Page 160 of 203

Watts on environmental holism

October 23, 2012 / John D. / 0 Comments

Alan Watts continues from beyond the grave to provide enlightenment to those who listen. The fortnightly podcast put out by the official Alan Watts site recently featured his wonderful talk on the illusion of self and the danger this presents in terms of the environment. Entitled ‘Not what should be, but what is,’ the talk can be found in various postings on youtube, or through this site with its useful compilation of Alan Watts talks…..
http://wn.com/alan_watts_not_what_should_be,_but_what_is

***************************************************************************

The woods at Shimogamo Shrine

In the passage below, Watts shows how the illusion of the ego is linked with environmental destruction. It’s highly pertinent to Shinto, which not only preaches kannagara (living in harmony with the kami and nature), but which was long allied with Buddhism and its teachings about the illusionary nature of the self.

There’s a concept called Daishizen (Great Nature), which Stuart Picken in his A-Z of Shinto describes as a term that goes beyond simply ‘nature’ but which has more of a cosmological nuance embracing stars and the natural order of the universe. Watts seems to be getting at much the same thing in the speech below, for which I’ve given a slightly truncated transcript.

****************************************************************************

Watts: “As a result of having a false sense of identity, we act in a way that is inappropriate to our environment, and when that inappropriate action is magnified by a very powerful technology, we swiftly begin to see the results of a profound discord between man and nature. As is well-known, we are now in the process of destroying our environment…

We have not realised that our environment is not something other than ourselves. In assuming that it is, we are making a great mistake and are now paying the price for it. But most people would agree with the lines of the poet, who said “I a stranger and afraid/ In a world I never made’ because we have a strong sensation that our own being inside our skin is extremely different from the world outside our skin. That while there may be intelligence inside human skins, and while there may be values and loving feelings, outside the skin is a world of mechanical process that does not give a damn about any individual and which is basically unintelligent…

Seeing a connection between humans and the environment

It should be obvious however that the human being goes with the rest of the universe, even though we say in popular speech ‘I came into this world’. Now it is not true that you came into this world. You came out of it, in the same way as a flower comes out of a plant or a fruit comes out of a tree. And as an apple tree ‘apples’, the solar system in which we live, and therefore the galaxy in which we live, and therefore the system of galaxies in which we live, that system ‘peoples’. If people are intelligent – and I suppose we have to grant that ‘if’ – the energy which people express must also be intelligent, because one does not gather figs from thistles or grapes from thorns.

But it does not occur to the ordinary person to regard himself or herself as an expression of the whole universe. It should be obvious that we cannot exist except in an environment of air, earth, water and solar temperature, that all these things go with us and are as important to us as our internal organs such as our heart, brain, stomach and so forth.

Now then if we cannot describe the behaviour of organisms without at the same time describing the behaviour of their environments, we should realise that we have a new entity of description. Not the individual organism alone, but what would now be called ‘a field of behaviour’ which we must call rather clumsily ‘the organism-environment’. You go with your environment in the same way as your head goes with the rest of your body.

[Yet] we don’t have the same sensation of belonging to an environment in the same way that we have a sensation of being an ego in a bag of skin, located mostly in the skull about halfway between the ears and a little way behind the eyes. And it issues in these disastrous results of the ego, which according to nineteenth-century common sense feels that it is a fluke in nature and that if it does not fight nature it will not be able to maintain its status as intelligent fluke.”

Humans as a part of, not apart from, the environment

Kamigamo horse archery

October 21, 2012 / John D. / 0 Comments

There are three shrines among Kyoto’s World Heritage designation, of which the twinned pair of Shimogamo and Kamigamo are two. The third is Ujigami Jinja outside the city proper, which has the oldest shrine building in Japan. Its honden, where the kami are housed, dates back to around 1060.

Shimogamo is famous for its yabusame horse archery, put on in the spring. Today was Kamigamo’s turn to shine in the sunshine as it put on its autumnal Kasagake horse archery (explanation here.)

Not surprisingly given the setting and the weather, there was a large crowd, including many foreigners drawn by the English-language commentary. Star guests included Vikras Swarup, author of Q and A that was turned into the film Slumdog Millionaire. A diplomat, he’s currently working as Indian consul in Kobe.

