Page 83 of 203

International weddings

Kyoto city mayor offers a certificate of marriage to a British couple (Kyodo pic)

 

A Shinto wedding followed by a certificate from Kyoto city – the promotion scheme has been much in the news over the past few days as the first of the international marriage certificates was handed over to the lucky couple.  The delightful setting of Kamigamo Jinja has been in the forefront of the trend, with the shrine welcoming couples from around the world who wish for something different to celebrate their nuptial vows.  The report below comes from today’s Japan Times.

************************************

Kyoto issues souvenir marriage certificates to foreign newlyweds
Kyodo,

The city of Kyoto on Friday began issuing marriage certificates to foreigners who wed in the ancient capital and delivered the first one to a British couple. The certificate bears the signature of Kyoto Mayor Daisaku Kadokawa and contains a congratulatory message from him. The city said it aims to boost tourism with the measure, although the certificate is not a legal document.

When newlyweds Stuart Loakes, 34, and Emma Mulcahy, 29, held their wedding ceremony earlier in the day at Kyoto’s Kamigamo Shrine, Kadokawa read out his message. “I am proud that you have selected Kyoto, a city with more than 1,200 years of kaleidoscopic and brilliant history as the starting point for such an important stage of your life,” he said.

Loakes said he is proud to be the first to receive the certificate. The groom added that he came to like Kyoto so much during a previous visit that he wanted to return one day with his wife.

Shinto style weddings offer something different

Religious boom

Groups of young people, especially women, have become a common sight at shrines in recent years

 

In an interesting article on the net, religious scholar Shimada Hiromi examines the religious boom which has been evident among young Japanese in recent years.  Personally I attribute much of this to the increase in nationalist sentiment, as a new generation reared on ‘patriotic education’ and pride in Japan turn to examining the roots of their culture rather than opening their minds to the outside world. With Abe’s right-wing government in control, there has been a palpable upturn in self-congratulation.  TBS airs a programme called Rediscover Japan!, and ABC has Japan Astounds the World.  Among the bestselling books is one by Tsuneyasu Takeda, Why is Japan the Most Popular in the World?

In the article below Shimada Hiromi seems to agree with this thesis, while adding an overview that looks at recent trends in Japan’s religious landscape.  Along the way he examines power spots, the low cost of shrine visiting, the ‘new new religions’, the connection with roots and with nature, and he ends with a warning about the possible danger involved. He also makes what to my mind is a controversial statement about Shinto’s supposed uniqueness, based on its continuity and longevity.  (For the original article, click here.)

*********************************************

Young Japanese men and women drawing inspiration from Japan’s ancient spiritual heritage.
by Shimada Hiromi  (Originally published in Japanese on March 4, 2014.)

Queues at times of religious festivals can be impressively long, as here at New Year at Uji Jinja

As a religious studies scholar who writes a good deal on the subject of Japanese religion, I am a frequent visitor to Shintō shrines and Buddhist temples. These days I rarely go to any shrine or temple without running into a throng of young Japanese visitors.

This was not always the case. Not so long ago, touring temples was mainly a hobby of the elderly. But nowadays I encounter older people there much less often. One still runs into the occasional senior bus tour, but not that many. The most enthusiastic habitués of Buddhist temples and Shintō shrines nowadays are unquestionably young adults.

Record Turnout at Ise Grand Shrine

Among the most popular religious destinations last year was the venerable Ise Grans Shrine in Mie Prefecture. A record number of visitors made the pilgrimage in 2013, [eager to be present on the occasion of the shikinen sengu] and to see the buildings in their pristine new state.  The Inner Shrine and Outer Shrine recorded a combined total of 14.3 million visits, well in excess of the 13 million predicted.

Particularly noteworthy, it seems, was the unprecedented number of youthful visitors to Ise. This was certainly the case when I made my own first post-sengū pilgrimage near the end of the year. Moreover, the young people I saw there had studied their Shintō rituals well — for example, bowing whenever they passed through the torii gate, whether entering or leaving. Their behavior suggested that they were there as something more than curiosity-seekers.

Kamigamo Jinja in Kyoto, which has recently undergone its twenty-year renewal

I had the same impression when I visited Kamigamo Shrine in Kyoto on a similar occasion three years ago. In preparation for its own shikinen sengū, scheduled to take place in 2015, the shrine was offering special tours in which visitors had the rare opportunity to view the Main Sanctuary close up. Before paying their respects at the shrine, they were also invited to hear a presentation by the head priest. I was surprised to find that the audience consisted almost entirely of young adults, who listened to the priest with the utmost attention.

