Tag: three-legged torii

Hata Part 4: Triangular torii

According to the internet, there are seven triangular torii in the whole of Japan.  Most of these are modern constructions, and may simply be copies of Kyoto’s Konoshima Jinja.  Only one other has a genuine claim of antiquity – on the island of Tsushima, close to Korea.  I happen to have visited that too.

A noticeboard in the grounds of the Konoshima Jinja says that the original construction of the triangular torii is unknown, but records show it was rebuilt 300 years ago after a fire.  Regarding the purpose, there are two theories.  One concerns the descent of the kami into the pile of stones in its midst, with the ‘spirit-body’ open to worship from all sides.  The cosmic connection, open to the heavens, would thus have been complemented by the all-round access and immersion in nature.

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The triangular torii should be standing in water, known in one variant as Moto Tadasu no Ike.  The name suggests it was the original of that at Shimogamo, and as with the Kamo clan shrine there is a festival in which participants wade through the water for good health.

‘There’s another theory that it’s connected to Nestorian Christianity,’ the board states cryptically, without explaining what it is exactly. Fortunately, the Wikipedia entry for Mihashira Torii (three-legged torii) amplifies the theory somewhat:

The primary historical example of a mihashira torii is found in the records of Konoshima Shrine in Kyoto. These records states that a triangular torii was rebuilt in 1716-1736, after a fire. The text hints at a reference to Nestorianism in the construction of the torii, and says that the three pillars represent the heavens, the earth, and mankind. This is not an interpretation common in Shinto beliefs.

This, to me, is bizarre.  First of all, no one in their right mind in eighteenth-century Japan would claim to possessing anything connected to Christianity.  The Tokugawa were paranoid about the European religion, and every single known Christian in Kyoto had been burnt, crucified or forced into hiding in the remotest of villages.  Persecution was so intense that mere suspicion could lead to the most excruciating torture.  (See my book on Hidden Christians.)

Secondly, there is nothing at all odd about the three pillars representing heaven, earth and mankind.  This is the Taoist triad, and as anyone familar with Shinto knows, there was a huge amount of borrowing from Taoism.  The emblem of the mitsudomoe (mitsu tomoe) is a prime example, with its three commas twirling round each other.  ‘Some view the mitsudomoe as representative of the threefold division (Man, Earth, and Sky) at the heart of the Shinto religion,’ says the Wikipedia page on mitsu tomoe.  Wikipedia here confounds Wikipedia – a glaring instance of why it’s not to be trusted!

So if the torii has nothing to do with the Trinity, what has it to do with?  As mentioned, there is another three-sided torii in Tsushima, and there are striking similarities between the two.  Both were built at an unknown date and for an unknown reason.  Both have a pile of stones or rocks at their centre. And both are in watery settings, the one in Kyoto standing in a pond, that at Tsushima standing in seawater as the incoming tide covers its base.

The three-legged torii at Watatsumi Shrine in Tsushima, close to the Korean peninsula.  The notice says that this is how the structure is thought to have looked originally.

The three-legged torii at Watatsumi Shrine in Tsushima, close to the Korean peninsula. The notice says that this is how the structure is thought to have looked originally.  That at Konoshima Jinja has been rebuilt in modern times.

Here I’d like to put forward a theory of my own, linking the two torii with the Hata.  Since the clan moved en masse from Korea into Kyushu, it’s almost certain that the first port of call would have been Tsushima.  You can actually see the island from the tip of the Busan shoreline.

The torii stands in the grounds of Watatsumi Shrine, which faces directly towards Korea.  It would have made a natural landing ground.  Indeed, this is almost spelt out by a row of torii running down into the sea to welcome visitors.  Could not the torii mark the spot where a Hata leader first set foot upon the shore – the ‘descent’ of an ancestral kami?  There are similar markers along the Inland Sea shoreline where ‘kami’ ‘descended’ onto sacred rocks (the one at Kamikura Shrine in Wakayama Prefecture being a notable example).

The Hata had spent centuries under the influence of the Koreans, whose religious outlook was shaped by Siberian shamanism. Rock worship is a notable element, with the permanence embodied in the rocks contrasting with the perishable nature of human life. For Koreans, you could say, immortality is carved in rock.

A characteristic of shamanism is the summoning down of spirits, and the pile of stones in the middle of the torii would have acted as spiritual vessel. In a material world, rock gives the insubstantial spirit substance.  In Shinto mythology, gods are described as descending in ‘rock boats’ for a similar reason.  Wooden boats rot; rock-boats last forever.

The Shinto emblem commonly seen at shrines, particularly on drums, is the mitsu tomoe (mitsudomoe), thought to symbolise Earth, Heaven and Humans.

The three-sided torii that surmounts the stones might well have represented the harmonious coming together of Heaven, Earth and Mankind in the shamanic ceremonies.  The Hata would thus have been reflecting their continental origins, with Chinese teaching underpinning Korean shamanism.

Interestingly, Tsushima has a tradition known as the Tendo faith, in which a temporary altar is constructed in a lush forest for spirits to descend. ‘Such practices also appear as elements of rituals on the Korean peninsula,’ notes the Kokugakuin encyclopedia.

