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Animist poem (Nancy Wood)

The American poet and photographer, Nancy Wood (1936-2013), had an evocative name for someone inspired to write nature poetry. She was influenced by the Native American culture of shamanism, particularly the Pueblo peoples in the area around Taos in New Mexico.

My help is in the mountains
where I take myself to heal
the earthly wounds
that people have given me.
I find a rock with sun on it
And a stream where the water runs gentle,
and the trees which one by one give me company
So must I stay for a long time
Until I have grown from the rock
And the stream is running through me
And I cannot tell myself from one tall tree
Then I know that nothing touches me
Nor makes me run away
My help is in the mountain
That I take away with me.

London book launch (Feb 6)

book cover 1

News comes of an exciting double book launch featuring two books Green Shinto has been keenly anticipating, presented by three progressive thinkers on Shinto matters. This comes courtesy of the Bloomsbury Shinto series, an exciting venture publicising scholarly books about Shinto. Gone forever now are those distant days when the sole book to be found on the subject was Sokyo Ono’s Shinto: The Kami Way.

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(For the original page of this announcement, and to book a place, please see here.)

Tuesday 6 February 2018
6:00pm – 7:00pm

21st Century Shinto Studies

Drinks reception from 7:00pm

13/14 Cornwall Terrace, Outer Circle (entrance facing Regent’s Park), London NW1 4QP

Organised by the Daiwa Anglo-Japanese Foundation

BOOK YOUR PLACE

A Social History of the Ise Shrines: Divine Capital by Mark Teeuwen and John Breen
Shinto, Nature and Ideology in Contemporary Japan: Making Sacred Forests by Aike P. Rots

This event launches two books from the new Bloomsbury Shinto series (Series Editor: Fabio Rambelli, University of California, Santa Barbara): A Social History of the Ise Shrines: Divine Capital by Mark Teeuwen and John Breen, and Shinto, Nature and Ideology in Contemporary Japan: Making Sacred Forests by Aike Rots.

Mark Teeuwen will introduce the idea behind A Social History of the Ise Shrines and address the topic of “The ever-changing Ise Shrines: Studying Ise’s history through the lens of its agents.” John Breen will focus especially on the radical modern transformation of the Ise shrines in his talk, “The pleasures of pilgrimage in 19th century Japan.” In his presentation, “Ancient Sustainability? Ise Shrine, the Shikinen Sengū, and the Shinto Environmentalist Paradigm,” Aike Rots takes a critical look at the new Shinto discourse on nature and the environment, as it came to the fore at the start of the 21st century.

British scholar John Breen, of Kyoto’s International Research Center for Japanese Studies

Dutch scholar Mark Teeuwen, currently professor at the University of Oslo

Aike Rots, when he was studying for a doctorate at Oslo University

 

Kami (Olivia Bernkastel)

Kami explanation by Olivia Bernkastel (Konkokyo Shinto priestess)

Olivia and friends on a visit to Kyoto last year

To worship kami, there is always a “goshintai”; or a sacred vessel for the kami’s spirit/energy which is considered as a “body” for the kami to alight to as a vessel permanently. This allows their energy to be present strongly with worshippers and clergy at a shrine.

There is also an item called “yorishiro”, which is a sacred item that calls to, or draws a kami’s energy. When the kami enters the yorishiro during prayer, it becomes a temporary goshintai, or vessel for the kami to dwell. After prayers finish, the kami leaves the yorishiro until the next prayers.

All shrines have goshintai, but at home altars, or kamidana, generally only have yorishiro, commonly in the form of ofuda. There are a few exceptions to this, one example being Fushimi Inari Taisha which does a special ceremony for sincere members, and thus ordinary people can receive a goshintai of Inari Okami to caretake at home.

Nowadays yorishiro usually takes the form of an ofuda, but as well natural items like a rock, tree, or gem can also be yorishiro. Gohei are used as goshintai, but they were also the original kind of yorishiro, before ofuda. It was standard for most kami. Mirrors were also quite common yorishiro, especially for Amatsukami. You can pray to kami anytime anywhere, but to have their energy presence alight near us, goshintai or yorishiro are needed to be present as the kami’s vessel.

Gohei stand

There are two kinds of kami traditionally. Amatsukami (Heavenly kami) and Kunitsukami (Earthly kami), with some kami in-between, or having aspects of both.