I cannot tell you exactly when temples and shrines became such a popular destination for the under-25 crowd, but there is no escaping it. More importantly, it seems clear that these young visitors are not there just to see the sights. They have come to get in touch with the divine.

“Power Spots” and Budget Outings

Of course, the “power spot” craze surely has something to do with this phenomenon. In recent years Japanese magazines and websites have sought to capitalize on the popular new theory that certain sites have a spiritual energy that one can marshal for one’s own benefit. Mount Fuji has figured prominently in Internet rankings of power spots since it was designated a World Heritage site in 2013.

I cannot deny having overheard young visitors to temples and shrines whispering to one another they could “feel the power.” I have also heard people of that generation react to a Buddhist images in a museum or exhibition with comments like “This one has amazing power.” Still, I am convinced that this is more than just a passing fad.

The queue to pray at Tokyo Daijingu, a noted 'power spot'

Economic factors probably contribute to the trend as well. Despite all the talk about stimulating the economy, conquering deflation, and boosting wages, incomes remain stagnant, and steady jobs are hard to find. The younger generation is by no means insulated from the stresses and strains of this economy situation. The bottom line is that they have less money to spend on leisure activities, and visiting temples and shrines is a cheap and accessible form of recreation. Nowadays a day at Tokyo Disneyland costs at least ¥10,000 per person. But one can tour the grounds of Ise Shrine for nothing at all, apart from a few coins tossed in the offertory box. “Power spots” in general are a good choice for the budget-minded, and Shintō shrines, which typically charge no admission at all, are especially attractive from this viewpoint.

Still, while budgetary considerations doubtless play some role, they do not explain why the young visitors arrive at these temples and shrines so well versed in religious etiquette. To my mind, the best explanation for their behavior is that they have a genuine interest in religion.

Millennial Cults of the 1970s

The shin shūkyō (new religion) that thrived in the heyday of rapid economic growth and urbanization lost momentum during the 1970s, particularly after the economic slowdown precipitated by the oil crisis of 1973. Sōka Gakkai’s problems were exacerbated by a wave of bad publicity in the media following its attempt, during 1969 and 1970, to suppress the publication of a book harshly critical of the organization.

As the shin shūkyō stagnated, a new crop of cults and sects sprang up to fill the gap. These were dubbed shin shin shūkyō, or “new new religions.” One of the major forces shaping the religious movements of the 1970s was a surge in apocalyptic and millennial thinking, epitomized by two of the top-selling books of 1973, Nosutoradamusu no daiyogen (Prophecies of Nostradamus) and Nihon chinbotsu (Japan Sinks). Where the shin shūkyō of the 1950s and 1960s had promised the worldly benefits of health, wealth, and peace, the shin shin shūkyō (new new religions) emphasized the approaching “end times” and promised followers the ability to survive the apocalypse.

Buddhism too has benefitted from the upturn in religious sentiment amongst the young

As in the 1950s and 1960s, the rise of these new orders and cults was fueled predominantly by young seekers. This time, however, the majority of converts appear to have been individuals born and raised in or around major urban centers, as opposed to recent migrants from the countryside. Simply put, they were the children and grandchildren of the generation from which the shin shūkyō had drawn their membership. Among the more prominent of these apocalyptic and millennial movements were Mahikari, GLA, and Agon Shū, as well as the overseas-based Unification Church and Jehovah’s Witnesses.

The 1970s were also marked by concerted efforts on the part of the established shin shūkyō to compete with the shin shin shūkyō in attracting young converts. A good example is the Inner Trip movement launched by the Nichiren lay organization Reiyūkai (from which Risshō Kōsei-kai originally sprang). Sōka Gakkai, meanwhile, began holding youth-oriented World Peace Festivals, conceived as opportunities to organize and draw young people into the fold.

A Return to Traditional Values

Both the lay movements of the rapid-growth period and the sects and cults that emerged subsequently have lost ground in recent years. Religious groups of this sort have little appeal for today’s youth.

Sōka Gakkai, which used shakubuku (break and subdue) so effectively to build the organization during its heyday, now relies almost entirely on the children of existing members to replenish its ranks. The newer-style cults, similarly, have lost their impact and vitality and rarely come up in the media. In the realm of religious studies, the term shin shin shūkyō (new new religions) has virtually fallen out of use. With the passage of time, the phenomenon has been subsumed under the general category of shin shūkyō (new religions). And nowadays, shin shūkyō seems anything but new.

