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Shinto-Native American eco-links

Shinto, American natives find common ground: nature

By J. Tuyet Nguyen, United Nations Correspondent

Tsunekiyo Tanaka, head of Jinja Honcho, delivers a speech at the UN in 2014 (courtesy Nguyen)

Tsunekiyo Tanaka, head of Jinja Honcho, delivers a speech at the UN in 2014 (courtesy Nguyen)

United Nations – Tsunekiyo Tanaka, a mild-mannered envoy who likes a good joke, epitomized Japan’s uniqueness in the devotion to nature. For the first time in his life-long career as head of the country’s Association of Shrines, or Jinja Honcho, Tanaka delivered a speech at the United Nations in New York on Nov. 18, 2014, where politicians struggled for years to thwart the deteriorating environment and dangers of climate change using sciences and international conventions as tools.

Gordon Yellowman, chief of the Cheyenne and Aparaho tribes in Oklahoma joined Tanaka. The two shared views when both appeared at the Celebrate Earth event inside the UN.

“Today, political and economical aspects are emphasized when we confront environmental issues,” Tanaka told the more than 120 guests, which included a Shinto delegation from Japan, and UN officials and diplomats. “But what is important, I believe, are the activities based on traditional value and view of nature.”

He said the dance by Shinto priests and performers known as Chikushimai, which was shown at the UN, is not just a dance. “I would like to emphasize that such a dance is inherited, not because it is interesting, but because it is a prayer.”

The presentation captivated and infused a sense of calmness to the guests with the peaceful music from the string instrument that came from Japan with the performers. The performers’ chief priest, Yuzuru Kiyomi, the soloist dancer of the group, showed his controlled agility in the ritual ceremony. The group also held a similar performance at the Brooklyn Botanical Garden, where a shrine will mark its 100th anniversary next year. The garden is adorned by some 100 Japanese cherry trees.

Shinto dance

Tanaka explained what Japanese have for centuries considered sacred and rarely exported to the West – the sacred dance of Shinto priests to honor nature. Tanaka is the speaker and president of Jinja Honcho, Japan’s most important association of some 90,000 shrines.

The March, 2011 giant earthquake followed by a devastating tsunami that struck the Fukushima prefecture in the eastern part of the country, killing nearly 20,000 people and caused vast destruction, were met with stoic calm and resignation by the inhabitants in the region. The victims suffered the tragedy and feared nature with awe. It is with the same kind of admiring awe when watch each morning the sun rises over the horizon, flooding it with light and beauty.

Japanese “neither hate nor curse nature,” Tanaka said. “They acknowledge that human beings are part of nature and accept the great power of nature as it is.”

Japan’s homogeneous society has led to the continuation of centuries-old traditions and application of practices to worship deities.

Gordon Yellowman Sr. and his wife, Connie, left their home in Oklahoma, a region frequently struck by tornadoes, to join Tanaka and the Japanese group at the UN.

Nature scene

Yellowman said the Cheyenne people pay particular attention to water and fire, two natural elements that give life on earth and must be respected. “So respect them, don’t play with them. Those are the rules that we abide by,” he said, citing the power of water in accidents in which children are drowned if they are unattended.

“We have to live in a different world today, we live in a society with modern technology…but our lives and traditions have always been with us, and our way of life is based on institutions and teachings of our culture. But the technology does not live and breathe the culture.”

“For us (Cheyenne people), we live our way of life in harmony with nature while coping with today’s technology,” he said. “The Cheyenne want to learn about technology, but also to learn how to live in harmony with the earth. Our knowledge is beyond technology. We live everyday and breathe everyday, and the technology cannot see and understand (our culture).”

“Technology means advance (in society), but our way of life is more humble, more appreciative and more active in understanding nature.”

Tanaka and Yellowman are separated by geography, traditions and cultures . But somehow they understand each other well when they talked about nature.

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Both have their own areas of expertise. Tanaka can be called the “Japanese Edison” for an odd invention of a light bulb that works with a filament made from bamboo. That particular bamboo grows in the mountains of Kyoto where Tanaka is the master of a Shinto Shrine. Thomas Edison invented the light bulb using metal filaments.

Yellowman is called the Cheyenne “weather god of Oklahoma,” according to a story published in newspapers, including the New York Times.