For Amatsukami, or kami in-between Amatsu and Kunitsu, the goshintai is a physical item. This is because Amatsukami and kami in-between usually are not tied to any particular Earthly feature.

Amatsukami and in-between kami need a physical item as a goshintai or yorishiro. Commonly a gohei, mirror, sword, or gem. It is because their true “body” is celestial and not Earthly or an Earthly location –  like the sun, moon, sky, clouds, universe, etc. Or,  something not tangible like Amatsukami of concepts, or non physical things. For example the kami of wisdom, Omoikane no Mikoto.

For Kunitsukami, the goshintai is usually an Earthly feature, such as a mountain, tree, rock, lake, ocean, or particular location, such as Mt. Fuji for Konohanasakuya Hime no Mikoto or Mt. Miwa for the kami of Omiwa Jinja.

A good example is Lake Suwa region for Suwa Daimyojin, with local folklore saying Suwa Daimyojin cannot leave the lake. So what should one do to worship him outside of Lake Suwa region?  A new goshintai or yorishiro can be ritually made for him. There are Suwa branch shrines throughout the country. But how?

There are two main methods. One is at the main shrine (in this example, Suwa Taisha); a new goshintai is ritually made for the kami to be brought elsewhere at a new Suwa Shrine branch location. The other way is the new goshintai is ritually created at the new Suwa Shrine branch itself.

A small Inari shrine with an ofuda between the two white foxes.

What this means is that Suwa Daimyojin can be worshipped anywhere with the ritual creation of the new goshintai. This is called “bunrei” and the ritual ceremony is “kanjo”.

To describe bunrei with a metaphor: Let’s say the main shrine, Suwa Taisha in the Lake Suwa region, is the original “bonfire” of energy for Suwa Daimyojin.

Bunrei, and the ritual ceremony Kanjo is like lighting a “torch” (part of energy/spirit) from Suwa Daimyojin. When that torch is used to make a new “bonfire” at another shrine, the flame is from the original “bonfire” or energy/spirit of Suwa Daimyojin. Thus, they can be directly present both at Suwa Taisha and in the branch shrine. Of course it may be slightly stronger spiritually at Suwa Taisha due to the location’s own power and history.

While bunrei for goshintai is like lighting a torch from the original bonfire to create a new bonfire in another location with the original flame – creating ofuda, or a yorishiro, is like creating a “candle” which when you “light with fire” (pray) the kami can enter that “flame” (energy) temporarily during the prayer.

This is generally how kami have spread from their home area or original place of worship to shrines all across the country. A shrine overseas is no different and the same process can be done.

There are of course local spirits  and ancient deities in each country, but I feel they should be respected in their own traditions rather than having Shinto rituals for them.

I personally think it’s not too respectful. When I lived in Canada, I simply left biodegradable offerings in the woods and said thank you to the local deities rather than doing a Shinto ceremony. I kept a kamidana in my home with an ofuda for the kamis who needed them and worshipped no different than in Japan.

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Suwa Taisha, dedicated to a prime example of an ‘earthly kami’

Shinto beginnings (Bender)

The great debate about when Shinto began continues to be a subject of controversy. Some say in ancient times, some say in the seventh century, and some say in the medieval period. Helen Hardacre’s monumental book on Shinto: A History (2016) inevitably touches on the topic, and in the article below scholar Ross Bender discusses her stance.

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RESPONSE TO HELEN HARDACRE’S SHINTO: A HISTORY
Prepared for Society for Study of Japanese Religions Meeting in Conjunction with Association for Asian Studies  Annual Conference, Toronto, 3/17/2017  by Ross Bender

Author, Ross Bender

(This is an extracted and abridged passage. For the original article on academia.org, please click here.)

When the advance publicity for the book came out, I read Richard Bowring’s effusive blurb with mixed emotions. Dr. Bowring wrote: “Professor Hardacre manages to lead us carefully and judiciously on a long journey through what can often be recalcitrant, complex material. The notoriously difficult question ‘What is Shinto?’ has finally been answered.”

On the one hand I was tremendously relieved that this notoriously difficult question had finally been answered; on the other hand I was somewhat disappointed that the question had finally been answered, and that this might mean that no more remained to be said about this fascinating phenomenon. But when I bought the book and began to read it, I discovered that Dr. Hardacre was more modest in her assessment; she writes “… I make no grand claims for my approach, anticipating that future researchers will supersede it with more precise analytic tools.” As John Breen and Mark Teeuwen reminded us in their 2010 New History of Shinto, there are “many Shintos, and many histories.” Certainly there is so much more concerning this multi-faceted and multi-splendored religion, if we may call it a religion, that awaits to be discovered and analyzed.

