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e-money offerings

Offerings can take many forms and be visually appealing. E-money lacks substance and aesthetics.

E-money contributions to shrine donations. A shocking break with tradition, or an example of Shinto adapting to the times?

The worldwide pressure to move to a cashless society, and the consequent focussing on Japan as languishing behind in this respect, is having an effect on the Shinto world today. Is swiping a card enough to make an offering? It hardly has any sense of ’offering’, even less of self-sacrifice. The complications are even greater than that, for technically the offering is made to the kami, not to the shrine priests. How pleased will the kami be by a credit card?

Nonetheless such is the force of progress that some shrines are already making provision for e-money donations, as the pieces below indicate. Change within continuity has long been the Japanese view of things, and it’s certainly been a keynote of Shinto’s ability to survive too.

A hungry frog makes an inviting bid for offerings

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’Although we initially encountered criticism, an increasing number of people now support e-money offerings thanks partly to the government’s efforts to promote cashless payments.’

Rie Matsuoka, an official at Atago Jinja, a Shinto shrine in Tokyo’s Minato Ward, which started in 2014 to accept offerings by e-money Rakuten Edy as a countermeasure to theft. In Japan, people throw some coins into a saisen (wooden donation box) when they visit a shrine or temple as they pray for their wishes to be realized.

© Jiji Press  Japan Today, Jan 3, 2019

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A visitor offers saisen monetary offerings using Rakuten Edy at Atago Jinja shrine in Minato Ward, Tokyo, on Jan. 4, 2017. (courtesy Jiji)

 — The number of shrines and temples in Japan that accept saisen monetary offerings via e-money is increasing as the country moves toward a cashless society.

While some welcome the trend as a convenient way, others are critical of e-money use at religious places.

Atago Jinja, a Shinto shrine in Tokyo’s Minato Ward, started in 2014 to accept saisen via Rakuten Edy, a type of e-money, as a countermeasure to saisen theft.

In Japan, people throw some coins or even bills into a wooden donation box as saisen when they visit a shrine or temple and pray for their wishes to be realized, including during the New Year period.

“Although we initially encountered criticism, an increasing number of people now support e-money offerings thanks partly to the government’s efforts to promote cashless payments,” said Rie Matsuoka, a 52-year-old Atago Jinja official.

“In the past, offerings had been made in kind, such as rice and fish, and then cash took their place,” she explains. “It makes no difference to offer saisen in cash or e-money.”

In 2019, Atago Jinja will accept e-money saisen only on Friday, the first business day of the year.

Nikko Futarasan-Jinja, a Shinto shrine and one of the UNESCO World Heritage sites in Nikko, Tochigi Prefecture, introduced an electronic payment system in October 2018, aiming to allow visitors to offer saisen via e-money amid an increase in the number of tourists from China, where e-money is a popular payment method.

The shrine set up signboards with a quick response code at some 10 locations on its premises to allow visitors to scan the QR code with their smartphones for offering saisen by e-money.

“Electronic settlements are a trend of the times,” said Yoshifumi Saito, a 66-year-old official at the shrine.

“We expect saisen offerings by e-money will increase in February, when many Chinese people are expected to visit the shrine during China’s Lunar New Year holidays.”

Kaigenji, a temple in Fukuchiyama, Kyoto Prefecture, introduced an electronic settlement system in October 2018, hoping to lure young people who do not usually visit temples.

“Donation by e-money is as worthy as by cash,” said Mitsuhiro Shibahara, 38-year-old chief priest at the temple.

“We want young people to feel close to temples by using the interesting way of giving saisen via e-money,” he adds.

On the internet, many people praise e-money use for saisen, citing the convenience of the method. Some pointed to reward or mileage points as benefits.

Among opponents, meanwhile, some say they do not feel comfortable making monetary offerings by electronic data at shines or temples, and others argue that it appears disrespectful to use e-money at such sacred places.

“In the first place, blessings are not something given in return for money,” said a public relations official of Jinja Honcho, or the Association of Shinto Shrines.

“The important thing is that people express a sense of gratitude for the fulfillment of their wishes,” the official says, adding, “Our minds determine whether blessings will be given or not.”

