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The Tao of Green

This extract is taken from an article by William Horden in The Huffington Post last Friday (Nov 18):
http://www.huffingtonpost.com/william-horden/the-tao-of-green-part-2_b_1070108.html?ref=religion 

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The inevitable fully green society is not simply waiting for the reformation of social institutions that have vested interest in maintaining the status quo. If only it were that easy. No, what the inevitable fully green society is waiting for is the transformation of human nature.

We are not going to be able to rein in the powerful institutions that stand in the way until we rein in the worst traits of humanity — those that allow us to desecrate nature and exploit our fellow human beings without conscience or thought of the long-range consequences. As I pointed out in Part 1 of this series, I find that Taoism is particularly timely in addressing the dilemmas we face through its profound love of both humanity and nature.

Taoism is the indigenous lifeway of ancient China, a philosophy based on bringing people into accord with the Tao, or Way, that creates and sustains all form from within. Like many other schools of thought that seek to ground individuals in the living reality of nature and psyche, Taoism begins with the traditional recognition that the Way is beyond the rational mind’s grasp of words and ideas.

The Tao that can be spoken is not the Tao itself.
The name that can be given is not the name itself.
The unnameable is the source of the universe.
……
Its wonder and manifestations are one and the same.
Since their emergence, they have been called by different names.
Their identity is called the mystery.
From mystery to further mystery:
The entry of all wonders!

~~ Tao Te Ching, Chapter 1, trans. Chang Chung-yuan

This famous passage introduces several key points that make it particularly well-adapted to green philosophy. First, it recognizes that there exists a mysterious immaterial force at work in the on-going creation of matter and life. Second, it recognizes that its spiritual wonder and material manifestations are one and the same. And, third, it recognizes that focusing on the self-sameness of spirit and matter is the Way to a personal, first-hand, experience of the unnameable source of the universe.

In short, we are brought into accord with the immaterial source of creation when we experience all matter as spirit. Seeing that everything physical is the sacred necessarily alters our perception of self and other, drawing us into the oceanic experience of the non-duality of the One. If all matter, in other words, is sacred, then it becomes impossible to treat it otherwise: neither other people nor nature can be harmed.

Harmony with nature; Shinto too could take a leading role

Caitlin Stronell: Shinto priest

1) Previously we had an interview with your friend, Pat Ormsby.  I believe you also trained at Asakawa Konpira, as well as doing the residential course at Kotohira.  How did you find it?

I loved it. From the basic routine of lights out at 10.00pm and getting up at 5.00am, no TVs, computers or daily hassles. The idea of retreats has always appealed to me and this one is such a different space, where your mind is totally occupied with the task at hand—whether to move your left foot first or right, whether to bow or not, long hours of sitting in seiza and chanting and wondering how to make your legs function again, etc. etc.  I’ve never been on any ‘spiritual retreats’, but I think this may be a little different in that you are not just trying to achieve heightened personal awareness but you are committing to a community – the one at the Kotohira Hongu, but also the one at your home shrine, your local community.

Participants on the Kotohira training course are predominately female, unlike elsewhere

 

2) You’re presently in India, but after qualifying in what way did you practise as a priest?

When I was in Japan I lived very close to the Asakawa Konpira, so I was there quite often for the monthly ceremony and New Year duties.  I’ve also done ground-breaking ceremonies, weddings and funerals, a house-warming ceremony for a community tree-house and I did a ceremony to pray for the souls of all the people who died on the Hachioji-jo mountain hundreds of years ago. It’s conducted annually by a group that is trying to preserve the natural environment of the area. Basically, whatever was needed in the local community.

3) How have Japanese reacted to you?  Was there any resistance to the idea of a foreign priest?

I went along to the Kotohira course a year after Pat Ormsby, so I think she’d cleared up any resistance at the main shrine! Once I did a lecture entitled ‘Spiritual Environmentalism’ at the Jinja Honcho which, of course, represents the establishment, and while there was what might be called resistance, or maybe just a certain suspicion, when we first approached them, by the time I actually was doing the presentation, they gave me a very nice introduction in which they said that in this day and age young Japanese are often completely ignorant of Shinto and it’s nice to see foreigners taking such an interest. People are often surprised to see a foreign priest, of course, but mostly they are very happy.

