There’s a tendency for the modern world to think in terms of a clear difference between the animate and inanimate. The former are living and the latter are dead. There’s a clear linguistic divide.
But for many cultures and visionaries, the division is by no means so simple. Or simplistic. Take for example the Arab mystic, Ibn Arabi, who saw the world in terms of gradation…
“God sleeps in the rock, dreams in the plant, stirs in the animal, and awakens in man.”
For those new to Japan, the notion of rocks as equally divine as trees is puzzling. Trees are magnificent creatures that react to their environment and grow upwards in similar manner to human beings. How can they possibly be bracketed with the physical material of an insensate rock?
Shinto, however, teaches us that all worldly substance is imbued with divinity. Paradise is here on earth, and kami inhabit rocks even more so than trees. In the mythology they even descend from heaven in rock-boats. Similarly rocks are likely to be the main features of a Japanese garden, and harnessing their power is a key to creating the dynamism that characterises the tradition.
In the passage below Eckhart Tolle discusses the spirituality of flowers, yet he begins with stone. Here the divide is not between the animate and inanimate, but between form and the formless. The focus may be on the beauty of flowers, but rocks too are part of the ongoing process of creation. As Alan Watts noted, we humans are born out of the rock of mother Earth, just as fruit is born out of a tree.