With horses thundering along Kamigamo’s open green space in front of Kamigamo’s attractive shrine compound, it almost felt like a pleasant day at the races as the crowds basked in the warm sunshine. Watching was free, though those who wanted a closer view could pay Y500 for the privilege. Nonetheless one can’t help wondering about the economics of such events. Do they pay for themselves in terms of visitors patronising the shrine shop and making generous donations? Either way, one presumes the kami must have been pleased with the fine entertainment.

Three judges at one of the targets look towards the next contestant

Horses gallop past at top speed, while riders have to turn and shoot at targets this size. Quite a challenge, though amazingly hits are common.

The rider prepares himself, though the horse seems to have a mind of its own

The costumes, with deer skin and personal emblem, are a vital part of the pageant

Shimogamo art display

October 19, 2012 / John D. / 0 Comments

The main display at the heart of Shimogamo by the head of the Sougetsuryu school of ikebana

Tradtional art, modern style

My local shrine, Shimogamo Jinja in Kyoto, is presently putting on an art exhibition of ikebana. The displays line the entrance to the shrine, with some set against a backdrop of woods and others framed by the vermilion of the World Heritage buildings.

You often find exhibitions of art and martial arts at shrines. Sumo, dance, horse-riding events too are put on for the pleasure of the kami. What unites them all is that they’re all traditional. You’re not likely to see an exhibit of hip-hop dancing at a shrine, because the ancestral kami housed there wouldn’t appreciate it. On the other hand, ethereal gagaku (court music) and stately kagura ( ritual dance) are just what the kami like.

It can be seen as part of the shamanistic heritage of Shinto, in that the religion is not just spiritual but cultural. In ancient times shamans were wise men or women who transmitted the cultural and historical essence of their tribe to the next generation. Shinto plays a similar role, which is why for some it is ‘a religion of Japaneseness.’

Blending in - or sticking out?

All tied up and nowhere to go

White wonder with a splash of red

A study in contrasts

Orange fantasy in a green woodland

Yasukuni politics

October 19, 2012 / John D. / 1 Comment

War glorification at Yasukuni (picture from K. Onodera blog)

The unfortunate alliance of Shinto with right-wing nationalism is nowhere more evident than in the cult of Yasukuni Shrine, established in the nineteenth century to honour those who died on behalf of the emperor. Defenders of the shrine like to pretend worshippers are simply honouring Japan’s war dead, as is the custom in other countries. But anyone familiar with the shrine will know that it is a symbolic space championed by the far right and those who uphold Japan’s role in WW2 and deny its atrocities. Personally I find the shrine’s museum absolutely repellent, and I say that as someone who normally loves Japan and the Japanese.

Yasukuni has been much in the news in the past few days because of visits by Japanese politicians to the shrine, which honours Class A war criminals. It’s a deliberate and unnecessary act of provocation by nationalists at a time when relations with China and Korea hardly need fuel adding to the flames. If Japan had any kind of government that wasn’t leaning over itself to prove its nationalist appeal, then it would have long ago instigated visits to honour the war dead at the equivalent of Arlington Cemetery rather than a nationalist shrine that stood (and still stands) at the heart of its war ideology.

*********************************************************************************

Article from yesterday’s Guardian by Justin McCurry (18, Oct, 2012)
http://www.guardian.co.uk/world/2012/oct/18/japanese-mps-war-shrine-china-korea

A cross-party group of more than 60 politicians took part in an autumn festival at Yasukuni shrine on Thursday, following a similar visit on Wednesday by Shinzo Abe, the new leader of the Liberal Democratic party, who is widely tipped to become Japan’s next prime minister.

Hong Lei, a Chinese foreign ministry spokesman, told reporters in Beijing: “Yasukuni shrine is a spiritual pillar used by Japanese militarism for its overseas aggression. It still enshrines class-A war criminals who owe victimised people heavy bloody debts.

“We urge the Japanese side to face squarely and reflect upon history and strictly abide by its solemn statements and pledges regarding historical issues, and face the international community in a responsible manner.”