Serving 'omiki' (sacred saké) at Asakawa Konpira

4) It’s said the Shinto establishment is largely right-wing.  As someone engaged politically on the left, have you found any conflict with your Shinto beliefs?

None whatsoever with my beliefs. I sometimes feel in conflict with the Shinto establishment, but I feel there is a lot of room in Shinto (perhaps more than in other religions) for diverse beliefs and positions. I remember reading an article on a group of World War 2 veterans who would have annual reunions at the Yasukuni Shrine, that bastion of the right-wing, but some of them were members of the Communist Party, some of them thought it was terrible that the War Criminals had also been enshrined there, some believed that Japan should pull out of the US alliance—there was a whole spectrum of opinions and thoughts, yet they all came together once a year and conducted a Shinto ceremony for their fallen comrades. My own beliefs are very simple and revolve around the wonder of nature; they have nothing to do with the Emperor, the ‘Japanese Nation’ or wearing hinomaru hachimaki. Obviously I sometimes have a hard time with people who try to claim that this political construction is what Shinto is all about. Luckily I don’t meet too many people like that.

5) What are you doing now in India, and how does your training as a Shinto priest fit into your future?

Caitlin discusses with Pat Ormsby the reading of a prayer

I’m doing a Ph.D. on nuclear power policy and anti-nuclear movements in India and Japan. Basically, I’m a political science scholar, and this has always tended to be the way I’ve viewed the world. In fact it was my work on the environmental movement when I was doing my Master’s Degree in Japan that brought me into contact with Asakawa Konpira. What a lucky break that was! If it wasn’t for that meeting and my subsequent priest training I may well have gone through the rest of my life seeing the environment in purely political terms. I was reminded of the spiritual and emotional aspects of my relationship with nature and I think this has made my life much more balanced. I am still very interested in the link between politics and religion and how any religion, including Shinto, can be manipulated politically. In terms of the future, I do plan to come back to Japan and I would really like to see what new directions I can take regarding Shinto on both local and international levels. I think there are lots of unmet needs, and in some cases open wounds, in local communities in these times of social and economic upheaval which ceremony can be very powerful in addressing. There is also a need, I think, to explain and promote Shinto on a more international level, in peace and environmental organizations, for example.

6) I wonder if you’ve had the opportunity to compare Shinto with Hinduism at all?  

A little—not as much as I would like, but living in India, you can’t help bumping into Hinduism all the time. I think Hinduism and Shinto are very similar in lots of ways—polytheistic is the obvious one, and indeed some gods came to Japan via Hinduism. Benten-sama is originally the Hindu goddess Saraswati and in fact the god of the shrine I belong to, Konpira, has been traced to the Hindu crocodile god that is the vehicle for Ganga, the goddess of the river Ganges. There are also many differences, Hinduism having a much more developed philosophical angle, as well as of course the Vedas and myriad other texts, laws and commentaries, which are largely absent in Shinto traditions. The thing that is very interesting for me is that Hinduism has been (and continues to be) used in the same way that Shintoism was, to whip up nationalism and for very political ends. I guess fundamentalists of any ilk have more in common with each other than with the actual practitioners of the religions they are trying to redefine.

Purifying other priests at the Asakawa Konpira shrine

 

Izumo no Okuni: kagura to kabuki

Okuni's statue in Kyoto showing her impersonating a samurai

Izumo no okuni was the daughter of a blacksmith who started out as a miko (shrine maiden) at Izumo Shrine. She was known for her beauty and her skill at performing sacred dance (kagura). She was therefore chosen to be sent to Kyoto to raise money for the shrine, as was the custom of the age.  Priests and other shrine personnel had to act as fund-raisers.