Cults and spiritual movements tend to exert a powerful appeal during times of social upheaval, when rapid change breeds deep uncertainty about the future. To be sure, the past few years have witnessed some traumatic events, including the 2008 financial meltdown and the 2011 Tōhoku earthquake and tsunami. But notwithstanding these setbacks, Japanese society as a whole is considerably more stable and predictable than it was during the period of rapid economic growth or the economic bubble of the 1980s. In terms of political and social stability, the Heisei era (1989–) thus far bears comparison with the Heian (794–1185) and Edo (1603–1868) periods.

Meiji Jingu: "the lush forest setting in which the shrine is situated helps convey a truly timeless Japanese spirituality."

In such times, traditional and conservative impulses tend to predominate. In the realm of religion and spirituality, this impulse is manifested as a preference for faiths that have stood the test of time, rather than new religions or cults.

Japan’s established religions are among the oldest in the world. Shintō goes back thousands of years, and while it has evolved considerably over time, its longevity and continuity as a system with its roots in primitive folk belief are probably unequaled.

Buddhism cannot be considered an indigenous religion, having entered by way of China and the Korean Peninsula, but its history in Japan goes back almost 1,500 years, to the middle of the sixth century. Since then, Buddhism has lost ground in China and Korea and has all but vanished from India, where it originated. Japan is one of only a handful of places, including Tibet and Vietnam, where Mahayana Buddhism persists as the dominant religion today.

Ise Shrine’s shikinen sengū rebuilding ceremony dates back to the end of the seventh century. Nara and Kyoto are brimming with magnificent monuments to Japan’s ancient religious heritage, Buddhist and Shintō alike. Because Japanese spirituality is inextricably connected with nature, most of these religious sites stress the natural environment in some way, and this element of nature worship accentuates the continuity with ancient religion. Tokyo’s Meiji Jingū, for example, dates only to the 1920s, but the lush forest setting in which the shrine is situated helps convey a truly timeless Japanese spirituality.

It seems to me that, to today’s young people, these ancient traditions offer something new and refreshing. I would suggest that their efforts to honor shrine and temple etiquette reveal an intuitive understanding that adhering to established ritual is the only way to truly enter into those traditions.

The nostalgic and conservative impulses underlying this trend are apparent as well in the political orientation of today’s young people. Amid rising political tensions between Japan and its neighbors in the region—particularly China and South Korea—these impulses tend to arouse an intense nationalism. Such feelings are exacerbated by Japan’s current sense of stagnation. Without the endless possibilities offered by rapid social change, the younger generation becomes restless and unconsciously looks forward to some dramatic event or development to relieve the boredom.

For an impulse to gel into a movement requires the leadership of some charismatic figure. It is doubtful that Sōka Gakkai would have grown into such a huge religious community had it not been for two such leaders, Toda Jōsei and Ikeda Daisaku. Likewise, there would have been no Aum Shinrikyō without Asahara Shōkō. Whether a comparable figure will emerge again any time soon is impossible to say. But in today’s climate, the emergence of a charismatic leader capable of focusing the inchoate spiritual longings of today’s youth may be all that is needed to give rise to a major new religious movement in Japan.

“Efforts to honor shrine and temple etiquette reveal an intuitive understanding that adhering to established ritual is the only way to truly enter into ancient traditions.”


The Colours of Shinto (masakaki)

A priest arranges the five-coloured banner of the masakaki at Yasaka Jinja in Kyoto

 

Green Shinto is delighted to present a learned article by Australian academic, Jann Williams, who has been exploring the use of elements in Japan.  In the article below, she looks in particular at why Shinto uses certain colours for its masakaki banners.  These are first mentioned in the mythology, but were formalised in 1875 in the Rules for Ritual Procedure at Shrines.  According to the Encyclopedia of Shinto, the term masakaki “is used to refer to two poles of Japanese cypress (hinoki), to the tips of which are attached branches of sakaki, and below which are attached five-color silks (blue, yellow, red, white, and purple). The pole on the right (when facing the shrine) is decorated with a mirror and a jewel, and the one on the left with a sword.”