Offerings in traditional style – quite a contrast to an e-offering

Ainu Museum bears released!

Green Shinto members will be aware that as a supporter of animal rights we are appalled at some of the treatment of animals in Japan, and in particular at places related to Shinto festivals. Far from speaking out against animal cruelty, as one might expect from a ’nature based religion’, Shinto has rather shown itself indifferent at best and a supporter of such nationalistic policies as whale-hunting.

One of the bears formerly at the Ainu Museum in Hokkaido (courtesy Jann Williams)

Previously on Green Shinto we have featured the disgraceful and inhumane conditions of the bears at the Ainu Cultural Museum in Hokkaido. Ainu are known for worshipping a bear deity, but that doesn’t mean they have any sympathy with individual bears. Far from it in fact.

From a young age the bears were kept in small cages of concrete with no access to the outside world. Worse than someone on death row, in fact. They had never seen grass, never tasted freedom, and never eaten anything but rice. Several Green Shinto readers remarked on the cruelty of the conditions, including Australian Jann Williams who supplied photos. We hoped to raise awareness of their plight, and the animal rights group to which we are attached (JAWS) also worked on the case.

Now I’m delighted to report great news!!!  The bears have been liberated and transported to comfort in an award winning Yorkshire wildlife park where they will be able to enjoy the new year to their hearts’ content. Amazingly on their new diet they have already put on six stone. Their wishes – and ours – have finally come true.

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Report here from The BBC… It’s worth watching the video  .https://www.bbc.co.uk/…and-south-yorkshire-45081527 

Four endangered bears have been re-homed in Yorkshire after being transported more than 5,400 miles from Japan.

Riku, Kai, Hanako and Amu had been living in cramped conditions at a museum on the island of Hokkaido.

All four are now settling in to their new home at the Yorkshire Wildlife Park (YWP), near Doncaster, after being flown from Tokyo to London.

Animal charity Wild Welfare said the bears will receive “rehabilitation, enrichment and lifelong care”.

The Ussuri brown bears, two aged 17 and two aged 27, were brought to the UK from a museum in Japan.

YWP animal manager Debbie Porter said the loading had gone “like clockwork”.

The bears were being kept at the Ainu Cultural Museum when they came to the attention of Wild Welfare.

Image caption The bears were kept in cramped and outdated conditions in Japan

Georgina Groves, projects director at the charity, said “The living conditions these bears have faced for much of their lives are sadly reflective of the conditions that many captive bears in Japan are in.

“We really hope these four beautiful bears can raise the profile for others and help us work with zoo and welfare organisations to secure a better long-term future for them all.”

The Ussuri brown bear, also known as the black grizzly, can weigh up to 86 stone (550kg) and live up to 35 years.

The taste of freedom and a happy new year for the Ainu bears

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For previous reports on this issue, see here.

Zen and Shinto 22: Kyudo

Drawing the arrow to its full length requires strength and endurance. Such was the tautness that hands were visibly shaking.

It’s known that Shinto has strong connections with some of the martial arts. Aikido of course, which  its founder Morihei Ueshiba openly stated was based on Shinto principles. He drew on traditional thinking in martial arts, for Shinto had played an important part in the cult of sword making and schools of swordsmanship. Sincerity and the vanquishing of evil informed the practice. In rituals swords were used as tools of purification to dispel impurities. And animist belief ascribed spirit to the sword.

This is not surprising considering the vital role that the sword played in ancient times, when it held magical power as a symbol of authority that could determine life and death. It’s why it is one of the three sacred regalia of Japan (along with the mirror and magatama bead necklace). It’s why Excalibur too continues to mesmerise even in the modern age. (See here for a previous Green Shinto post exploring the martial commonalities of Zen and Shinto.)

The New Year good fortune arrow symbolically kills off evil, ensuring a succesful year ahead

The Shinto influence on sword fighting is evident in names like Katori Shintō-ryū, one of the oldest martial arts styles in Japan. The connection with Zen is also well-known through such figures as Miyamoto Musashi, a master swordsman who wrote The Book of Five Rings. He was not only a student of Zen like other samurai, but learnt about ‘no mind’ from master guru Takuan who was attached at one time to Daitoku-ji in Kyoto.