The freedom she found in the capital must have gone to Okuni’s head, for she soon turned from sacred dance to the profane. She started performing on the dry river bank of the Kamogawa, and her sensual style of dance attracted large crowds.  She added humorous skits satirising the manner of lovers, and she even impersonated samurai and prostitutes.  Though she sent money back to Izumo, the shrine authorities were concerned by her reputation and summoned her home.  She refused.

By the time that Tokugawa Ieyasu was declared shogun in 1603, Okuni had gathered together a troupe whose performances were called ‘kabuki’ or crazy.  The song and dance routines were done in colourful costumes, so as to please the eye as well as the ear.  Interestingly, in complete distinction to today’s kabuki, Okuni’s troupe were all female.

(Because of concern about women using the stage to advertise themselves, the shogun banned women from kabuki in 1629.  Thereafter, as on the Elizabethan stage, young boys played the part of women, though this was too was soon banned because of immorality.  You just can’t win with lust!)

Okuni had a patron, Ujisato Sanzauro, who helped give kabuki a more dramatic style.  As a result the troupe’s performances became famous – and copied – thoughout the land.  Interestingly, this was around the same time that Shakespeare transformed the English stage.

Okuni's grave at Izumo, near the shrine where she once served as a miko

What happened to Okuni in later years is uncertain, and her date of death is unknown.  There’s a grave for her in Izumo, so presumably, like Shakespeare, she retired back to her hometown when her career was over.  Once a simple shrine maiden, she left her mark on the culture of the nation.  From dancing for the gods (kagura), she had gone on to dance her way into history.

Viva Okuni ! We in Kyoto remember you with fondness…

Hearn 3): The Mirror

In his early days in Matsue, Hearn was fascinated by most everything he saw.  Here, in Glimpses of Unfamiliar Japan (1894), he describes his first encounter with the mirror that stands at the heart of the Shinto shrine.  It captures the curiosity that drove him, the fascination with Shinto things, and the sense of mystery to which he was so attracted.  Something in the mirror spoke to him of the search for home within himself.

“Then I reach the altar, gropingly, unable yet to distinguish forms clearly. But the priest, sliding back screen after screen, pours in light upon the gilded brasses and the inscriptions; and I look for the image of the Deity or presiding Spirit between the altar- groups of convoluted candelabra. And I see―only a mirror, a round, pale disk of polished metal, and my own face therein, and behind this mockery of me a phantom of the far sea.

Only a mirror! Symbolising what? Illusion? or that the Universe exists for us solely as the reflection of our own souls? or the old Chinese teaching that we must seek the Buddha only in our own hearts? Perhaps some day I shall be able to find out all these things.”

[Glimpses on Unfamiliar Japan can be read online here. For more on Lafcadio Hearn, see here.]

 

Hearn 2): at Matsue

Lafcadio Hearn (1850-1904) in a typical pose to avoid his blank eye being seen

Honeymoon period
On my recent visit to Izumo, where the kami of Japan are presently gathered, I took the opportunity to make a literary pilgrimage to the home of Lafcadio Hearn. Though not well-known abroad, he is treasured in Japan for his sympathetic accounts of the country not long after its opening to the West.  A curious figure, he was the son of a British officer and a Greek woman, raised in Ireland, attended boarding school in England, then went to the US where he carved out a colourful career in journalism before heading for Japan just before his fortieth birthday.

Hearn arrived in 1890 and spent fifteen months in Matsue, ‘province of the gods’. in a classic case of what anthropologists call the honeymoon period, he was enchanted by everything he saw.  A hundred years later when I myself arrived in Kanazawa, further north along the Japan Sea, I was similarly entranced by a Wonderland where all was bizarre yet charming.  Like a second childhood, one has to learn from scratch to understand customs that are alien and a language that is indecipherable.