*********************************************************

The Colours of Shinto (or The elements of Shinto)
Professor Jann Williams, Tasmania, Australia  April 3, 2015

The mirror and jewels tell us this masakaki stands on the right-hand side of the shrine

In August 2014 Green Shinto’s Facebook page carried a piece about the ceremonies held at Yasaka Jinja in association with the end of the Gion Festival. A focus of the post was the meaning of the five colours associated with masakaki decoration a priest was attending to at the shrine. Several interpretations of the colours were given in response.  In this update I’ll summarise these different ideas and bring a further perspective – one based on the elements.

On the Green Shinto Facebook site, the question was posed as to whether the colours were the same as those used in Pure Land Buddhism, with the symbolism differentiated at some point to fit with Shinto. In response to this suggestion, links were given in the comments to the onmarkproductions Buddhist material on Goshiko (Five colours) and Goseishoku (Five primary colours); a possible link to the Daoist association with the five phases was raised, and a suggestion made to contact Rev Barrish at the Tsubuki Grand Shrine in the US. The response he provided went as follows:

 “The five colours of the masakaki banner, which has its origins in the decorations of the sakaki tree outside Amaterasu’s Cave: “Black (purple) means North (Ara Mitama), Blue (green) means East (Kushi Mitama), Red means South (Sachi Mitama), White means West (Nigi Mitama), Yellow means the sacred Center (Nao-Hi =sun rays).”

These responses give a sense of the potential influences on the colours of Shinto. The diversity in Goshiko is summarized on the Daruma Museum blogspot, which gives both Buddhist and Shinto examples (see http://darumamuseum.blogspot.com.au/2010/02/goshiki-five-colors.html).

My interest in the colours of Shinto comes from a broader exploration of the elements in Japan. In my experience the two are intimately related. The elements are a vast and complex topic, so these observations are bound to be refined over time. In my preliminary research there appears to be three main streams related to the elements in Japan, relevant both historically and in modern times:

1) Gogyo – the five phase (element) philosophy (earth, fire, water, metal and wood) associated with the Tao/Chinese philosophies of Yin Yang and Wu Xing. This system was used to varying degrees by the Bureau of Onmyo (Onmyo-ryo) in Japan for over 1000 years and expresses itself in many ways (e.g. in divination, the tea ceremony, the placement of buildings; the original Japanese calendar);

2) Godai – the ‘Five Great’ Elements in Japanese Buddhism (earth, fire, water, air/wind, space/void), originating in India and coming to Japan via China. These elements are found in the Book of Five Rings and are used by the ninja, amongst other martial arts;

3) Rokudai – the ‘Six Great’ Elements of esoteric Shingon Buddhism (earth, fire, water, air, space/void and consciousness), again coming to Japan from India via China.

The lefthand pole has a sword, at the top of which sits a branch of the sacred sakaki tree, festooned with white strips of paper (known as shide).

The Tao/Chinese and Buddhist/Indian philosophies of the elements have a long history in Japan, which has blended these into its own way of doing things. Shinto is no exception, having been influenced by each of these philosophies. This is not surprising given its syncretic nature. I have no doubt that the more I explore this area the more nuances will arise, especially in relation to the different Buddhist sects.

In each of the three main streams above the different elements, except consciousness (although perhaps this is ‘clear light’?), are related to different colours, as well as directions and other characteristics. For this post the relevant information about colours and the elements follows:

  • Gogyo: Black/purple = water; Blue/green = wood/tree; Red = fire; White = metal and Yellow = earth;
  • Godai – different combinations of colours and the elements are found in different Buddhist sects. A common combination described on the onmarkproductions site is: Black/purple = space/void; Blue/green = earth; Red = fire; White = wind/air and Yellow = water;
  • Rokudai: Green = air; Blue = water; Red = fire; White = space and Yellow = earth (japanesesymbolsofpresence.com; consciousness isn’t included in their description).

So do the five colours of Shinto reflect the Gogyo or the Godai (Rokudai is included here) philosophies, or both? I’ve read that the five coloured Shinto banners are particularly found in shrines with strong Buddhist connections. This suggests a possible Godai connection to the banners.

The influence of Yin Yang and the five phases on Shinto is well documented so could also be reflected in the five colours found at shrines. The colours associated with Gogyo certainly seem to match those found there. The Gogyo colour/element combination is consistently applied as far as I’m aware, whereas the Buddhist combination varies depending on the sect. If the five Shinto colours are also consistent across shrines it suggests a possible influence by the Onmyo-ryo.