Torii only developed in Heian times, so one can presume the three-sided version dates from then or afterwards.  But that doesn’t mean there wasn’t a three-sided structure of some kind before that,  peculiar to the Hata (clans developed their own distinctive beliefs and rituals).  Prototypes certainly existed in Korea in the form of gates at the edge of villages which were used as a chicken roost.  (Torii literally means ‘bird roost’.)

Though gateways are two-legged, it’s worth noting the universal appeal of the number three in religious terms. It speaks to the tripartite nature of human thought.  Past, present, future.  Father, mother, child.  Beginning, middle, end.  Birth, life, death.  Earth, Sun, Moon. Or in shamanic terms, the Upper, Middle and Lower Worlds.  It’s worth noting too the structural solidity of the triangular structure itself, which makes it robust enough to withstand the elements and even the natural disasters that plague Japan.

When the Hata settled in Uzumasa, they would have brought with them the memory of their legendary migration with them.  In place of the sea over which they had travelled, they turned a flowing stream into a pond.  And in the middle they piled stones to assist the descent of their clan ancestors.  Water, earth, wood, wind and sky – all the elements were there for drawing down the spirits of the past.

As the imperial regime tightened its control over the clans, the shamanic element of their early ways died away in favour of a centralised priesthood.  Uniform officials replaced feathered shamans.  And as the ritualists took charge, the whole purpose of the three-legged torii was forgotten as the art of summoning spirits was replaced by formulaic utterances.  With the openness of outdoor worship  replaced by buildings that housed an unseen ‘spirit-body’, the three-sided torii was left to decay in the water in which it stood.  A once magical triangle had lost its magic.

Watatsumi Jinja approach from the sea

The torii at Watatsumi Shrine lead significantly down to the sea with the outermost becoming semi-submerged at high tide. The shrine is on the side of the island facing towards Korea: what ancestral spirits might they be welcoming?

 

For an Overview of the Hata, see Part One of this series.
See Part Two, about Hata Kawakatsu, founder of Koryu-ji.
Or see Part Three about Konoshima Jinja (Kaiko no Yashiro).
For part five of the series on ties with Buddhism, please click here.

Hata Part 3: Silkworm Shrine

Kaiko no Yashiro

Entrance to Konoshima Jinja, better known as Kaiko no Yashiro (Silkworm Shrine), in the Uzumasa district of Kyoto.

Much about the Hata is shrouded in mystery and lost in time.  In which century did they arrive into Japan?  Did they come from Korea, from China – or somewhere far beyond that along the Silk Road?  What belief systems did they pick up on their trails – Buddhism, Judaism, Korean shamanism, Nestorian Christianity?

The uncertainty has led to some fanciful theories, sparked by the triangular torii that stands to the side of the Worship Hall at Konoshima Jinja. (See next post.)  The shrine is known popularly as the Silkworm Shrine or Kaiko no Yashiro, because of a subshrine in the grounds dedicated to the silkworm deity.  It was for their work in spreading sericulture in Japan that the Hata are best known.

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Through the torii is a section of Inari subshrines, one of which is in a cave-like hollow beneath the ground.

The shrine is a curious affair, well-kept yet always strangely deserted whenever I’ve been there.  There is nothing to suggest any interest in visitors, no note to explain when the shrine office is open, no invitation to ring a bell for the priest, and no indication of any goods for sale.  Worst of all, in my opinion, the pond is empty of water though a noticeboard boasts of how it shows a connection with nature. (What factors are involved in maintaining the water I’m uncertain.)

My Japanese companion suggested the shrine had made money from selling off land and therefore had no interest in attending to business.  Perhaps she’s right.  But nonetheless it’s sad that a shrine boasting such a rich heritage should be unprepared to do more for visitors.

As one might expect from a Hata shrine, a section of the grounds is set aside for Inari worship.  There is not just one subshrine, but three or four.  One of them, unusually, is in a cave-like hollow below ground, as if to suggest a fox’s lair.

Another curious feature is that the pond is called Moto Tadasu no ike (Original Tadasu Pond).   Shimogamo Jinja is well known for its Tadasu Woods, but it seems Konoshima Jinja claims to have had the original (tadasu has the sense of atonement, or cleansing negativity through purification).  At one time, apparently, there was a surrounding mulberry forest known as ‘Mototadasu-no-Mori’ to feed the silkworms. It suggests some kind of connection between the two shrines.

Konoshima Jinja haiden

The Worship Hall (Haiden). Notice the distinctive aoi emblem on the lanterns, usually associated with the Kamo clan.

Another connection with Shimogamo Jinja lies in the use of the aoi emblem.  The flower is closely connected with the Kamo clan, who had also settled in the Kyoto basin in pre-Heian times and founded the Kamigamo and Shimogamo Shrines.

At the Aoi Festival every May the plant is used to decorate the costumes of participants, and it is widely used as an emblem at the shrines. It seems at some stage the Hata clan became allied to the Kamo through marriage and adopted the aoi emblem too (Matsuo Taisha also uses it).

But the most intriguing feature of the Konoshima Shrine is undoubtedly the triangular torii that stands to the left of the Worship Hall.  Its date and purpose are unknown, but it is closely connected with the Hata.  And it’s a subject I’d like to deal with in a separate post.  Dear Reader, read on…

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The Maiden or Kaguraden is used for performances to entertain the kami. To the left of the picture stands a most unusual three-sided torii.

For Part Four on this series about the Hata clan, please click here.

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