One other martial art, not often mentioned in this context, is Kyudo, or Japanese archery. It is based on the arrow, and as New Year approaches Shinto arrows are going to be increasingly evident as people flock to shrines to collect good luck amulets for the coming year. Since the arrow is a means of dispelling impurities (aka evil demons), they are thereby a token of good fortune. You’ll often see arrows fired into the air in the four directions both in Shinto and yamabushi (mountain ascetic) festivals.

Talking to a young priest about this topic recently, I wasa struck by his assertion that the arrow was a symbol of the life force. Through its dynamism and preservation of well-being, it acts as a powerful pro-life agent. And in taking aim, the archer has to practice being in the here and now, the nakaima that Shinto preaches. As indeed does Zen mindfulness.

Arrow at entrance to Iwashimizu Hachiman

The remarks reminded me of the foundation myth of the Shimogamo and Kamigamo World Heritage shrines, in which a young princess takes home an arrow she found floating down the river and the next day becomes pregnant. The arrow here acts as potent phallus, and we know from fertility shrines throughout East Asia that it’s a powerful life protecting force. (Some Bhutan houses have large paintings of a penis on their exterior for this very reason).

Zen in the Art of Archery (1948) spread the idea in the West that the two were indelibly intertwined. It was written by Eugen Herrigel (1884–1955)  a German professor of philosophy who worked in Japan in the 1920s when he studied Kyudo. His book was all about overcoming the self in order to become one with the arrow.

However, Herrigel’s viewpoint was a partial one if one recognises the significance of arrows in the Shinto tradition. It’s said that Sugawara no Michizane, whose spirit was deified as Tenjin, was good at Kyudo, and there are Kyudo practice ranges at shrines such as Tsubaki Taisha in Mie Prefecture.

But the supreme example of arrows in Shinto may be the yabusame horse archery demonstrations that take place at various shrines. These have symbolic force, not only in terms of entertainment for the kami, but in predicting a good harvest or weather conditions. With an arrow shot true and straight, the force will be with you.

Horse archery at Kamigamo Shrine

 

A HAPPY NEW YEAR TO ALL GREEN SHINTO READERS AND MAY YOUR ARROW FOREVER FLY TRUE AND HIT THE TARGET IN THE COMING YEAR OF THE BOAR!

 

 

Zen and Shinto 21: Katsura Villa

Katsura RikyuFollowing on from the series investigating the links of Shinto and Zen, this piece from Wikipedia struck me as insightful about the architectural and aesthetic overlap between the two practices. It concerns the Katsura Imperial Villa (or Detached Palace) in the west of Kyoto, which many consider to be the sublime example of a traditional estate. Shinto values of simplicity, naturalness and harmony with nature are mixed with the desire for contemplation and transcendence of the ego (For the full Wikipedia description see here.)

Many say that Shingon is the closest Buddhist sect to Shinto because of its emphasis on the integration of humans in nature. Green Shinto has been building up a substantial case for thinking Zen is even closer. In both cases sweeping the grounds may be the highest form of spirituality!

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Katsura Rikyu

The Katsura Imperial Villa is a good example of the essence of Japanese traditional design. The Villa combines principles usually used in early Shinto shrines and merges it with the esthetics and philosophy of Zen Buddhism.

One example of Katsura’s use of traditional ideas is its use of raised floors with tatami mats covering them. Tatami are mats approximately 3 feet by 6 feet in length that are not only used as the floors of the villa, but are also used to define the dimensions of each individual room and the house as a whole.

At Katsura, the mats are used to create the sprawling and pinwheel-like plan that it has today. The terraces and porches created by the arrangement of the tatami mats provide opportunities to view the landscape and link interior spaces with the outside world. The floors of each building of the site are also raised as well, which originally was derived from vernacular designs for granaries, as well as early imperial palaces. They serve the purpose of both keeping the floor dry while also giving hierarchy to the space.