Getting back to my question then. For a number of reasons I’m currently leaning towards the five colours in Shinto and their related elements, directions etc. have their origins in Yin Yang and the five phases/Gogyo. I’m hoping that this statement will generate some debate! Perhaps the topic has already been systematically addressed and I haven’t discovered it yet. So far though I have mainly come across sometimes selective, sometimes contradictory and sometimes concealed views on the elements in Japan. That makes the research all the more interesting.

The elements are used in at least one different context in Shinto. In the book Kami no Michi by Yamamoto Yukitaka the words “purify the six elements of existence” are chanted during the ritual of misogi harai. These are a different set of ‘elements’ again.

It seems this practice has been adopted from Shugendo Buddhism and that the six ‘elements’ in this case relate to purification of the six senses – sight, hearing, smell, taste, mind and body. These senses, described as ‘rokon shojo’ in Japanese, have been translated as ‘six elements’, ‘six paths’ and the ‘six sacred roots.’ As noted, the study of the elements in Japan is vast and complex.

**************

Shusse Inari Jinja of America gives this advice for the use of masakaki with home altars:

  • Masakaki: A pair of wooden poles topped with a sakaki (evergreen branch). Hanging from each pole are five colored silks of green, red, white, purple, and yellow representing the directions east, south, west, north, and center, respectively. The Sanshu no Jingi (Three Sacred Treasures) also hang from the masakaki. Place the masakaki with the mirror and jewel to the right of the kamidana, and the one with the sword to the left.

The use of sakaki as a sacred evergreen dates back to the Kojiki, where it is used at the festival to draw Amaterasu out of her cave and decorated with jewel beads, a mirror, and cloth (possibly coloured strips as in shamanism).

 

 

Steel Phallus Festival

Photo courtesy Chris McGrath/Getty Images

 

The first Sunday in April sees the Kanamara Festival in Kawasaki take place. This year by a curious coincidence it falls on the same weekend as Easter.  In fact, it’s not really a coincidence at all, as Christianity took springtime with its celebrations of rebirth and renewal as an opportunity to celebrate the resurrection of Jesus.  The Easter bunny and the Easter egg are remnants from pagan fertility rites, and in Japan one of the most graphic fertility festivals is the Kanamara Matsuri.  As the Huffington Post put it last year….

‘Each spring, people flock to Kawasaki, Japan, to celebrate Kanamara Matsuri, aka the “Festival of the Steel Phallus.” – a celebration of the penis and fertility. People parade gigantic phallic-shaped mikoshi (portable Shinto shrines) down the streets during the event, as revelers suck on penis lollipops, buy penis-themed memorabilia and pose with sculptures in the shape of — you guessed it — penises.

According to the BBC, the festival is believed to have roots in the 17th century, when prostitutes are said to have prayed for protection from sexually transmitted infections at Kawasaki’s Kanamara shrine. Today, the festival reportedly raises awareness about safe sex practices and fundraises for HIV prevention.

Shinto and sex have been intertwined since mythological times. The national creation myth involves Izanagi no Mikoto and Izanami no Mikoto stirring the primordial muck with a “heavenly jeweled spear” from which congealed bits drip off – generally thought to be an allegorical penis dripping sperm.  Later in the Kojiki, Amenouzume no Mikoto flashes her sexual organs at the festival held in front of the Rock Cave in which Amaterasu is hiding. Curious to see what is going on, the Sun Goddess peers out and, distracted by her reflection in a mirror, is lured out, thereby restoring light to the world. Sex and sexuality are thus firmly aligned with positivity, with creativity, and with the lifeforce.  Small wonder then that springtime sees so many Shinto festivals…

***********************************

Phallic representations were once common across Japan, as this one at Yaegaki Shrine

Wikipedia
Kanamara Matsuri (“Festival of the Steel Phallus”) is held each spring at the Kanayama Shrine in Kawasaki, Japan. The exact dates vary: the main festivities fall on the first Sunday in April. The penis, as the central theme of the event, is reflected in illustrations, candy, carved vegetables, decorations, and a mikoshi parade.

The Kanamara Matsuri is centred on a local penis-venerating shrine. The legend being that a sharp-toothed demon (vagina dentata) hid inside the vagina of a young woman and castrated two young men on their wedding nights. As a result, the young woman sought help from a blacksmith, who fashioned an iron phallus to break the demon’s teeth, which led to the enshrinement of the item. This legend in Ainu language was published as “The Island of Women” by Basil Hall Chamberlain.