Former prime minister Koizumi, who made a deliberate point of visiting Yasukuni and thereby riled Japan's neighbours

The pilgrimages, made to coincide with the shrine’s autumn festival, are expected to increase tensions between Japan and China, which are already embroiled in a dispute over territorial claims to the Senkakus, a group of islands in the East China Sea known as the Diaoyu in China.

The Yasukuni visit also drew an angry response from South Korea amid friction over ownership of the Takeshima – or Dokdo – islands, and renewed pressure on Japan to issue an official apology for its use of Korean women as sex slaves in frontline brothels during the war.

Cho Tai-young, a South Korean foreign ministry spokesman, said the visit was “an irresponsible act that ignores the sentiment of the peoples in neighbouring countries who suffered due to Japan’s past imperialism”, according to Kyodo News.

“The South Korean government calls on Japan’s political leaders in a responsible position to look squarely at history with a humble attitude.”

Japan’s chief cabinet secretary, Osamu Fujimura, refused to condemn or support the lawmakers, who included the transport and postal reform ministers. “A visit in a private capacity is a matter of the personal belief of individuals,” Fujimura said.

Yasukuni honours the 2.5 million Japanese to have died in wars since the second half of the 19th century. Among them are 14 class-A war criminals convicted by the Allies after the war, including Japan’s wartime prime minister, Hideki Tojo, who was executed for war crimes in 1948.

Many Koreans and Chinese view the shrine as a symbol of Japanese militarism, and visits by politicians as proof that Japan has yet to atone for its wartime conduct in parts of China and on the Korean peninsula.

Yasukuni on a normal day, without nationalists or politicians (photo from GoJapanGo.com)

A Kyoto threesome

October 14, 2012 / John D. / 3 Comments

The gorgeous Shinto shrine at the Buddhist temple of Ninna-ji

Yesterday I happened to explore the north-west corner of Kyoto, in which are located three World Heritage Sites, all of which are Buddhist temples in one form or another. The Golden Pavilion is world famous for its exquisite beauty and for its portrayal in the novel by Mishima Yukio. Ryoan-ji contains the most celebrated ‘dry stone garden’ in the world. And Ninna-ji, the least well-known of the trio, combines aristocratic aesthetics with a Buddhist sensibility through the conversion of a retired emperor’s villa.

A Buddhist pagoda rises behind the aesthetics of a converted aristocratic villa at Ninna-ji

Readers of this blog will not be surprised to learn that each of the three Buddhist complexes contains a small Shinto shrine. In the case of Ninna-ji this is to be expected, since it belongs to the Shingon sect of Buddhism which has integrated kami worship since its very foundation in the eighth century. But both the Golden Pavilion and Ryoan-ji belong to the Zen school of Buddhism, traditionally held to be more sceptical in terms of other-worldly deities.

The most magnificent and biggest of the Buddhist-Shinto shrines (see above) is that at Ninna-ji, which has a Momoyama-era ostentation (1573-1598). ‘Kusho Myojin is a building which protects Ninna-ji’s most important Garan,’ says a noticeboard (Garan is a sanctified place where Buddhist monks perform ascetic trainings).

The shrine consists of three small buildings, erected between 1641-44, enshrining nine Myojin or syncretic kami. In front of them stand three stone lanterns carved in a distinctive style by the tea ceremony master, Oribe Furuta (1544-1615). The overall effect is striking, standing as the complex does in the shadow of the pagoda at the heart of the temple. Put it together with the other treasures of the temple, such as the magnificent converted palace of a retired emperor, and you can see why Ninna-ji is worthy of World Heritage status.

View of the Kusho Myojin shrine at Ninna-ji with stone lanterns carved by Oribe Furuta

At Ryoan-ji is an alluring Benten Island, which lies in a most attractive lake. We tend to think of Ryoan-ji only in terms of its famous rock garden, but the grounds are superb too with moss-strewn rocks set amongst gnarled roots beneath a green canopy. The lake is covered with lotus, and its tree-lined shore set against a ‘borrowed landscape’ of the mountains behind.