“Tornadoes have a job to do, which is to restore balance to the environment,” Yellowman said. He said the Cheyenne have implored nature to spare them of its calamities. He said the huge tornado that could have inflicted destruction to his tribal community in El Reno on May 31, 2013 listened to Cheyenne holy men’s prayers and changed its course. “They asked it to have pity and it turned away.”

The event at the UN, called “Celebrate Earth,” was organized and sponsored by the Society and Diplomatic Review In New York and the Cooperation and Planning company (COPLA) based in Tokyo. COPLA president, Yuichi Ishizuki, plans further projects that would expose Japan’s traditions and culture to other countries.

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Groundbreaking UK groundbreaking

In a first of its kind, a UK groundbreaking ceremony has taken place for the contstruction of a saké factory…   The Hashimoto family chose the site as it was close to where one of their children was attending school. The family, which owns Dojima, was supported by both UK Trade and Investment (UKTI) and the Japanese government. In March 2015 they paid more than £3m for the Fordham estate, which is close to Newmarket and consists of a Georgian manor and more than 200 acres (81 hectares) of parkland.  The rice will be imported from Japan, grown on a farm owned by the wife of Japanese Prime Minister Shinzō Abe.

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UK’s first Sake brewery at Fordham Abbey is blessed before building gets underway

Assistant Priest.

The assistant priest prepares tamagushi offerings

Japanese company Dojima is to begin building the brewery on the Fordham Abbey Estate, creating 100 jobs, and invited guests to a traditional ‘Jichinsai’ ceremony to purify the building site on Friday October 28.

The ceremony was laid on to purify the construction site, and prayers were said for the safety of all those involved with the build.

The build is expected to take nine months to complete, with the first production of sake available in October 2017. Once finished, the Dojima sake brewery aim to make 10,000 bottles in their first trading year.

His Excellency, Ambassador Koji Tsuruoka attended the event and said: “Although this is a ceremony that happens in Japan when a new building is being constructed, it has never happened in the UK and I was very happy to be a part of it.

The construction site is blessed.

The construction site is blessed by the officiating priest (all photos Seb Pearce)

“The ceremony showed the respect that the two countries have for the tradition and it is through appreciation of these historical and cultural treasures that the two countries are bound very strongly together.”

The ceremony was also attended by councillors and MPs, including Lucy Frazer. She said: “The ceremony was fascinating and shows what a diverse area we are in. It’s great to have a new and interesting business establishing itself in the region and it will bring a great deal to the constituency in financial terms, as well as culturally.”

Yoshihide Hashimoto, owner of the Dojima Sake Brewery UK & Co said: “We were pleased to be joined by so many people for our Jichinsai ceremony. This traditional ceremony is fundamental in the build and we were very happy to share this moment with many of the local people who have been involved in the process so far.”

The project was given unanimous planning approval by East Cambridgeshire District Council and the construction of the building will see £9m invested over a period of five years.

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For the Dojima UK website, click here.  For an Asahi tv report of the event, click here.
All about the Fordham estate, here.

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An official representative takes the tamagushi offering prior to offering it to the kami

Japanese ambassador visits Fens to conduct traditional ceremony at Britain’s first sake brewery
Posted Wednesday 2nd November 2016

A traditional Japanese ceremony was held at the construction site of the UK’s first sake brewery in East Cambridgeshire.

60 people attended the event, including the Japanese ambassador Koji Tsuruoka and MP for South East Cambridgeshire Lucy Frazer.

The ceremony known as ‘Jichinsai,’ a traditional Shinto ceremony undertaken to purify the building site prior to laying the foundations and to pray for the safety of the people involved in the construction. Before the ceremony came to an end, guests tasted some sake.

The building is expected to take nine months to complete, with the first production of sake available in October 2017. The Hashimoto family, who are building the Dojimo brewery, brought in their priest from Osaka to conduct the proceedings.

Mr. Tsuruoka attended the event and said: “Although this is a ceremony that happens in Japan when a new building is being constructed, it has never happened in the UK and I was very happy to be a part of it. The ceremony showed the respect that the two cultures that the two countries have for the tradition and it is through appreciation of these historical and cultural treasures that the two countries are bound very strongly. ”

Lucy Frazer, MP said: “The ceremony was was fascinating and shows what a diverse area we are in. It’s great to have a new and interesting business establishing itself in the region and it will bring a great deal to the constituency in financial terms, as well as culturally.