Another classic characteristic that the Katsura Imperial Villa utilizes is the use of screen walls (the shōji and the fusuma). The fusuma allows the rooms to change and open up to the natural world with exterior decks becoming extensions of the interior and framing views of the landscape. An example of this type of transformation is the moon viewing platform connected to the Old Shoin. Besides these characteristics, there are many traditional Japanese ideas that are used in the Katsura Imperial Villa, like the decorative alcove (tokonoma), built-in desk (tsukeshoin) and square posts.

Teahouse

At the Katsura Imperial Villa, the teahouses are perfect examples of how Zen Buddhism has affected the architecture and landscape. The tea ceremony, performed at the pavilions, is a very important part of Japanese society because it is a spiritual ritual symbolizing detached perfection in the Zen tradition, and it has greatly affected the architecture and landscape around it to enhance the experience one receives while in the ceremony. The teahouses were constructed expressly to incorporate the qualities of concord, reverence, pureness, and isolation that are the very essence of the ritual.

The five different teahouses are all separated from the main building and are isolated from everything except for the nature around them; to reach each building, one must take a path that doesn’t reveal the view of the pavilion until the very last moment. The teahouses also use rustic elements such as bark covered wooden supports or irregular shaped wooden pieces as extensions of the natural world, for the tea ceremony aims at fusing the spiritual and the natural.

Additionally, the teahouses account for many experiences while you are inside of it. The windows and apertures in the pavilion are at eye level when sitting so that one can feel more in tune and closer to nature and so that one can “admire the cherry blossoms in the spring and the crimson leaves in the autumn… while preparing tea and enjoying exquisite cuisine”. Finally, the interior of the buildings were planned so that the designers imparted their reverence for the materials and spatial harmony, which are intended to promote reflection that will achieve inward simplicity and tranquillity of the mind.

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For the other 20 postings about Zen and Shinto, please click on the Zen category on the righthand side of the page.

Imperial rites and wrongs

The article below from the Japan Times caught my attention for two reasons. First of all, I was puzzled by the motives of Prince Akishino, brother of the next emperor, because I had always found him more conservative than the rest of his family and therefore more inclined to support state support of Shinto. A second reason for interest was because very soon next year we are going to be seeing a lot of discussion about the abdication of the present emperor and the rites concerning the new emperor. Judging by Akishino’s outburst, things could get interesting.

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Prince’s right to free speech a hot topic in Japan

Prince’s right to free speech a hot topic in Japan Prince Akishino and his wife, Princess Kiko, attend a news conference ahead of his 53rd birthday at the their residence in Tokyo on Nov. 22. | REUTERS

A remark by Prince Akishino, who will become first in line to the throne next year, has stirred controversy over how freely members of the Imperial family can speak about contentious matters because the Constitution prohibits the head of the family from being involved in politics.

In a rare move for a royal, Prince Akishino, second son of the outgoing Emperor Akihito, questioned the government’s decision to use a massive amount of public money for a Shinto-related ritual to take place in November next year as part of the ascension of Crown Prince Naruhito.

“I wonder whether it is appropriate to cover the highly religious event with state funds,” the prince said during a recent news conference for his 53rd birthday, baffling senior bureaucrats of the Imperial Household Agency as well as many experts on royal family matters.

Major Japanese media outlets covered his comments extensively Friday morning, prompting many in Japan to revisit not only the principle of the separation of state and religion, but the issue of how freely members of the Imperial family can speak in public.

The Emperor and his family members have generally refrained from making political remarks as the Constitution, compiled after Japan’s surrender in World War II, stipulates the emperor “shall not have powers related to government.”

The prince has “crossed the line,” an official of the agency said. Another criticized the prince’s remark, saying, “It is hard to understand why (the prince) stuck his nose into the matter of the Crown Prince, who will engage in the rite.”

Emperor Akihito, his first son Crown Prince Naruhito and Prince Akishino typically give news conferences ahead of their birthdays.

But only Prince Akishino speaks to reporters without prepared text on hand as a matter of practice, which means his aides and other agency bureaucrats have few opportunities to know in advance what he will say in public.

It was not the first time that remarks made by Prince Akishino have led to various disputes.