Dr. Hardacre from the outset presents her claims and her thesis forcefully and lucidly. Thus, and I quote the very first sentence, “From earliest times, the Japanese people have worshipped Kami.” This forthright statement might appear to some as fighting words, since the tendency in recent discourse has been to problematize the question of origins, and particularly to challenge the notion of an indigenous reverence for the Kami. But Hardacre declares from the outset that “I argue that although the term Shinto hardly appears, we can identify Shinto’s institutional origins in the late seventh- and early eighth-century coordination of Kami worship, regarded as embodying indigenous tradition, by a government ministry following legal mandates.”

In a long section titled “The Term Shinto” she rejects the claim of various medievalists that “Shinto thus begins not in the ancient period but was fully established for the first time in the medieval period.” (p. 43), quoting Inoue Hiroshi). Here she further restates her thesis, “It seems to me that once system and centralization emerge in the late seventh century, it is reasonable to speak of Shinto in recognition of the watershed represented by the Jingikan, a structured ritual calendar, Kami Law, and the incorporation of Kami priests into the government. By comparison with this ritual, institutional, and social system, doctrinal and philosophical expositions came later and were transmitted in esoteric frameworks restricting their transmission to initiates.”

,,, [In the Nara era] The common formulation was that the sovereign was first to serve the Three Treasures (Buddha, Law, Priesthood), second to revere the kami, and third to nurture the people. While this articulation has traditionally been characterized as Buddhist, Shinto, and Confucian respectively, the situation was of course more nuanced. The political theology of the time also included other aspects of Chinese thought, including particularly a systematic omen theology which functioned in tandem with other theological expressions.

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Emperor Tenji, who in the mid-seventh century first asserted divine descent of the imperial line

[In Senmyo 14, when Emperor Shomu announced his abdication and the accession of Empress Koken [749], the imperial proclamation employed] a lengthy and typical formula explicating the sovereign’s legitimacy: “Let all hear the words which are the command proclaimed by the Emperor, Beloved Child of Yamato, who rules all under heaven as a manifest god. Let all hear the command of the Emperor, which he decrees and pronounces as a god carrying out the duties of the High Throne of Heavenly Sun Succession, ruling the country in the divine lineage, age after age of Emperors, beginning with the reign of the distant divine ancestor, according to the decree that “Our Grandchildren shall have the rule of all under heaven,” given by the Divine Male Ancestor and the Divine Female Ancestor, seated as gods in the High Plain of Heaven.

Here the mandate to rule on the High Throne of Heavenly Sun Succession is traced back not to Amaterasu, but to the Divine Male and Female Ancestors on the High Plain of Heaven. Norinaga commented that these divine ancestors, kamurogi kamuromi no mikoto 神魯棄・神魯美命, may refer explicitly to Izanagi and Izanami or perhaps to all the male and female imperial ancestral deities down to Amaterasu.

The phrase Yamato Neko 倭根子 occurs nine times in the senmyo [imperial rescript]. I have translated it as “Beloved Child of Yamato,” following Herbert Zachert’s “Das Liebe Kind von Yamato,” although the term is not transparent. Hermann Ooms has speculated that it should be translated literally as “Root Child of Yamato,” It is significant that both Shomu and Koken/Shotoku reached back to Emperor Tenji [661-672], “the Emperor who ruled from the capital of Otsu in Omi,”  as a guarantor of legitimacy. In Senmyo 14 there appears the supposed decree of Emperor Tenji that the imperial line should not be broken.

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Hoffman on Shinto

On the adulteration of Japan’s oldest religion

BY .  JAN 20, 2018. Japan Times

Rudimentary, vague, undefined, undefinable, Shinto for centuries didn’t even have a name. It didn’t need one; there was nothing to distinguish it from, nothing it was not. One good sentence can say everything there is to say about it — this one, for example, by historian Takeshi Matsumae: “In some rural areas even today (1993), elderly villagers face the rising sun each morning, clap their hands together, and hail the appearance of the sun over the peaks of the nearby mountain as ‘the coming of the kami.’”