Mr Yoshihide Hashimoto, owner of the Dojima Sake Brewery UK & Co said: ‘We were pleased to be joined by so many people for our Jichinsai ceremony. This traditional ceremony is fundamental in the build and we were very happy to share this moment with many of the local people who have been involved in the process so far.”

The architects bringing this piece of Japan to a Georgian estate in england, they’ve have to adapt their design to fit the sake process. Jon Buck, an architect for Kay Pilsbury Thomas Architects, spoke about the design of the barn style brewery on Cambridge TV, saying: “It’s red the barn, it’s got a big window with a Japanese character that says ‘sake’ on it so it’s a very proud building that hopefully will shape the future of this site.”

The construction of the building will see £9m invested over a period of five years. The project was given unanimous approval by East Cambridgeshire District Council and is set to create up to 100 local jobs initially, both on the build process, as well as in the Sake brewery and the accompanying visitors center which will be located on the site.
– See more at: http://www.enterpriseeastcambs.co.uk/news/japanese-ambassador-visits-fens-to-conduct-traditional-ceremony-at-britains-first-sake-brewery#sthash.Itf4vp6A.dpuf

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The temporary altar site for the jichinsai ritual

The temporary altar site for the jichinsai ritual

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Symbolic breaking of the earth in the form of a ‘mountain’

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A ceremonial sip of saké upon completion

Kokugakuin research fellow

Kokugakuin University Visiting Fellows Program

by Seiji Hoshino
Kokugakuin University is pleased to announce a call for applications to The Kokugakuin University Visiting Fellows Program for the academic year 2017-2018.

“Toward the promotion of international academic communication and cooperation, and in the interest of stimulating global research on Japanese society and culture, Kokugakuin University administers a Visiting Fellows Program to support qualified foreign researchers with fellowships as Kokugakuin University Visiting Fellows.”

Qualifications:

Applicants for the Visiting Fellows program shall be researchers engaged in a field of study dealing broadly with Japanese culture and society.
The focus of a Visiting Fellow’s research must be one shared with one or more faculty members of Kokugakuin University to allow the provision of appropriate collaboration with and direction to the Visiting Fellow.

In principle, Visiting Fellows must be candidates for the Ph. D. degree (or equivalent) affiliated with universities or research intuitions located outside of Japan.
Citizenship or nationality is not taken into consideration when selecting Visiting Fellows.
The successful applicant for the Visiting Fellows Program shall possess a sufficient command of the Japanese or English language to allow successful completion of research and academic activities in Japan.

During the term of his or her designation as Kokugakuin Visiting Fellow, an individual may not receive other fellowships or funding exceeding JPY300,000 (or equivalent) per month, and may not take on any employment not permitted by the conditions of his or her visa.

For full details, please follow the link:
http://www.kokugakuin.ac.jp/intl/kokusai0200012.html

Application Deadline: December 15, 2016

Haniwa in the Kokugakuin Museum, a treasure trove of items related to Shinto origins

Haniwa in the Kokugakuin Museum, a treasure trove of items related to Shinto origins

 

Kogakkan research offer (Feb/March)

Program Dates: February 20, 2017 (Monday) to March 10, 2017 (Friday)
Deadline: November 30, 2016 (Wednesday)
Website: http://ise-japan.kogakkan-u.ac.jp/
Email To: kcie@kogakkan-u.ac.jp

I am writing to let everyone know about a fully funded study program (lectures and field trips) for researchers (graduate or post-graduate) that is sponsored by Kogakkan University and Ise City in Japan. It will be held in and around Ise, which is home to the Ise Jingu shrine complex, and there are two days in Nara and Kyoto planned as well. The application deadline is November 30, 2016 (Wednesday). The program will be held from February 20, 2017 (Monday) to March 10, 2017 (Friday). Applicants can be based overseas or in Japan.

I think it is a great opportunity to learn more about Shinto, the region, its history, and Japanese culture in general. Please see the link below for details about eligibility, requirements, last year’s schedule, past participants, and so forth.
http://ise-japan.kogakkan-u.ac.jp/html/news.php?no=20161005205943

Also, you can visit my website for links to blogs by former participants in order to get a better idea of what is included in the program.
http://www.christopher-mayo.com/?p=2739

Feel free to contact me off list if you have any questions, or you can get in touch with the program representative directly (Mr. Tamada Isao kcie@kogakkan-u.ac.jp).