In 2004 Crown Prince Naruhito questioned the treatment of his ailing wife Masako, saying, “There were developments that were regarded as denying her a career and going against her personality.”

After the remark made headlines and worried the Emperor, Prince Akishino challenged his elder brother, telling reporters that the Crown Prince should have made the remark through consultation with their father in advance. A number of media outlets, including foreign media, highlighted the apparent Imperial family split.

Prince Akishino also proposed Japan discuss setting a retirement age for the Emperor at his 2011 birthday news conference, years before the country authorized the abdication. The Emperor will turn 85 on Dec. 23.

An official involved in the agency said, “It seems that the prince believes it is a good thing that people know there are differences in the Imperial family.”

“It should not be a problem in light of the Constitution if a member of the Imperial family makes such a remark,” said Koichi Yokota, an expert on the top law who serves as professor emeritus at Kyushu University.

“The Constitution bans the emperor from involvement in government but does not mention royal family members apart from the emperor,” Yokota said in support of Prince Akishino’s right to free speech.

Isao Tokoro, another constitutional expert who serves as professor emeritus at Kyoto Sangyo University, urged Prince Akishino to be more careful about his remarks.

“I would like him to recognize the weight of the position he will take six months later, and use caution when making remarks, such as by consulting with people around him,” Tokoro said.

Nonfiction writer Masayasu Hosaka, who has written many books on modern Japanese history, said, “I regarded the prince’s remark as a strong message from the Imperial family that they want people to think seriously about the principle of separation of state and religion.”

A Japanese Wiccan

The Solitary Witch

John Dougill meets a Wiccan – who’s Japanese

The growth of Wicca in recent years has been striking and it is now the UK’s seventh biggest religion.  The revival was sparked by Gerald Gardner’s Witchcraft Today (1954) based on his experiences in a coven that had supposedly preserved pre-Christian beliefs. Now there is a whole support system, with a network of covens, gatherings and conferences. And under the umbrella of the Pagan Federation, Wiccans interact with like-minded groups. All Wiccans are Pagan, but not all Pagans are necessarily Wiccan.

Gerald Gardner, discoverer or inventor of Wicca

In the US too Wicca has taken hold and is recognised by the military for official rites. American witchcraft tends to be diverse, and though many witches follow Wicca there are others too. A witch can simply be a spellcaster or someone who practises magic. There are even Christian witches.

In Japan one seldom comes across Western witchcraft outside the fantasy world of Harry Potter. Imagine then being Japanese with a calling to Wicca.  Not an easy option, you might say, but such is the path pursued by one  practitioner. His is a remarkable story.

Course work

‘Pendragon’ first developed an interest in the occult through the study of tarot. But it was Wicca to which he felt most connected, and from Doreen Valiente’s Witchcraft for Tomorrow (1979) he practised a form of self-initiation.

Later he met a Wiccan priestess who motivated him to go deeper in his studies. To cast spells he grew his own herbs such as rosemary, sage and lavender.  ‘It’s easy to grow them,’ he says, ‘but you lose a lot in the heat and humidity of summer.’

If Shinto is a religion of the sun, paganism is of the moon

Magic spells

Nowadays Pendragon practises on his own with a prized collection of ritual tools. These include a chalice, an athame (witch’s knife), and a pentacle (disc inscribed with symbols). What kind of rituals could one do on one’s own, I wondered?  As an example, Pendragon told me that for the spring equinox, which marks a time of new beginnings he might decide to bless a project he is about to undertake, ask the deities for success and do meditation.  By moonlight, of course.

And what of the Magic? Wiccans only practise good magic, for it’s a central tenet that one should not knowingly do evil. As the creed says, ‘Eight words the Wiccan Rede fulfill, An it harm none do what ye will.’  For example, Pendragon told me how he might perform a spell for love by lighting a red candle, anointing it with oil, burning incense and making an appropriate chant.  ‘What I find in fact, and maybe many witches find this, is that the need for spells becomes less and less as you practise,’ he says. ‘You learn to go with the flow of life.’