The scholar Motoori Norinaga (1730-1801) | Public domain

That’s Shinto — the way (“to”) of the kami (“shin”). As to the kami — who might they be? “Gods,” we say in English, the language offering nothing better, but it’s too freighted a word, too suggestive of power rather than innocence, of something specific as opposed to anything, one knows not what.

“I do not yet understand the meaning of the word ‘kami’” wrote Motoori Norinaga in 1771. If he didn’t, who did? Norinaga was the foremost scholar of his age; he devoted his life to studying the native literature from its ancient beginnings. “It is hardly necessary to say,” he continued, “that it includes human beings. It also includes such objects as birds, beasts, trees, plants, seas, mountains and so forth. In ancient usage, anything whatsoever that was outside the ordinary, which possessed superior power or which was awe-inspiring, was called kami. … Evil and mysterious things, if they are extraordinary and dreadful, are called kami.”

Shinto teaches nothing, enjoins nothing, demands no submission, works no miracles, effaces evil by cleansing it, transmutes dread into joy. There is no heaven, no hell, no nirvana — just “the rising sun each morning,” “the coming of the kami.”

Troubled times such as ours evoke many longings, not least the one known as primitivism. Why couldn’t things have remained in their pristine state? It’s a mood as old as progress “Take away our baneful progress …” wrote the Swiss philosopher Jean-Jacques Rousseau in 1762, “and all is well.”

A Japanese variant of that mood is traceable back to the sixth century. A civil war fought in 587, says historian Ivan Morris, was “one of the decisive clashes in Japanese history,” though the fighting was on so small a scale that “the battle has not even received an official name.”

At issue was the advent of a strange, foreign religion — Buddhism. Some years earlier a Korean ambassador had come bearing images, books and news of “a wonderful doctrine … of all doctrines the most excellent … hard to explain and hard to comprehend,” but through it “every prayer is fulfilled.”

Norinaga Motoori and his disciples of the Kokugaku school (source unknown)

Emperor Bidatsu (reigned circa 572-585) “leaped for joy” to hear it, says the eighth-century chronicle “Nihon Shoki.” “Never,” said Bidatsu, “from former days until now have we had the opportunity of listening to so wonderful a doctrine.” Wonderful, but unsettling. What would the native gods — the kami — think? What might they do, what havoc unleash, in their anger?

Powerful clans ranged on both sides of the ensuing controversy. The Nakatomi and Mononobe, hereditary ritualists and hereditary warriors respectively, both claiming descent from gods, joined forces in defense of the kami against the upstart Soga, who, on behalf of Buddhism, pleaded, “All the Western frontier lands (China and Korea), without exception, worship it. Shall Yamato (Japan) alone refuse to do so?”

Why not? countered Nakatomi and Mononobe: “Those who have ruled the Empire in this our state have always made it their care to worship … the 180 kami of heaven and earth, the kami of the land and of grain. (If) we were to worship in their stead foreign deities, it may be feared that we should incur the wrath of our national kami.”

Bidatsu leaned toward Soga. A pagoda was built, Buddhist images were worshipped — and pestilence broke out. The kami had spoken. A Buddhist statue was flung into a canal, three foreign child-nuns were publicly whipped in the market-place, and the new faith went underground — only to resurface when, shortly afterward, a recurrence of plague gave it a second chance. Bidatsu’s successor, Yomei, “believed in the law of Buddha and (simultaneously) reverenced Shinto” — seeing nothing mutually irreconcilable in them, worlds apart though they are in spirit. This “Nihon Shoki” passage gives Shinto its name.

Yomei died. A quarrel among would-be successors flared into the war of 587. Soga triumphed. Buddhism was in. Japan’s childhood was over.

Through Buddhism, Japan — primitive, almost prehistoric — entered the dazzling orbit of Chinese civilization. The pivotal figure was Crown Prince Shotoku Taishi (574-622), whose famous “constitution” of 604, fusing Buddhist and Confucian moral precepts, marks Japan’s coming of age.

Harmony, hierarchy and willing obedience from those below to the wise commands of those above became the main themes. On the kami, the document is mute. No wonder, perhaps; the kami had no moral precepts, no morality at all. “All things in heaven and earth are in accordance with the august will of the kami,” said Norinaga 11 centuries later. Good or bad, good or evil, is beside the point: “Among the kami there are good ones and bad ones. Their actions are in accordance with their different natures, so they cannot be understood by ordinary human reason.”