The lake at Ryoanji with just a glimpse of the red torii of the Benten shrine

Benten shrine in Ryoanji’s garden. Notice the small stones put on the crossbeams of the torii by visitors hoping they will help to make their wishes come true.

The only female among the Lucky Seven Gods, Benten is a syncretic goddess associated with watery depths and creative artistry. White snakes coil themselves around her, ready to act at her bidding. A lute-playing Muse, she strums seductively at the water’s edge and is often found, as here, on small islands and inlets. No doubt she inspires disturbing visions in the meditative minds of the Zen monks over whom she presides, like the rocks that protrude in the oceans of eternity in the dry stone garden at the heart of the temple.

Seven Lucky Gods featuring Benten at the back as the sole female

The Temple of the Golden Pavilion (known in Japanese as Kinkaku-ji) has the smallest shrine of the three World Heritage Sites. Most visitors are so dazzled by the brilliance of the main building as it glistens reflectively in the pond before it that they overlook altogether the little shrine by the exit gate. A notice explains that it’s dedicated to Dakiniten, which since the Medieval Period has been conflated with the popular figure of Inari (here described as an omnipotent god of prosperity).

The noticeboard gives the Sanskrit name for Daikini, for the deity is said to have Hindu and Buddhist origins in India. The most famous case of Daikini worship is a Soto Zen temple called Toyokawa Inari in Aichi Prefecture. It’s said that one of its head priests had a vision in 1267 of a figure on a white fox, named as Daikiniten but conflated in the popular imagination with Inari. At least that’s what the temple claims, for in her book The Fox and the Jewel Karen Smyers shows how Meiji-era Buddhists worshipping Inari had to adopt complicated strategies and invented traditions in order to justify worship of a kami in a buddhist complex.

By claiming Daikini as a boddhisattva and an imported deity, in contrast to the native Inari, the priests were able to maintain their status as Buddhists rather than being forced by government ideologues into becoming Shinto. It may explain why here at the Golden Pavilion what appears to be an Inari shrine is treated as a Buddhist deity and a notice put up to explain its Indian origins.

A dazzling Golden Pavilion, part of a Zen Buddhist temple

The overlooked small shrine at the Kinkakuji exit

Youtube videos

October 11, 2012 / John D. / 2 Comments

Youtube has a substantial four-part video programme on Shinto as part of the Religions of the World series. It’s narrated by Ben Kingsley, who gets one or two pronunciations wrong but on the whole does a credible job. One irksome point was a tendency to talk of shrines while showing a Buddhist pagoda, but otherwise the programmes do a good job in presentation and there is some interesting early footage as well as vivid shots of festival fervour.

The featured expert is John Nelson, author of A Year in the Life of a Shinto Shrine, who picks his way through the minefield of defining what is Shinto and how it originated. One point he emphasises is the practical aspect and that custom is more essential to the religion than belief, which comes later if it comes at all. The progamme’s take on Shinto is that it is synonymous with Japanese culture and has existed virtually since its very origins – not sure if that controversial claim emanates from Nelson or not, though.

Some of the most interesting moments come in the discussion of kami. It’s pointed out that they are not necessarily benevolent, as some Westerners like to think, but can be destructive and evil. The point is made too that they are not resident the whole time in the material world, but have a transcendent nature so that they are able to come and go at will between worlds. It explains for example why they are summoned at the beginning of rituals.

Another interesting point is the discussion of purity and pollution. The concerns are compared with those of ancient Israel, and the goal of life for Shinto described as ‘to maximise purity’. Life in the material world is prone to impurity, decay and disease, so ritual exorcism of the pollution plays a prime part in Shinto beliefs.

Part One is 10.35 mins long. Introduces the setting and historical context, while contrasting the syncretism with the exclusivity of Christianity. it also stresses that social etiquette and folk customs are integral to Shinto.

Part Two is 10.05 mins long. Starts by looking at shrines and festivals, then at the mythology which is described as imaginative writings, rather than scriptures. The Chinese influence is noted, and the later blending with Buddhism.

Part Three is 10.05 mins long. Reference is made to the thought of 18th century Motoori Norinaga and consideration of kami, pollution and the difference with sin. Shinto ritual is discussed, as well as the role of priests.