The Kanayama Shrine was popular among prostitutes who wished to pray for protection from sexually transmitted infections. It is also said the shrine offers divine protections for business prosperity, and for the clan’s prosperity; and for easy delivery, marriage, and married-couple harmony. Today, the festival has become something of a tourist attraction and is used to raise money for HIV research.

*****************************************

Information below is taken from a private blog: 

The Origin of the Giant Pink Penis Festival
During the Edo period (early 1600s) Kawasaki became an important town, being so close to the capital (only a river separates Tokyo to Kawasaki.) Kawasaki It was also one of the last stops for travelers on the Tōkaidō between Edo and other western destinations. Like all good tourist area, Kawasaki had its share of recreation for weary travellers. One such “recreation” was the famous tea houses. In these tea houses, they didn’t only sell tea but also the use of young women for a limited time.

Kanamara shrine was visited by such prostitutes to pray for the protection of the gods against venereal diseases.

A phallic candy

The legend goes that a women’s vagina was inhabited with a toothed demon who would bite off the penis of men. After having castrated her newly-wed husband on two different occasion, she went to see a metalsmith who made her a penis made of metal to break the teeth of the demon, thus allowing her to have a normal life. (would the toothed demon be an allegory for a STD?)

With time, the local prostitutes visited the shrine for protection against STDs and other people went to pray for fertility, abundance in business and in life.

The Giant Pink Penis Festival Today
Today, the festival is a huge touristic attraction with thousands of people flocking to the event. The festival is used to bring awareness to STDs in general and raise funds to combat HIV. People can take pictures with the giant pink penis, ride the battering ram sized penis, buy penis shaped candies, dress as penises, carve penis shaped vegetables, etc.

***********************************************

For photos of the festival, see the Huffington Post.  For a 4-minute video of the festival, see the Japan Visitor page.  For another phallic festival, see the Green Shinto post on the Honen Festival.

In Bhutan, where the phallus is a symbol of the lifeforce that frightens away evil spirits, it's not uncommon to see representations guarding ordinary households.

Essay competition

Can Shinto influence the environment? It's a very open question...

 

ISSA Shinto Essay Competition, 2015
Sponsored by International Shinto Studies Association

Topics: (1) Shrine Festivals in Contemporary Japan; (2) Shinto and Christianity; (3) Can Shinto Influence the Environment?

1st prize: A round-trip ticket and a week’s accommodation expenses in Japan (or an equivalent amount of prize money). The 1st prize winner will be awarded at the International Shinto Seminar on October 31, 2015 in Tokyo, Japan.  2nd prize: JPY100,000.  3rd prize: JPY50,000

Shinto festivals can take many forms - a great subject to write about.

Regulations
The competition is open to university students (undergraduates, graduates) and researchers. Applicants should submit an essay of up to 5000 words (including footnotes and bibliography) on one of the above topics.
Essays will be judged on their originality and the clarity of their argument. Essays should be e-mailed as Word file attachments in 12-point type, double-spaced, on A-4 format to info@shinto.org. All entries must be received before July 31, 2015. Applicants must attach a brief biography (including nationality, current postal and email addresses) on a separate sheet.

Important Advice
1. We strongly recommend that non-native speakers of English have their essays checked by a native speaker.
2. It is vital for all applicants to cite all sources used. Failure to do may constitute plagiarism, and lead to the disqualification of the submitted essay. Sources can be cited as either footnotes or endnotes. For examples of how to cite sources, the applicant can refer to one of the following: a) The footnotes as used in Japanese Journal for Religious Studies (JJRS articles can be accessed on line at Nanzan Institute’s website;  b) The end-notes as used in Breen and Teeuwen, A New History of Shinto, Wiley-Blackwell, 2010.
3. We ask that all applicants append to the essay a bibliography of the sources used in the writing of the essay.

Notes
1. Those who have already been awarded prizes in previous years’ competitions are not eligible to participate.
2. All entrants will be notified of competition results, and winners will be publicly announced in October 2015. Winners will receive prize money by PayPal account or bank transfer unless arranged otherwise. All submissions become the property of International Shinto Studies Association. Winning papers will be presented on the ISSA web site.

Inquiries
Please address all e-mail inquiries regarding the Shinto essay competition to info[at mark]shinto.org.