Red hitogata (effigy) for disease protection

Healing practice

One attractive part of Wicca is the healing aspect. There are two main types of Wiccan techniques for helping others. One is done in the coven with a focused cone of energy created by a dancing circle.  The other is based on sympathetic magic, typically done with poppets or dolls to represent the patient. In this respect there are similarities to Shinto.

Japanese Pagans

Talking to Pndragon it sounds as if Paganism might be on the rise in Japan, but he tells me that is not the case.  ‘In fact, the Japanese scene is very small,’ he says .  There is no national organisation.’

Starhawk’s influential book about Goddess worship, The Spiral Dance (1989), was translated into Japanese but did not sell well. Similarly with Margot Adler’s study of Paganism in America, Drawing Down the Moon (1979). By contrast the clairvoyant Doreen Virtue’s angel therapy has won a wide following, and her oracle cards are popular among New Age types.

Has there not been a surge of interest in witchcraft since Harry Potter, I ask?  ‘Not so much from Harry Potter, but from Japanese anime and manga,’ Pendragon says.  There was an Abe no Seimei boom in onmyodo (Way of Yin-Yang). And there was a popular novel for teenagers, Toaru Majutsu no Indekkusu (Forbidden Index of Magic).’   It seems the interest is superficial, however.  Many simply want to learn to fly!

Magical pentagram uniting east and west. Here it serves as Daoist wizard Abe no Seimei’s sign, but the pentagram also forms the witch’s symbol..

Asked to explain the disinterest, Pendragon points out that the Pagan revival in the West was sparked by a reaction against Christianity.  People wanted something more meaningful and less moralistic, a spirituality that relied on intuition rather than revelation.  They sought an earth-based religion that incorporated a goddess as well as a god.

In Japan, by way of contrast, because of the dominance of Shinto-Buddhism there simply was not the same need.  Interestingly, Japanese people drawn to Wicca typically have some kind of Christian background.

Like their counterparts in the West, such Japanese are drawn to a religion that has ecological concerns and emotional depth.  In so doing, they feel the same sense of ‘coming home’ that others experience who return to a primal religion after dogmatic Christianity.  It’s reflected in the embrace of a Great Goddess rather than the Virgin Mary – or Amaterasu.

Who knows, perhaps one full moon we’ll be seeing dancing circles in Kansai!

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For more about paganism in Japan, see this posting.

Pagan charms at Glastonbury’s White Spring, a Western equivalent to shimenawa and shide markers

Pagan practice in Japan

Back to nature witchcraft (photos by John Dougill)

The extracts below are taken from a paper written by a postdoctoral researcher at Kyoto University, Eriko Kawanishi. She has an interest in Western paganism, particularly British Wicca and Celtic forms or paganism, and has made what she calls a pilgrimage to the power spot of Glastonbury and the Goddess Temple there. Her survey of Japanese practitioners is limited (11 people in all), which reflects the paucity of numbers. Whether these first beginnings will develop into anything more substantial, only time will tell. The same of course could be said for the relatively small number of Shinto followers in the West.

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Witchcraft in Japan as a Contact Zone for Western and Japanese traditions
by Eriko Kawanishi
Joint Conference between the British Association for the Study of Religions and the Irish Society for the Academic Study of Religions (2018) : Borders and Boundaries: ‘Religion’ on the Periphery
 

Pagan honoring of the four directions, or the four seasons

From 1994, practical books of Western witchcraft were published in Japan, including
Spiral Dance by Starhawk. However, after the members of a cult, Aum Shinrikyo, released poisonous gas on the Tokyo subway lines in 1995, many matters relating to magic were considered to be dangerous because both were considered as occult. Many magicians stopped holding open gatherings and practised in secret at home.
,,,,
How they use Western witchcraft
Only two informants clearly said they didn’t include any traditions from Japan because
 both prefer European culture. All the informants hold their ceremony in Japanese. All of my informants followed the Celtic calendar for seasonal ceremony and the concept of four Western elements. Many said it was easy to find the similar celebrations in Japanese traditional calendar which was divided into 24 seasons. Equinoxes, the first day of spring (4th February) and the winter solstice are well recognised in Japan, and therefore more important days for some witches. Both equinox days are national holidays and the period of thinking ancestors. Additionally ancestors are coming back to our home in the middle of August. Therefore some Japanese witches said they felt strange to welcome ancestors in Samhain season (31st October).