“Elfish everything seems,” wrote Hearn, “for everything as well as everybody is small, and queer, and mysterious: the little houses under their blue roofs, the little shop-fronts hung with blue, and the smiling little people in their blue costumes. The illusion is only broken by the occasional passing of a tall foreigner, and by divers shop-signs bearing announcements in absurd attempts at English. …  It then appears that everything  Japanese is delicate, exquisite, admirable—even a pair of common wooden chopsticks in a paper bag with a little drawing upon it… Curiosities and dainty objects bewilder you by their very multitude: on either side of you, wherever you turn your eyes, are countless wonderful things as yet incomprehensible.”

Collector of tales
Hearn’s house stands opposite the castle and gives a sense of the lifestyle he so enjoyed. The former house of a samurai, his home had a charming little garden with a pond mentioned in his writings.  Here the odd-looking Hearn found himself. He settled down in marriage, and when he naturalised he took his wife’s family name, calling himself Koizumi Yakumo (the second name, ‘eight-fold clouds’, is that of the local area, indicative of his attachment).

Hearn’s house in Matsue, Shimane prefecture

Hearn had been drawn to Japan by a book of Percival Lowell, The Soul of the Far East (1888).  Here in Matsue he was delighted by the spiritual devotion of the locals, learning eagerly of their religious beliefs.  It’s said his fascination was fostered by having been told of Irish legends as a child by his Connaught nanny.

I once went to a talk by Hearn’s great grandson, Koizumi Bon, who mentioned the similarities of Celtic and Japanese animism.  The circle of the Irish cross, for instance, is a remnant of ancient sun worship; animal familiars serve the gods; there is an Irish equivalent of Setsubun, when devils are driven out to ensure happiness in the coming year; and the Irish wishing tree is hung with cloths in similar manner to the way Japanese hang their fortune slips to trees.

In Glimpses of Unfamiliar Japan (1894) Hearn goes into some detail about local traditions, and the descriptions are fascinating because of their record of the past.  Some of the customs remain; others have vanished down the vortex of history.

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“I see men and women descending the stone steps of the wharves on the opposite side of the Ohashigawa, all with little blue towels tucked into their girdles. They wash their faces and hands and rinse their mouths—the customary ablution preliminary to Shinto prayer. Then they turn their faces to the sunrise and clap their hands four times and pray.

From the long high white bridge come other clappings, like echoes, and others again from far light graceful craft, curved like new moons—extraordinary boats, in which I see bare-limbed fishermen standing with foreheads bowed to the golden East. Now the clappings multiply—multiply at last into an almost continuous volleying of sharp sounds. For all the population are saluting the rising sun, O-Hi-San, the Lady of Fire—Ama-terasu-oho-mi-Kami, the Lady of the Great Light.

‘Konnichi-Sama! Hail this day to thee, divinest Day-Maker! Thanks unutterable unto thee, for this thy sweet light, making beautiful the world!’ So, doubt-less, the thought, if not the utterance, of countless hearts. Some turn to the sun only, clapping their hands; yet many turn also to the West, to holy Kitzuki [Izumo Taisha], the immemorial shrine and not a few turn their faces successively to all the points of heaven, murmuring the names of a hundred gods; and others, again, after having saluted the Lady of Fire, look toward high Ichibata, toward the place of the great temple of Yakushi Nyorai, who giveth sight to the blind—not clapping their hands as in Shinto worship, but only rubbing the palms softly together after the Buddhist manner. But all— for in this most antique province of Japan all Buddhists are Shintoists likewise—utter the archaic words of Shinto prayer: ‘Harai tamai kiyome tamai to Kami imi tami.”

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The garden in Hearn’s house in Matsue of which he wrote so graphically

Shinto as a key to understanding Japan
I’ve always felt ambivalent about Hearn, for he clearly idealised Japan as means of escaping from a West where he felt out of place.  By contrast his friend Basil Hall Chamberlain, author of Things Japanese (six editions 1890–1936) viewed Japan with scholarly detachment.  Unlike Hearn, he was fluent in Japanese and balanced his sympathetic accounts with some harsh comments.  Yet it is the romanticist’s vision which has won the wider readership, for the power of imagination invariably trumps dull reality.  ‘When legend becomes fact, print the legend,’ says a character in John Ford’s The Man Who Shot Liberty Vallance.  