Norinaga’s work contains passages of great beauty. The heart, not the mind, emotion, not reason, lead man to wisdom, he taught. It’s a concept known as mono no aware (the pathos of things). There’s an appealing innocence in his writing. But eschewing “ordinary human reason” is a dangerous business. How he would have felt about the later xenophobic militarists who drew much of their inspiration from him is an open question.

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Michael Hoffman is the author of In the Land of the Kami: A Journey into the Hearts of Japan and Other Worlds.

Adulteration: Paramilitary group worshipping legendary first emperor Jimmu at Kashihara Jingu

Tsurugaoka shrine uniforms

Security guards at Japanese shrine stand out with anime-like uniforms for New Year

By Dale Roll, SoraNews24   (Japan Today Jan. 14, 2017)

Japan requires uniforms for everything. High school uniforms, of course, are the most famous, but spend any amount of time in Japan and you’ll notice that not just students but employees are also required to don clothing of uniform style and color, from train attendants to office workers to servers at fast-food restaurants. There’s even a book illustrating 150 years of Japanese uniforms.

So it’s no surprise that a squad of New Year’s security guards at Kamakura’s Tsurugaoka Hachimangu Shrine would require a uniform to distinguish themselves from the crowd. What is surprising, though, is how popular their bright red, long, trench-coat-like uniforms became on Twitter.

They call themselves “The Redcoats”, which is appropriate since they look very much like anime versions of really cold English Redcoats. Tsurugaoka Hachimangu Shrine, which is the most prominent shrine in Kamakura, recruits new Redcoats every year, and according to their recruitment web page, they are a “special guard formed to ensure the safety and security of the many guests who visit the shrine during the New Year.”

Though they used to have navy blue uniforms, they have been wearing these red ones since 1996, because they stand out in the dark and at a distance, and also because they “preserve the dignity of the shrine”. They were custom-ordered by shrine management, so you can only see these red-uniformed security guards at this particular shrine.

uniform2.jpg

Photo: @sakuravert

Some of the guards wear armbands, as is common practice in Japan to signify staff members at big events, and the TSG logo on the uniform stands for “Toukai Security Guard”. Though some people might see a resemblance between these uniforms and those used during WWII, there’s no real connection intended between the two.

Japanese netizens like the practicality of the uniforms too, leaving comments like: “The long coats are nice. I bet they’re super warm, but more than that, they’re super cool!”

“I think it’s good that it’s a color and design that New Year’s shrine visitors probably wouldn’t wear, so it’s really practical considering they need to be clearly visible to direct the visitors.”

“I didn’t know they were actually called Redcoats! I get that the red is for visibility, but it’s a shame that the color isn’t related to Hachimangu’s history or anything.”

If you think they look pretty cool yourself, you may have missed the window for New Year’s, as they were mostly around from the 31st to the 5th, but netizens also say they’ll be back again for Setsubun next month, so you can head on over to Tsurugaoka Hachimangu in Kamakura to see them for yourself.

Winter treasures

Winter gives us respite to turn inward and reflect

With snow in Kyoto today, thoughts turn to the beneficial role of winter in the annual round. Rainer Maria Rilke was a prolific letter writer, whose insights into life have been much treasured, and the extract below comes from a 1922 letter to a young woman named Heise reflecting on what winter teaches us about life’s riches (tr. by William Needham). For Shinto, living in the here and now, enjoying the paradise on earth is something to be grateful for in the depths of winter, just as on the sunniest of spring days…

Tending my inner garden went splendidly this winter. Suddenly to be healed again and aware that the very ground of my being — my mind and spirit — was given time and space in which to go on growing; and there came from my heart a radiance I had not felt so strongly for a long time… You tell me how you are able to feel fully alive every moment of the day and that your inner life is brimming over; you write in the knowledge that what you have, if one looks at it squarely, outweighs and cancels all possible privations and losses that may later come along. It is precisely this that was borne in upon me more conclusively than ever before as I worked away during the long Winter months: that the stages by which life has become impoverished correspond with those earlier times when excesses of wealth were the accustomed measure. What, then, is there to fear? Only forgetting! But you and I, around us and in us, we have so much in store to help us remember!

Snow man at Shimogamo Jinja 2015

Lining up to pray for ‘good connections’ at a Shimogamo Jinja subshrine

Another person to explore the benefits of winter was Henry Thoreau, as a recent edition of Brainpickings makes clear. The writer considered winter’s rewards in a meandering meditation entitled “A Winter Walk” (in his Excursions). It captures something of the sense of awe that underscores the nature worship of Shinto.