Pagan-Shinto altar (photographer uncertain)

Jomonian Modern Witchcraft group
The Jomonian modern witchcraft group, Uphyca, is a small and minor group of solo female witches, founded by Lumi Tanizaki (33) in 2013. She shares and teaches healing, divination, songs etc. based on her worldview of Uphyca without charge. Around 30 people are members, 10 are practising and only 5 are active. According to their website: Following the Western modern witchcraft practitioners revived the old faith before  Christianity, Tanizaki chose Jinja Shinto and “Jomon faith” before Yayoi culture as “Japanese ancient divinities” for the source of inspiration of Uphyca. (Uphyca website)
Jomon is a name of prehistoric era between 14,000-300 BCE in Japan. The origin of Jomon people are still unknown, probably from Pacific or Southeast Asia. Around 10th century BCE, Yayoi people came from China and Korea and mixed with Jomon people. Some Jomon people are said to have moved to the edge of Japan, so the indigenous people in Hokkaido (Ainu), and Okinawa are the descendants of Jomon people. In fact, their genomes are similar.
Lumi was a professional healer and has been to O.T.O (Ordo Templi Orientis) meetings. She and her friend were dissatisfied with O.T.O., so they left and started Tokyo Ritual in 2012 which aims to study and practise modern occultism. They organise workshops and open rituals and make podcasts and Youtube movies. Their style is pop, light and hippy, so their followers are mainly in their 20s.

One of the fascinating Jomon dogu

Based on this experience, Lumi founded Uphyca in 2013 and opened a magic shop, Guinqujack (silver peacock), with another friend in 2015. One reason why she focused on Jomon is that she saw an analogy between the Celts in Europe and the Jomon in Japan. She said,

I researched Jomon (culture), but there is nothing left, only dogu (female figurines),  pottery and stone circles. (…) So if I pick up cultures between which were left  behind by the main culture, and connect, I may get closer to (Jomon culture). (…) But, yes, it’s my creation…

 
Books are her main resource for understanding Jomon. She also uses Ainu culture but refrains from visiting Ainu people. She said, I don’t think the Ainu want to be approached from the perspective of modern witches. They have more serious problems, such as human rights. So I think my visit will bother them. I don’t think Ainu souls call me. She and her friends are interested in Ainu culture which may have succeeded ancient Jomon culture. However the lifestyle of contemporary Ainu is similar to that of ordinary Japanese, so they learn not from face-to-face communication, but from books, the Internet, museums and manga.
Shinto and Witchcraft
Lumi is fond of Shinto but distinguishes her practices of Uphyca, Sumer (her original interest) from a mixture of Shinto & witchcraft. For her, Uphyca is more a creation and Shinto & witchcraft are more religious practice. She has two altars at home, Western witchcraft and Shinto altar, and prays regularly.
Her magic shop puts black Shinto altar and sells colourful military painted Shinto altar. Her business partner explained that there was no reason why Shinto altar should be white. On the spring equinox this year, this shop and Uphyca held a ceremony in Shinto style. A qualified but independent Shinto priest organised an original ceremony.
After his chanting (message for divinities), a man played sumo. Sumo is considered a sacred sport, dedicating for divinities. Then Lumi and other girl dedicated song and dance. The lyrics and music are created by Lumi. She used classical Japanese words and Ainu words for lyrics. The lyrics means suggesting priestess to pray.
Shinto has been mixed with Buddhism for a long time. The Shinto which is widely spread in contemporary Japan, was constructed in late 19th century. It was used for authorising the Imperial Family as the descendants of Japanese divinities. Therefore some Japanese try to revive the “Ancient Shinto practised before arrival of Buddhism in Japan or use Shinto elements in their own way.
Lumi is not the only informant who has set up a Shinto altar. Many of my informants like to visit Shinto shrines and worship Shinto divinities. For example, one Goddess altar is set up by a woman who took Goddess training in Glastonbury. She also has Shinto altar.

Glastonbury’s Goddess Temple, first in the land for 1500 years

 

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