Part Four is 14.55 mins long. Discussion moves from kamidana to developments in modern times, including Shinto’s role in nation-building following the Meiji Restoration and the later State Shinto in WW2.

Purification with a golden 'haraigushi' (purification stick)

Ashikaga

October 9, 2012 / John D. / 0 Comments

The pristine Orihime Shrine, overlooking the town of Ashikaga

Shogunate hometown
I found myself recently in the small town of Ashikaga in Tochigi Prefecture. The name is famous in Japanese history as being the family name of the Muromachi shoguns, and sure enough this is where they came from – one more connection with Kyoto in the Deep North. Near the city centre is a statue of the man who started the shogunate dynasty, Ashikaga Takauji (1305-1358).

Ashikaga Takauji, founder of the shogunate dynasty

On the site of an early Ashikaga residence now stands a spacious Shingon temple called Banna-ji, founded in the early thirteenth century. Like the Tendai temples of Tohoku, it retains strong syncretic aspects. Indeed, it’s often said that of all the Buddhist sects, Shingon is the closest in spirit to Shinto.

Many of the temple’s features echo those of a shrine. There’s a temizuya water basin for washing one’s hands. There’s a sacred tree with a shimenawa rice rope. And there are ema and omikuji fortune slips.

The temple also hosts a small Inari shrine, a Daikoku hall and a place for praying for easy childbirth. Indeed, if it wasn’t for the statue of Kukai (Kobo Daishi), you might forget while strolling the grounds that you’re in a temple at all.

Orihime Shrine

An off-duty priest with Orihime, the Weaver Princess, displayed on his T-shirt

The main shrine in Ashikaga is surprisingly recent. It was built in 1879 to guard over the town’s once vibrant textile industry – which is why it’s known as the Weaver Princess Shrine. The current buildings only date from 1937, after a fire devastated the original shrine, and as one might expect from a modern shrine the atmosphere is pristine yet lacking the allure of antiquity.

Since the shrine is the departure point for hiking in nearby Orihime Park, many of the people crossing the precincts are intent on their daily exercise. There are several young females too, for the shrine’s kami include a male and female couple, Yachichihime and Amenomihoko no mikoto, which means there is a llvely trade in ‘enmusubi‘ (good connections).

Some of the young are also drawn by the fame of a popular manga and anime character called Orihime, and the shrine has seized on the opportunity to produce ema votive tablets designed for fans. I noticed that one of the priests however boasted a T-shirt, which displayed the ancestral kami in more traditional manner.

Weaving and early religion had a close connection, and it’s worth noting that Amaterasu herself is a weaver when we first meet her in Kojiki. Michael Como, professor of Shinto at Columbia University, has written interestingly of the parallels with the silkworm in her story (see below), and it ‘ties in’ with the threads and knots in ancient religions that bind humans with the divine. Here at Ashikaga the Weaver Princess continues to spin her web and to capture the imagination of a new generation.

**********************************************************************

Wikipedia writes that “Orihime Inoue is a fictional character in the anime and manga series Bleach created by Tite Kubo. She is a classmate and friend of Ichigo Kurosaki, the main character of the series. Like many other friends of Ichigo, she quickly develops spiritual powers of her own after Ichigo becomes a Soul Reaper. Through the series, Orihime learns about Ichigo’s duties as a Soul Reaper and decides to accompany him when he goes to Soul Society to save Rukia Kuchiki.”

Michael Como Weaving and Binding: Immigrant Gods and Female Immortals in Ancient Japan (University of Hawaii Press, 2009)

*********************************************************************

A banner advertising the shrine's connection with the anime and manga character

Prayer tablets displaying an anime character with the name of Orihime

Inari Shrine in the Shingon Temple of Banna-ji

The Shingon temple of Banna-ji seems to have taken on many of the traditional aspects of Shinto, such as a sacred tree, ema tablets, a shrine to Daikoku, and here prayers for a good birth. Bib offerings are placed in gratitude for prayers answered – including one in English proclaiming saucily 'Pretty hips'.