Shinto and Christianity: a memorial for Hidden Christians killed in the seventeenth century on the island of Ikitsuki, Nagasaki Prefecture

Cherry blossom (Hirano)


Cherry blossom has arrived in Kyoto!  The trees along the Kamogawa are out in glorious bloom, and people are flocking to the petals in Hirano Jinja, Kyoto’s special shrine for cherry blossom.  Yesterday was the first fine day for the emerging blossom, but since it was a Monday the crowds were not yet out in force.  Next weekend is sure to see a peak.

Hirano Jinja is one of thirteen Kyoto shrines in Cali and Dougill’s Shinto Shrines: A Guide to the Sacred Sites of Japan’s Ancient Religion (Univ of Hawaii, 2013).  From that we learn the shrine was founded in 782 in Nara, before being relocated to the new capital of Heiankyo (Kyoto) in 794.  The present buildings date from 1625, and with their unpainted wood and cypress-bark tiles they present an evocative rustic appearance.

The shrine has long been considered prestigious.  It may have been intended by Emperor Kanmu to guard the north-west of his new capital, and the Engishiki (967) mentions it as guardian of the imperial kitchen.  It was one of only 16 shrines to receive regular offerings from the emperor, and the hereditary priests were drawn from the powerful Urabe clan who specialised in tortoise-shell divination.  (The Urabe were one of the three ‘houses of Shinto’, who later divided to form the influential Yoshida lineage.)

The four Hirano kami are unusual.  According to the shrine, Imaki okami is a god of revitalisation; Kudo okami is a deity of the cooking pot; Furuaki okami is a deity of new beginnings; Hime no okami is a deity of fertility and discovery.  There are suggestions of links with Paekche (in Korea) and that the last kami is in fact the ancestral spirit of Emperor Kanmu’s mother, who was descended from a king of Paekche.

The people who throng the shrine these days are little concerned with history, however.  Their concerns are with saké, picnic, conviviality and the brief glimpses of the moon appearing through clouds of pink blossom.  Within the compound are some 500 cherry trees, and the shrine was noted even in Heian times as a place to go for blossom viewing.  Now with lanterns dotting the grounds and a classical guitar strumming ‘Sakura’ in the Haiden, the shrine is a celebration of spring beauty and the touching brevity of life in this world.

Cherry blossom selfies are much in vogue this year

 

Even without cherry blossom the Honden (Sanctuary) has an attractive air with its gabled cypressbark roof, slender chigi crossbeams and goldplated details such as the imperial chrysanthemum

 

As evening falls, the stalls begin to do good business with people arriving after work for 'hanami' (blossom viewing parties)

 

For some the party takes precedence over the cherry blossom!

 

For others the combination of moon and cherry blossom is enrapturing... how happy the wandering poet Saigyo would have been!

 

Paper lanterns painted by primary schoolchildren adorn the grounds

 

Only two more weeks of cherry blossom heaven... A gift indeed from the gods.

Kami relocation

Priests at Fushimi Inari walk past the protective sheets put up to shield the moving of the kami at their annual matsuri

 

Anyone who has seen kami being moved from one place to another will know it’s an occasion of much pomp and mystery.  The kami are shrouded with sheets so as to be kept free from impure gaze, there may be gagaku music, and priests may make eerie sounds to indicate the presence of the divine.  On Friday, as reported by the Asahi below, Kasuga Taisha witnessed such an event as the shrine prepares for its shikinen sengu renewal (it’s one of only a handful of shrines that keep to the ancient practice).

*********************************************

Photo by Noboru Tomura

Under cover of curtains, deities transferred at Nara shrine
By NORIHIDE FURUSAWA/ Asahi  March 28, 2015

NARA–Shinto priests relocated enshrined deities at Kasuga Taisha shrine in a nighttime ceremony held on March 27 amid repair work on the UNESCO World Heritage site.

The main hall and furnishings of the eighth-century shrine are refurbished every 20 years. This will be the 60th time that the work will be undertaken.

The ceremony got under way at 7 p.m. as chief priest Hirotada Kasanoin and other shrine officials transferred the deities one by one to a temporary facility located west of the main building.

The area around the facilities was covered with large white curtains, and Shinto priests made sounds with their voices to signify the presence of the deities.

The shrine’s main hall will be open to public between April 1 and May 31, after which work will start to restore the interior and construct a new roof.

The deities are scheduled to be returned to the main building on Nov. 6, 2016.

Kasuga Taisha, now preparing for its 20 year renewal (the deer are exempted)

« Older posts Newer posts »

© 2024 Green Shinto

Theme by Anders NorénUp ↑