Best Regards,
Christopher Mayo
Associate Professor, Kogakkan University

Part of the Ise complex, close to where Kogakkan University is situated

UNESCO festival heritage

Officials of the city of Chichibu, Saitama Prefecture, rejoice Monday night after a UNESCO preliminary review panel recommended adding 33 traditional festivals in Japan to the Intangible Cultural Heritage list. Chichibu's float and shrine dance festival is among the recommended festivals. | KYODO

Officials of the city of Chichibu, Saitama Prefecture, rejoice Monday night after a UNESCO preliminary review panel recommended adding 33 traditional festivals in Japan to the Intangible Cultural Heritage list. Chichibu’s float and shrine dance festival is among the recommended festivals. | KYODO

UNESCO panel recommends adding 33 Japan festivals to heritage list

A UNESCO preliminary review panel recommended that 33 traditional Japanese festivals be registered on the Intangible Cultural Heritage list, the Japanese Cultural Affairs Agency said Monday.

Listing of the 33 festivals is set to be officially approved at a meeting in Ethiopia in late November of the U.N. Educational, Scientific and Cultural Organization’s Intergovernmental Committee, and the international body usually accepts the panel’s recommendations.

The festivals, most of which date back to the Edo Period (1603-1868), are held in 18 prefectures across Japan and feature parades involving floats made with traditional woodwork and metalwork techniques and decorated with lacquered products and dyed fabrics. The festivals are held as expressions of hope for peace and security as well as rich harvests in each community, the agency said.

Among the 33 festivals, the Yamahoko parade portion of the Gion Festival in Kyoto, and the Hitachi Furyumono parade in Ibaraki Prefecture, were added to UNESCO heritage list in 2009.

But the government has decided to combine the two with 31 similar festivals to list them as a group on the UNESCO heritage list.

The expected registration of the festivals will bring the total number of Japanese items on the intangible cultural heritage list to 21, the agency said.

Kyoto's Gion Festival, a recognised cultural heritage

Kyoto’s Gion Festival, a recognised cultural heritage

Alfred Kazin on the religious impulse

The following is taken from Brainpickings, a website about creative and spiritual matters. It captures what for me is the appeal of Shinto for Westerners, namely that it is not a religious path of salvation but a communal recognition of a lifeforce beyond understanding.  There is no dogma and no doctrine, precisely because the great mystery of life defies verbal definition.  ‘Those who speak do not know,’ as the old Daoist adage runs.

Simply divine

Simply divine

Wonder, awe, the celebration of life are positive goals that a whole community can embrace.  Striving to change oneself smacks of isolation and egocentricity.  It’s something the Jewish-American writer and literary critic Alfred Kazin (June 5, 1915–June 5, 1998) explored in his journal.

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“Half a century before the heyday of self-help books and websites, which commodify human life as a problem to be solved rather than a glorious mystery to be savored, he writes:

The other day … I suddenly realized, with a shudder almost … how easy it is to fall into the other-imposed trap of trying endlessly to correct and reform oneself, in accordance with this and that, one’s idea of the right person to be, when all the time, one is not merely “stuck” with oneself, as one is rightly enough, but one suffers from constrictedness, from reaction, from the million-and-one reasons, so boringly personified around one in one’s contemporaries and half-friends and stupid, genteel colleagues, who are always telling us over again that man is bad and sinful!

Kazin’s journal is strewn with this restless search for self-generated sacredness — for a source of goodness and meaning not imposed from without, be it by spiritual mythology or by secular society, but synthesized from within. It comes most acutely alive in an entry penned earlier that year, in which Kazin reflects on Auden’s notion of “sacred objects” — catalysts for awe, which inspire the basic impulse to make art — and writes:

Without worship, without respect, without wonder, without the great work with which our wonder and awe plunge us, what is there — what?”

Playing for the kami

Worship of the fundamental mystery in a way that transcends words

Shimane website

It’s kamiari time in Izumo, when all the gods of Japan (except Ebisu) gather for their annual meeting in Shimane.  How appropriate then that Green Shinto should carry a piece about Shimane.

2012 marked 1300 years since the publication of Kojiki.  To mark the occasion Shimane Prefecture commissioned an English language website, which Izumi Hasegawa of the Shusse Inari Jinja in Matsue worked on.  Our thanks to her for drawing our attention to this gem of a website.