Writing in the winter of 1843, the twenty-five-year-old Thoreau awakens to a snow-covered wonderland and marvels at the earthly paradise:

The wind has gently murmured through the blinds, or puffed with feathery softness against the windows, and occasionally sighed like a summer zephyr lifting the leaves along, the livelong night. The meadow-mouse has slept in his snug gallery in the sod, the owl has sat in a hollow tree in the depth of the swamp, the rabbit, the squirrel, and the fox have all been housed. The watch-dog has lain quiet on the hearth, and the cattle have stood silent in their stalls. The earth itself has slept, as it were its first, not its last sleep, save when some street-sign or wood-house door has faintly creaked upon its hinge, cheering forlorn nature at her midnight work, — the only sound awake twixt Venus and Mars, — advertising us of a remote inward warmth, a divine cheer and fellowship, where gods are met together, but where it is very bleak for men to stand. But while the earth has slumbered, all the air has been alive with feathery flakes descending, as if some northern Ceres reigned, showering her silvery grain over all the fields.

This quieting of the outside world, this kindling of the inner hearth, is winter’s great reward for Thoreau. A century before Albert Camus captured the essence of winter’s treasures — “In the depths of winter, I finally learned that within me there lay an invincible summer.”

Thoreau writes:

There is a slumbering subterranean fire in nature which never goes out, and which no cold can chill…. What fire could ever equal the sunshine of a winter’s day, when the meadow mice come out by the wallsides, and the chicadee lisps in the defiles of the wood? The warmth comes directly from the sun, and is not radiated from the earth, as in summer; and when we feel his beams on our backs as we are treading some snowy dell, we are grateful as for a special kindness, and bless the sun which has followed us into that by-place.

This subterranean fire has its altar in each man’s breast, for in the coldest day, and on the bleakest hill, the traveller cherishes a warmer fire within the folds of his cloak than is kindled on any hearth. A healthy man, indeed, is the complement of the seasons, and in winter, summer is in his heart. There is the south. Thither have all birds and insects migrated, and around the warm springs in his breast are gathered the robin and the lark.

Thoreau believed that “every walk is a sort of crusade.” As he walks through the meadows blanketed in white, up the hills draped with snow-bowed branches, through a world enveloped in delicious quietude and covered in a “pure elastic heaven,” he returns to the invaluable inward focus which winter alone invites — a quiet conquest of one’s interior world. A century before Rilke painted winter as the season for tending to one’s inner garden, Thoreau wrote:

In this lonely glen, with its brook draining the slopes, its creased ice and crystals of all hues, where the spruces and hemlocks stand up on either side, and the rush and sere wild oats in the rivulet itself, our lives are more serene and worthy to contemplate.

In winter we lead a more inward life. Our hearts are warm and cheery, like cottages under drifts, whose windows and doors are half concealed, but from whose chimneys the smoke cheerfully ascends.

On Christmas Day of 1856, he issues an exhortation central to his philosophy and his daily practice:

Take long walks in stormy weather or through deep snows in the fields and woods, if you would keep your spirits up. Deal with brute nature. Be cold and hungry and weary.

Four days later, Thoreau amplifies his point:

We must go out and re-ally ourselves to Nature every day. We must make root, send out some little fibre at least, even every winter day. I am sensible that I am imbibing health when I open my mouth to the wind. Staying in the house breeds a sort of insanity always. Every house is in this sense a hospital. A night and a forenoon is as much confinement to those wards as I can stand. I am aware that I recover some sanity which I had lost almost the instant that I come [outdoors].

There is nothing so sanative, so poetic, as a walk in the woods and fields even now, when I meet none abroad for pleasure. In the street and in society I am almost invariably cheap and dissipated, my life is unspeakably mean. No amount of gold or respectability would in the least redeem it, — dining with the Governor or a member of Congress!! But alone in distant woods or fields, I come to myself, I once more feel myself grandly related, and that cold and solitude are friends of mine. I suppose that this value, in my case, is equivalent to what others get by churchgoing and prayer. I thus dispose of the superfluous and see things as they are, grand and beautiful.

In the embrace of winter, we see from Thoreau’s words, is not simply a health-restoring remedy, but deep spiritual insight into the wonder and grandeur of the universe. It’s this sense that Shinto does so much to celebrate and treasure.

Snowman at Shimogamo Jinja, celebrating the joys of midwinter

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