Over time Hearn was to become well-versed in Shinto, and to see it as fundamental to an understanding of the culture as a whole.  Japan, An Attempt at interpretation (1904) remains a classic of its kind and even now, despite a century of dramatic changes, the insights are compelling.  Hearn manages to shed clarity on the vague and often contradictory mix of Japanese belief systems.  He only lived in Matsue a brief fifteen months, before going on to Kumamoto and Tokyo University.  It was Matsue though that shaped his attitude to Japan.  It was here in ‘the province of the gods’ that his love of Japan’s spiritual life was first fostered.

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 “The real religion of Japan, the religion still professed in one form or other, by the entire nation, is that cult which has been the foundation of all civilized religion, and of all civilized society,—Ancestor-worship. In the course of thousands of years this original cult has undergone modifications, and has assumed various shapes; but everywhere in Japan its fundamental character remains unchanged. Without including the different Buddhist forms of ancestor-worship, we find three distinct rites of purely Japanese origin, subsequently modified to some degree by Chinese influence and ceremonial. These Japanese forms of the cult are all classed together under the name of “Shinto,” which signifies, “The Way of the Gods.” It is not an ancient term; and it was first adopted only to distinguish the native religion, or “Way” from the foreign religion of Buddhism called “Butsudo,” or “The Way of the Buddha.” The three forms of the Shinto worship of ancestors are the Domestic Cult, the Communal Cult, and the State Cult;—or, in other words, the worship of family ancestors, the worship of clan or tribal  ancestors, and the worship of imperial ancestors. The first is the religion of the home; the second is the religion of the local divinity, or tutelar god; the third is the national religion.”

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View towards Hearn’s house in Matsue, where he first learned about Japan’s ancestor worship

Glimpses on Unfamiliar Japan can be read online here. Japan: an Attempt at Interpretation can be found here.

The Wonder of Alan Watts

Alan Watts professed not to be a guru.  Well, guess what, Alan…  you are a guru to me!  Actually, you’re more like a kami, for you still talk to me once a week from beyond the grave, courtesy of ipod…

Today Alan was talking of the Relevance of Oriental Philosophy, and some of what he had to say struck me as relevant to the prospects of Shinto as a green religion. Here’s my transcript of a small portion of his talk …

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‘Man is a little germ that lives on an insignificant planet that revolves around a little sphere that exists on the outer edges of one of the smaller galaxies.

God, what a putdown that is.  But on the other hand I am absolutely amazed to be in such a very odd situation… and the more I look at things I cannot get rid of the feeling that existence is quite weird.

As Aristotle said, wonder is the beginning of philosophy, because it strikes you that existence is very, very strange.  Even more when you realise that in a world with no eyes, the sun would not be light.  And in a world where there are no soft skins, rocks would not be hard.  Nor in a world where there are no muscles, rocks would not be heavy.  Existence is relationships, and you are smack in the middle of it.

So there is obviously a place in life for a sense of awe and astonishment at existence.  And that is also a basis of respect for existence.  We don’t have much of it in this culture, even though we call it materialistic.  A materialist is a person who loves material.  But in the culture we call materialistic today, we are of course bent on the total destruction of material and its conversion into junk and poisonous gas. This is not a materialistic culture because it has no respect for material.

Respect is based on wonder, on feeling the marvel of a pebble in your fingers.’

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Awe – respect – harmony.  Is this not the model we have to get back to, and is it not a model that Shinto can help us develop?

Last week Aike Rots gave a talk about the green connection of Shinto at Kyoto University, pointing out that it is often linked with a nationalistic view of Japanese having a special feeling for nature. Environmentalism in the West is linked with the left; in Japan that is not the case. Rather than saving the whales, it’s Japan’s ‘special’ traditions that people here want to save.

Like Alan Watts, Green Shinto takes a firmly universalist stance and believes that regardless of nationality we are all in the same cosmic boat.  Awe is universal.  Wonder is universal.  Nature is universal.  Let’s make Shinto universal too.