As readers of Green Shinto will know, we are a big fan of the attractive Izumo Province, which is full of folklore, historical sites and mythical associations. These have previously been hard to access for English speakers, but now light is shed thanks to Izumi’s work on the website.

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Shimane coast, along the coast to Hinomisaki

The contents include a piece about the Kojiki; the entry to the underworld (Yamotsu Hirasaka); the fearsome monster, Yamata no Orochi; Tales of Okuninushi; the splitting of the country, known as Kunibiki; the role of Saké; the roots of Kabuki (Izumo no Okuni); Izumo Taisha, grandest of all shrines; and a feature article on Sengu rebuilding.

Our favourite piece is the account of Okuninushi and the Rabbit (or Hare), because of the compassion it shows with animals. Sadly, despite being an animist religion, Shinto’s record on animal rights is not noteworthy.  The historical ban on eating meat was instigated on Buddhist principles, and there is no known case in which Shinto priests have spoken out against animal cruelty.  Here in the tale of Okuninushi are grounds for thinking they should.

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The following is taken with acknowledgement from http://www.japanesemythology.jp/okuninushi/

Okuninushi and the Rabbit

Okuninushi lived in the land of Izumo in Ashihara-no-nakatsukuni with his numerous brothers. One day, his brothers heard of a goddess of unrivaled beauty named Yagami-hime. She lived in the land of Inaba, and every one of them wanted to ask for her hand in marriage. When they set out for Inaba, they brought Okuninushi along as their servant to carry their baggage, which was so heavy that he soon lagged behind the group.

Cape Keta, where Okuninushi met the rabbit of Inaba. (photo from website)

When his brothers reached Cape Keta in Inaba, they came upon a rabbit lying on the ground that had been stripped of its skin and was crying in pain. The brothers said to the rabbit, “You should wash off in seawater and then climb to the top of a high hill where the winds blow strongly to dry off. You’ll recover very quickly if you do.”

So the rabbit did as it was told, but instead of recovering, things got worse. As the winds blew, its skin dried and cracked, and the salt from the seawater got into its cracked skin. It couldn’t stand the pain, and fell down crying.

When Okuninushi, who was still trailing the group, finally reached Cape Keta, he saw the rabbit crying out in pain, and asked it what had happened.

The rabbit replied, “I’m from the island of Oki, and I wanted to cross over to the mainland. There was no way for me to do it on my own, so I decided to fool the sharks that live in the waters around Oki. I called out to one of the sharks, ‘Let’s see which there are more of, you sharks or us rabbits. Have all your fellow sharks line up one by one from here to Cape Keta, and I’ll count you. Then we’ll know for sure which group is bigger.’ ”

“And they did just like I said. So I ran over them, counting each one, and just as I was about to reach land, I said, ‘I just tricked you all into doing what I wanted.’ Just then, the last shark in the line caught me and bit my fur right off me. As I was lying here, a large group of gods came along and told me to wash off in seawater and then go where the wind would dry me off. I did what they told me, but now things are even worse.”

This bronze statue of Okuninushi and the rabbit of Inaba is on the grounds of Izumo Taisha. (photo from website)

Hearing this, Okuninushi told the rabbit, “Go to that river over there and wash off in fresh water. Then gather some cattails, spread them out on the ground and roll over them. You’ll be as good as new in no time.” So the rabbit did as it was told, and soon it had completely healed.

Then the rabbit said to Okuninushi, “Your brothers will never earn the love of Yagami-hime. Even though you look like a poor servant, she will fall in love with and marry you.” When Okuninushi finally arrived at Yagami-hime’s palace, the rabbit’s prediction came true. Yagami-hime said to his brothers, “I will have nothing to do with any of you. Okuninushi is the one I will marry.”Hearing this, his brothers were enraged, and they decided to kill Okuninushi. Each time they tried, his mother came to his rescue and was able to save him, but their plots became so frequent that his mother said to him, “If you stay here, your brothers will succeed in killing you.” So Okuninushi fled far away, to the house of Susano-o in the land of Ne, the Underworld.

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For the Shimane website on mythology, click here.
For Matsue and its connections with Lafcadio Hearn, click here.
For a review of a PhD on Izumo Taisha, click here.
For a piece on Izumo no Okuni, founder of kabuki, click here.
All about the mists, myths and otherness of Izumo here.
The wonderful Izumo Taisha is written about here.

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Susanoo slays the monster Orochi, just one of the many myths set in the Izumo region

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