology during their own school years and many are unfit parents as a result.

Takahashi has pioneered his own “science” of autism and developmental delay in children and claims that they can be reversed. He publishes mass market books and gives public presentations, but he is an education professor, not a scientist, and his work in this area has not been peer-reviewed or accepted by the scientific community.  In Nou kagaku kara mita Nippon no detouteki ko sodate – Hattatsu shougai ha yobou, kaizen dekiru (Traditional Japanese Education and Brain Science – Developmental delay can be avoided or fixed) he argues that developmental delay is a product either of a lack of effort by parents or of “Westernization” undermining Japan’s traditional values. Abe is a strong supporter of what appears to be junk science.

In a 2012 letter to Abe and the Oya gaku suishin giin renmei, the Asperger Society of Japan described Takahashi’s “Oya Gaku” as “nonsense” that flies in the face of all accepted scientific evidence and promotes discrimination against children with special needs while spreading the false belief that autism, Asperger’s, and developmental delay can be explained by “improper” parenting or problems in the home.

“Oya Gaku” is supported by a variety of figures on the right including author Sono Ayako, a denier of wartime atrocities in Okinawa and now an Abe education advisor, and journalist Sakurai Yoshiko. “Oya Gaku” shows the lengths that Abe and others on the far right will go to discredit postwar education and raise “traditional” values as a type of cure-all.

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