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You can listen to the weekly Alan Watts ipod here.  There are also numerous Alan Watts’ videos on youtube: this seven-minute one is rather good, about the limitations of the human mind, but nearly all of those listed on youtube are worth the time IMHO.

Izumo Taisha Part 3: Kamiari sai

Miko (shrine maidens) administering omiki (sacred saké) to the throng

 

Priest leading the procession at the Welcome Ceremony

Kami visitors
The best time to visit Izumo is when all the kami of Japan go.  That’s in the tenth month of the old lunar calendar (the dates vary in the modern calendar but are around this time of year).  You can expect it to be crowded, with the eight myriad kami joined by several thousand Japanese. Such is the size of Izumo, though, there’s plenty of room – except for the immediate access roads which get pretty jammed.

The kami stay at Izumo shrine for a week, after which they circulate around eight other shrines in the area before taking their leave.  This year I attended the first two days of the event, and I’ve described the Welcome Ceremony on the beach here.  Outdoors and in the dark, it has a sense of theatre as the kami emerge from the sea and into the waiting branches (himorogi).

Honoring the snake
The day after the Welcome Ceremony I turned up at the shrine and found a line of people queueing before a small tent, where they were paying respects to Ryuja-san, the serpent-spirit who guides the kami as they arrive by sea.  What looked like a model snake sat in a mikoshi, and people filed past and prayed. Some were quite fervent.

Scoffing the rice grains, with saké cup-saucer in hand

Coming from a Christian background, where the snake has been demonised, it’s striking to see a serpent the focus of so much devotion. We tend to think of it as a vile, poisonous creature.  Here, however, because of its skin-shedding ability, it’s seen rather as a symbol of regeneration.

At the exit to the tent miko were serving saké and a few grains of rice. Watching people eat and drink, I couldn’t help thinking that here was the Shinto equivalent of Holy Communion.  Rice wine instead of red; rice grain instead of wheat.  Ingesting spirit and the body of the earth. Participating in the divine.

Networking
The kami had already got up by the time we arrived, and according to the priest I asked they had gone down to hold a conference at somewhere called Kaminomiya (or Karinomiya).  It was about fifteen minutes walk away, near the beach on which the Welcome Ceremony was held.

The road leads past the grave of Izumo no Okuni, famous to us who live in Kyoto as the founder of kabuki.  She is thought to have been a shrine dancer at Izumo, who went to Kyoto to seek her luck as a performer.  She invented a whole new crazy style of dance-drama.  She made a name for herself then, like Shakespeare, returned to her home town to die.

Okuni's grave, founder of kabuki, with the characteristic hills and mists of her Izumo childhood behind

There’a statue of Okuni in Kyoto that I pass every day on my way to work.  It stands by the Kamogawa river, where she held performances around 1600 on the dry river bed, and shows her dressed as a samurai and aping the mannerism of a man.  From sacred dance to crazy spirit, she lies now where every year she gets a chance to see all the kami of Japan pass by. Here’s to you, Okuni !

Conference hall

You’d imagine a conference hall for eight myriad kami – the assembled deities of the nation – to be an immensely grand affair.  Far from it.  It turned out, in fact, to be an unprepossessing shrine of seemingly little distinction.  A solitary priest sat at the entrance, dispensing the same saké and rice grains combination as at the Ryuja-san tent.

Prayers of respect were done in front of the worship hall, whose doors stood open.  There was nothing to see within but a few coins offered by visitors.  I thought perhaps the kami might be assembled there, invisible to the human eye, but the priest assured me they were behind closed doors inside the honden (inner sanctuary), where kami usually reside.

What were the kami discussing, I asked the priest.  ‘Mm,’ he said thoughtfully, then added something to the effect that it was not for us to know. I can guess, though, that high on the agenda this year was the little matter of Fukushima.

Priest with saké and rice grains to dispense to visitors

Offering coins at Kaminomiya where the kami of all Japan are gathered in discussion

Edo-era depiction of the kami in conference

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